Vessel in Orbit | ||||
---|---|---|---|---|
Studio album by | ||||
Released | March 24, 2017 [1] | |||
Recorded | March 18, 2016 | |||
Studio | Park West, Brooklyn | |||
Genre | Jazz | |||
Length | 48:14 | |||
Label | Aum Fidelity | |||
Producer | Whit Dickey | |||
Whit Dickey chronology | ||||
|
Vessel in Orbit is an album by American jazz drummer Whit Dickey, Mat Maneri, and Matthew Shipp recorded in 2016 and released on the Aum Fidelity label. The recording presents a new trio with violist Mat Maneri and pianist Matthew Shipp, who were both part of the quartet, along with saxophonist Rob Brown, for 2001 Dickey's album Life Cycle . [2]
Review scores | |
---|---|
Source | Rating |
Down Beat | [3] |
The Down Beat review by Bradley Bambarger states "Although one must be open to a certain exposed-nerve intensity to fully appreciate it, Vessel In Orbit has the air of an abstract drama, the three storyteller-improvisers utterly in sync." [3]
All compositions by Dickey/Maneri/Shipp.
Matthew Shipp is an American pianist, composer, and bandleader.
Whit Dickey is an American drummer. He has recorded albums with David S. Ware and Matthew Shipp.
Mat Maneri is an American composer, violin, and viola player. He is the son of the saxophonist Joe Maneri and Sonja Maneri.
AUM Fidelity is an independent record label in New York City primarily devoted to avant-garde jazz artists such as William Parker, Matthew Shipp, and David S. Ware. It has also released recordings by improvisational rock band Shrimp Boat and exclusively distributes the CaseQuarter and Riti labels. It was founded in 1997 by former Homestead Records label manager Steven Joerg.
David Spencer Ware was an American jazz saxophonist, composer, and bandleader.
Gerald Cleaver is a jazz drummer from Detroit, Michigan.
Ivo Perelman is a Brazilian free jazz saxophonist born in São Paulo.
Cryptology is an album by jazz saxophonist David S. Ware, recorded in 1994 and released by Homestead Records.
Elsewhere is an album by the American jazz guitarist Joe Morris, recorded in 1996 and released on Homestead. The Joe Morris Ensemble features pianist Matthew Shipp's regular trio with bassist William Parker and drummer Whit Dickey. Morris and Shipp played together once with violinist Mat Maneri in Boston four or five years before.
Critical Mass is an album by American jazz pianist Matthew Shipp which was recorded in 1994 and released on 2.13, a division of the 2.13.61 label, founded by Henry Rollins. Shipp adds violinist Mat Maneri to his usual trio lineup with bassist William Parker and drummer Whit Dickey. Shipp met Maneri when the violinist was just 17 in Boston, this is their first collaboration on record.
The Flow of X is an album by the American jazz pianist Matthew Shipp, recorded in 1995 and released on the 2.13.61 label. It features a quartet with violinist Mat Maneri, bassist William Parker and drummer Whit Dickey, the same lineup as the previous album Critical Mass. The liner notes include a piece by Shipp comparing boxing and jazz.
Transonic is the debut album by American jazz drummer Whit Dickey, which was recorded in 1997 and released on AUM Fidelity. For his first record as leader, Dickey went into the studio with long-time associate, saxophonist Rob Brown, and then relative newcomer to the scene, bassist Chris Lightcap. He notes that many of the cuts were inspired by two Thelonious Monk compositions, "Off Minor" & "Criss Cross", along with the magic of tenor saxophonist David S. Ware.
Life Cycle is an album by American jazz drummer Whit Dickey recorded in 2000 and released on the Aum Fidelity label. Dickey leads the Nommonsemble, which includes Rob Brown on alto sax and flute, Mat Maneri on viola and Matthew Shipp on piano.
Balance is an album by American jazz guitarist Joe Morris which was recorded in 2013 and released on the Portuguese Clean Feed label. It was the return of the quartet with violinist Mat Maneri, bassist Chris Lightcap and drummer Gerald Cleaver, the same lineup that recorded in the 90s Underthru and At the Old Office.
Harmonic Disorder is an album by American jazz pianist Matthew Shipp recorded in 2008 and released on Thirsty Ear's Blue Series. It was the second recording by the trio with Joe Morris on bass and Whit Dickey on drums, following Piano Vortex. The album includes two jazz standards: "There Will Never Be Another You" and "Someday My Prince Will Come".
To Duke is an album by American jazz pianist Matthew Shipp, which was recorded in 2014 and released on the French RogueArt label. The album is a tribute to Duke Ellington, featuring Shipp's trio with bassist Michael Bisio and drummer Whit Dickey playing seven Ellington classics plus some Shipp compositions.
Love and Ghosts is the third album by Farmers by Nature, a collective trio consisting of Gerald Cleaver on drums, William Parker on bass and Craig Taborn on piano. The double disc set documents two complete, all improvised concerts recorded in France during their 2011 tour. It was released on the AUM Fidelity label.
The Gospel According to Matthew & Michael is an album by American jazz pianist Matthew Shipp, which was recorded in 2014 and released on Relative Pitch. It was the first recording featuring his Chamber Ensemble, a trio with Michael Bisio on bass and Mat Maneri on viola. Shipp led in the late 1990s and early 2000s a similar group with Maneri and bassist William Parker: the String Trio, who recorded the albums By the Law of Music and Expansion, Power, Release.
The Darkseid Recital is an album by American jazz saxophonist Darius Jones and pianist Matthew Shipp, which was recorded live between 2011 and 2013 and released on the AUM Fidelity label. It was their second duo following Cosmic Lieder. The record is named for the character Darkseid created by comic artist Jack Kirby, and song titles reference concepts and characters from Kirby's New Gods series and other DC Comics.
Relative Pitch Records is an American independent record label specializing in free jazz and avant-garde jazz, free improvisation, and experimental music. Relative Pitch has been ranked among the top jazz record labels in The New York City Jazz Record and DownBeat year-end lists, and praised by publications and organizations including The Guardian, NPR Music, and The Brooklyn Rail.