Immersion is a 1987 photograph by the American artist and photographer Andres Serrano. It depicts a small plastic crucifix submerged in a small glass tank of the artist's urine. The piece was a winner of the Southeastern Center for Contemporary Art's "Awards in the Visual Arts" competition, which was sponsored in part by the National Endowment for the Arts, a United States Government agency that offers support and funding for artistic projects.
The Glass Teat: Essays of Opinion on Television is a 1970 compilation of television reviews and essays written by Harlan Ellison as a regular weekly column for the Los Angeles Free Press from late 1968 to early 1970, discussing the effects of television upon society.
Rosalind Epstein Krauss is an American art critic, art theorist and a professor at Columbia University in New York City. Krauss is known for her scholarship in 20th-century painting, sculpture and photography. As a critic and theorist she has published steadily since 1965 in Artforum,Art International and Art in America. She was associate editor of Artforum from 1971 to 1974 and has been editor of October, a journal of contemporary arts criticism and theory that she co-founded in 1976.
Okwui Enwezor was a Nigerian curator, art critic, writer, poet, and educator, specializing in art history. He lived in New York City and Munich. In 2014, he was ranked 24 in the ArtReview list of the 100 most powerful people of the art world.
The feminist art movement in the United States began in the early 1970s and sought to promote the study, creation, understanding and promotion of women's art. First-generation feminist artists include Judy Chicago, Miriam Schapiro, Suzanne Lacy, Judith Bernstein, Sheila de Bretteville, Mary Beth Edelson, Carolee Schneeman, Rachel Rosenthal, and many other women. They were part of the Feminist art movement in the United States in the early 1970s to develop feminist writing and art. The movement spread quickly through museum protests in both New York and Los Angeles, via an early network called W.E.B. that disseminated news of feminist art activities from 1971 to 1973 in a nationally circulated newsletter, and at conferences such as the West Coast Women's Artists Conference held at California Institute of the Arts and the Conference of Women in the Visual Arts, at the Corcoran School of Art in Washington, D.C..
Boundary 2, often stylized boundary 2, is a quarterly peer-reviewed academic journal of postmodern theory, literature, and culture. Established in 1972 by William V. Spanos and Robert Kroetsch, under the title boundary 2, a journal of postmodern literature, the journal moved to Duke University Press in the late 1980s and is now edited by Paul A. Bové.
John Douglas Crimp was an American art historian, critic, curator, and AIDS activist. He was known for his scholarly contributions to the fields of postmodern theories and art, institutional critique, dance, film, queer theory, and feminist theory. His writings are marked by a conviction to merge the often disjunctive worlds of politics, art, and academia. From 1977 to 1990, he was the managing editor of the journal October. Before his death, Crimp was Fanny Knapp Allen Professor of Art History and professor of Visual and Cultural Studies at the University of Rochester.
Mira Schor is an American artist, writer, editor, and educator, known for her contributions to critical discourse on the status of painting in contemporary art and culture as well as to feminist art history and criticism.
Marita Sturken is an American scholar, author, professor, and critic.
Peter Turner (1947–2005) was a photographer, curator, and writer. He was the longest-serving editor of Creative Camera.
John O'Brian is an art historian, writer, and curator. He is best known for his books on modern art, including Clement Greenberg: The Collected Essays and Criticism, one of TheNew York Times “Notable Books of the Year” in 1986, and for his exhibitions on nuclear photography such as Camera Atomica, organized for the Art Gallery of Ontario in 2015. Camera Atomica was the first comprehensive exhibition on postwar nuclear photography. From 1987-2017 he taught at the University of British Columbia, Vancouver, where he held the Brenda & David McLean Chair in Canadian Studies (2008-11) and was an associate of the Peter Wall Institute for Advanced Studies. O’Brian has been a critic of neoconservative policies since the start of the Culture Wars in the 1980s. He is a recipient of the Thakore Award in Human Rights and Peace Studies from Simon Fraser University.
M/E/A/N/I/N/G was an art publication for dissenting viewpoints. Founded in 1986 by Susan Bee and Mira Schor as a magazine for and by artists, it was first published in New York in December, 1986.
Takuma Nakahira was a Japanese photographer, critic, and theorist. He was a member of the seminal photography collective Provoke, played a central role in developing the theorization of landscape discourse (fūkei-ron), and was one of the most prominent voices in 1970s Japanese photography.
Visual Studies Workshop (VSW) is a non-profit organization dedicated to art education based in Rochester, New York, in the Neighborhood of the Arts. VSW supports makers and interpreters of images through education, publications, exhibitions, and collections. VSW houses a bookstore, microcinema, exhibition gallery, and research center, and hosts artists-in-residence.
Social practice or socially engaged practice is an art medium that focuses on engagement through human interaction and social discourse. Social practice goes by many names, including relational aesthetics, new genre public art, socially engaged art, dialogical art, and participatory art. Social practice work focuses on the interaction between the audience, social systems, and the artist or artwork through aesthetics, ethics, collaboration, methodology, antagonism, media strategies, and/or social activism.
Louis Hock is an American artist and independent filmmaker who works in film, video, installation and interventions in public space. His work has been exhibited both internationally and nationally including most notably at the Whitney Museum of American Art, the Museum of Modern Art in New York, the Museum of Contemporary Art, Los Angeles, the San Francisco Museum of Art, and the Getty Museum in Los Angeles as part of Pacific Standard Time: Art in L.A., 1945-1980. Several of his films are in the collection of Video Data Bank. Louis Hock currently holds the title of Professor Emeritus at University of California - San Diego. He has additionally collaborated on several public art projects with Elizabeth Sisco and David Avalos.
Ann Luja Cvetkovich is a Professor and the Director of the Pauline Jewett Institute of Women's and Gender Studies at Carleton University in Ottawa. Until 2019, she was the Ellen Clayton Garwood Centennial Professor of English and Professor of Women's and Gender Studies at the University of Texas at Austin, where she had been the founding director of the LGBTQ Studies Program, launched in 2017. She has published three books: Mixed Feelings: Feminism, Mass Culture, and Victorian Sensationalism (1992); An Archive of Feelings: Trauma, Sexuality, and Lesbian Public Cultures (2003); and Depression: A Public Feeling (2012). She has also co-edited Articulating the Global and Local: Globalization and Cultural Studies (1996) with Douglas Kellner, as well as Political Emotions: New Agendas in Communication (2010) with Janet Staiger and Ann Reynolds. Furthermore, Cvetkovich has co-edited a special issue of Scholar and Feminist Online, entitled "Public Sentiments" with Ann Pellegrini. She is also a former co-editor of GLQ: A Journal of Lesbian and Gay Studies with Annamarie Jagose.
Joanna Frueh (1948–2020) was an American artist, writer, and feminist scholar.
Abigail Solomon-Godeau is an American art critic, exhibition curator and art historian.
Elke Solomon is an artist, curator, educator and community worker. She is known for her interdisciplinary practice that combines painting, drawing, object-making, performance and installation. She has exhibited widely in the United States and abroad.
