Venus in Evening Wear | |
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Directed by | Robert Land |
Written by | |
Produced by | |
Starring | |
Cinematography | Edgar S. Ziesemer |
Music by | Walter Ulfig |
Production company | International Film-Exchange |
Distributed by | International Film-Exchange |
Release date | 13 April 1927 |
Country | Germany |
Languages |
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Venus in Evening Wear (German: Venus im Frack) is a 1927 German silent film directed by Robert Land and starring Carmen Boni, Georg Alexander and Henri De Vries. [1]
The art direction was by Oscar Friedrich Werndorff and Erich Zander.
and in alphabetical order
Carmen Boni was an Italian actress.
Henri de Vries, born Hendricus Petrus Lodewicus van Walterop, was a Dutch actor.
Karl Conrad Elzer was a German film actor.
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The Brothers Schellenberg is a 1926 German silent drama film directed by Karl Grune and starring Conrad Veidt, Lil Dagover and Liane Haid. It was shot at the Babelsberg Studios in Berlin with sets designed by the art director Karl Görge. It was based on a novel by Bernhard Kellermann. It premiered at the Palast-am-Zoo.
Should We Be Silent? is a 1926 German silent drama film directed by Richard Oswald and starring Conrad Veidt, Walter Rilla and Henri De Vries. It was made at the Johannisthal Studios in Berlin. The film's art direction was by Heinrich Richter-Berlin. The film exists only in fragmentary form.
How Do I Marry the Boss? is a 1927 German silent comedy film directed by Erich Schönfelder and starring Henri De Vries, Robert Garrison, and Dina Gralla. The film's sets were designed by the art director Max Heilbronner.
The Prisoners of Shanghai is a 1927 German silent drama film directed by Géza von Bolváry and Augusto Genina and starring Carmen Boni, Jack Trevor, and Bernhard Goetzke. The film's sets were designed by the art director István Szirontai Lhotka. It focuses on similar themes to the subsequent Hollywood films Shanghai Express (1932) and The Bitter Tea of General Yen (1933).
The Opera Ball is a 1931 German musical comedy film directed by Max Neufeld and starring Iván Petrovich, Liane Haid and Georg Alexander. It was shot at the Halensee Studios in Berlin. The film's sets were designed by the art directors Karl Weber and Erich Zander. It was part of a large group of operetta films made during the decade, although he film is not based on the operetta Der Opernball. The following year it was remade in French as Beauty Spot. A 1932 British remake After the Ball was also made.
Princess Olala is a 1928 German silent drama film directed by Robert Land and starring Carmen Boni, Walter Rilla, Marlene Dietrich and Hans Albers. It is also known by the alternative title of Art of Love. It was made at the Tempelhof Studios in Berlin. The film's sets were designed by the art director Robert Neppach.
Their Last Love Affair is a 1927 German silent film directed by Max Reichmann and starring Gustav Fröhlich, Vera Schmiterlöw and Carmen Boni. In the United Kingdom it was released under the alternative title of Always Tell Auntie.
Love Is the Power of Women is a 1924 German silent drama film directed by Erich Engel and Georg Bluen and starring Fern Andra, Henri Peters-Arnolds, and Fred Immler.
Agitated Women is a 1927 German silent drama film directed by Richard Oswald and starring Asta Nielsen, Carmen Boni and Gustav Fröhlich. It was shot at the EFA Studios in Berlin. The film's sets were designed by the art director Gustav A. Knauer.
Love's Masquerade is a 1928 German silent film directed by Augusto Genina and starring Carmen Boni, Hans Junkermann and Olga Engl.
The World Wants To Be Deceived is a 1926 German silent film directed by Peter Paul Felner and starring Harry Liedtke, Georg Alexander and Mady Christians.
The Game with Women is a 1922 German silent drama film directed by Adolf E. Licho and starring Hanni Weisse, Georg Alexander, and Lotte Neumann.
Girls You Don't Marry is a 1924 German silent comedy film directed by Géza von Bolváry and starring Ellen Kürti, Karl Beckersachs, and Paul Otto.
Uta Priew is a German operatic mezzo-soprano.