Vertigo Sea is a 48-minute immersive three-channel video installation created by the British artist and filmmaker John Akomfrah in 2015. It is a meditation on man's relationship with the sea and explores issues including the history of slavery, migration, conflict, and ecological concerns such as whale and polar bear hunting and nuclear testing. It combines original footage filmed on the Isle of Skye, the Faroe Islands and the Northern regions of Norway, with archival material primarily from the BBC Natural History Unit. It also draws inspiration from two literary works: Moby-Dick by Herman Melville and the poem Whale Nation by Heathcote Williams. It premiered at the 56th Venice Biennale in 2015 which was curated by Okwui Enwezor. [1]
The original soundtrack was composed by Tandis Jenhudson. [24]
In its review of the 2015 Venice Biennale, The Guardian called Vertigo Sea as a "pained lyric to a passing world". [25] The Guardian's Adrian Searle provided a more in-depth review for the 2016 Arnolfini exhibition in Bristol, describing it as a "visual assault...ravishing and awful, sublime and depressing". [26]
The Arts Desk described it as an "epic meditation on mankind's relationship with the watery world" and "an elegantly choreographed 48-minute montage across three screens". It concluded that "there's no stronger way to get people to act than by showing what we stand to lose".
In its review of the 2017 Whitworth exhibition in Manchester, the New African magazine stated that it is "an enthralling montage of perplexing images and sounds, it consistently throws the viewer into scrutinising current heightened concerns on race, identity and migration". [27]
Afterimage described the "constant shifting and layering of sound and image across three large screens" that "creates an immersive spectacle and affecting experience that compels viewers' eyes, ears and emotions." It also highlighted the film's soundtrack, with sound borrowed from tragic opera arias, overlaid and intermingling with natural sounds and a "melancholic ambient score by British composer Tandis Jenhudson, which together suggest a funerary requiem". [28]
In their reviews of the 2018 Strange Days exhibition in London, Time Out stated that Vertigo Sea "steals the show with its lyrical, poignant and often shocking meditation on the Atlantic as a place of historical trauma, while the Evening Standard's Ben Luke described it as an "epic, elemental three-screen masterpiece".
The Cornell Daily Sun , in its 2019 review of the Johnson museum exhibition, described it as "stunning both in its beauty and horror" stating that "Akomfrah creates a visual installation that is overwhelming in its size and stimulus but with the purpose of remembering that the world remains a truly complex and weirdly beautiful place". [29]
In 2020, ARTnews ranked Vertigo Sea 2nd among John Akomfrah's five best works, one behind his 1986 film Handsworth Songs. [30]
Hito Steyerl is a German filmmaker, moving image artist, writer, and innovator of the essay documentary. Her principal topics of interest are media, technology, and the global circulation of images. Steyerl holds a PhD in philosophy from the Academy of Fine Arts Vienna. She has been a professor of Current Digital Media at the Academy of Fine Arts in Munich since 2024. Until 2024, she was a professor of New Media Art at the Berlin University of the Arts, where she co-founded the Research Center for Proxy Politics, together with Vera Tollmann and Boaz Levin.
Dame Sonia Dawn Boyce is a British Afro-Caribbean artist and educator who lives and works in London. She is a Professor of Black Art and Design at University of the Arts London. Boyce's research interests explore art as a social practice and the critical and contextual debates that arise from this area of study. Boyce has been closely collaborating with other artists since 1990 with a focus on collaborative work, frequently involving improvisation and unplanned performative actions on the part of her collaborators. Boyce's work involves a variety of media, such as drawing, print, photography, video, and sound. Her art explores "the relationship between sound and memory, the dynamics of space, and incorporating the spectator". To date, Boyce has taught Fine Art studio practice for more than 30 years in several art colleges across the UK.
Ivon Hitchens was an English painter who started exhibiting during the 1920s. He became part of the 'London Group' of artists and exhibited with them during the 1930s. His house was bombed in 1940 during World War II. Hitchens and his family abandoned London for the Sussex countryside, where he acquired a small area of woodland on Lavington Common, and lived there in a caravan, which he gradually augmented with a series of buildings. It was here that the artist further developed his fascination with the woodland subject matter, and this pre-occupation continued until the artist's death in 1979.
Miyako Ishiuchi, is a Japanese photographer.
Sir John Akomfrah is a Ghanaian-born British artist, writer, film director, screenwriter, theorist and curator of Ghanaian descent, whose "commitment to a radicalism both of politics and of cinematic form finds expression in all his films".
Gerard Byrne is an Irish artist. He works primarily in film, video and photography in large-scale installations which reconstruct imagery found in magazine published in the 1970s through the 1980s.
Sonia Falcone, born March 27, 1965, in Santa Cruz de la Sierra, Bolivia, is a Bolivian artist known for her painting and installation work. She currently resides in Mexico and is a naturalized Mexican citizen.
Haroon Mirza is a British contemporary visual artist, of Pakistani descent. He is best known for sculptural installations that generate audio compositions.
Massimiliano Gioni is an Italian curator and contemporary art critic based in New York City, and artistic director at the New Museum. He is the artistic director of the Nicola Trussardi Foundation in Milan as well as the artistic director of the Beatrice Trussardi Foundation. Gioni was the curator of the 55th Venice Biennale in 2013.
Thomas Trevor is a British curator and writer on contemporary art.
Aikaterini Gegisian, born in Thessaloniki, Greece, is a visual artist, filmmaker, educator, and researcher. Her collage practice spans various mediums, including film, photography, installation, and textile design. She often utilises the photobook format; in 2015, she published her debut photobook, "A Small Guide to the Invisible Seas," contributing to the award-winning Armenian Pavilion at the 56th Venice Biennale. Her second book, "Handbook of the Spontaneous Other," was published by MACK in 2020 and received international acclaim.
Tandis Jenhudson is a Emmy-nominated British composer, musician and medical doctor, best known for his work on film and television soundtracks. He has also received two Royal Television Society award nominations and is the first composer to have been honoured as a BAFTA Breakthrough Brit.
Zineb Sedira is a London-based Franco-Algerian feminist photographer and video artist, best known for work exploring the human relationship to geography.
Hajra Waheed is a Montréal-based artist. Her multimedia practice includes works on paper, collage, sound, video, sculpture and installation. Waheed uses news accounts, extensive research and personal histories to critically examine multiple issues including: covert power, mass surveillance, cultural distortion and the traumas of displacement caused by colonialism and mass migration.
Anna Parkina is a Russian artist who lives and works in Moscow. She uses collage as her key artistic method but also works in a variety of media, including performance, sculpture and video.
The British pavilion houses Great Britain's national representation during the Venice Biennale arts festivals.
Ghana Freedom was a Ghanaian art exhibition at the 2019 Venice Biennale, an international contemporary art biennial in which countries represent themselves through self-organizing national pavilions. The country's debut pavilion, also known as the Ghana pavilion, was highly anticipated and named a highlight of the overall Biennale by multiple journalists. The six participating artists—Felicia Abban, John Akomfrah, El Anatsui, Selasi Awusi Sosu, Ibrahim Mahama, and Lynette Yiadom-Boakye—represented a range of artist age, gender, locations, and prestige, selected by curator Nana Oforiatta Ayim. The show paired young and old artists across sculpture, filmmaking, and portraiture, and emphasized common threads across postcolonial Ghanaian culture in both its current inhabitants and the diaspora. Almost all of the art was commissioned specifically for the pavilion. Architect David Adjaye designed the pavilion with rusty red walls of imported soil to reflect the cylindrical, earthen dwellings of the Gurunsi within the Biennale's Arsenale exhibition space. The project was supported by the Ghana Ministry of Tourism and advised by former Biennale curator Okwui Enwezor. After the show's run, May–November 2019, works from the exhibition were set to display in Accra, Ghana's capital.
Young In Hong is a visual artist from Seoul, Korea, based in Bristol, England. Hong graduated with an MA and a PhD in Art from Goldsmith College in London UK in 2012. From 1992 to 1998, she studied Sculpture at Seoul National University. Hong currently works from her studio at Spike Island in Bristol and is represented by PKM Gallery in Seoul. She teaches at Bath School of Art as Reader in Performance and Textiles.
Purple is a 62-minute immersive six-channel video installation created by the British artist and filmmaker John Akomfrah in 2017. It draws from hundreds of hours of archival footage and combines with newly shot film, spoken word, and original music to explore climate change and its effects on human communities, biodiversity and the wilderness. It is divided into five movements and includes locations such as Alaska, Greenland, New York, Mumbai, rural Scotland, Tahiti and the Marquesas Islands in the South Pacific.
Kristin Oppenheim is an American artist who lives and works in New York City. She is best known for her installation art based in sound, film, and performance. Oppenheim’s work explores connections between musical rounds, film loops, and choreography. Since the early 1990s, she has been making poetic works that often explore time and memory.