Matthew Shipp | |
|---|---|
 Matthew Shipp in 2005. | |
| Background information | |
| Born | December 7, 1960 Wilmington, Delaware, United States |
| Genres | Free jazz, avant-garde jazz, free improvisation, post bop |
| Occupation | Musician |
| Instrument | Piano |
| Years active | 1987–present |
| Labels | Thirsty Ear, FMP, No More, hatOLOGY, RogueArt, ESP-Disk, AUM Fidelity |
| Website | matthewshippjazzpianist |
Matthew Shipp (born December 7, 1960) is an American avant-garde jazz pianist, composer, and bandleader. [1] [2] [3]
Shipp was raised in Wilmington, Delaware. [1] His mother was a friend of trumpeter Clifford Brown. [4]
He began playing piano at five years old. [5] Shipp was strongly attracted to jazz, but also played in rock groups while in high school.
Shipp attended the University of Delaware for "a couple years" before dropping out. [6] He opted instead to live with his parents and focus on practicing, though he frequently traveled to Philadelphia to pick up gigs as a cocktail pianist and to study with Dennis Sandole, who Shipp has cited as playing an important role in his development. [6]
He later spent a year at the New England Conservatory of Music, where he studied with saxophonist and composer Joe Maneri, but again dropped out without completing a degree. [6]
Shipp moved to New York in 1984 and has been very active since the early 1990s, appearing on dozens of albums as a leader, sideman, or producer. [7] (Before making a living playing music, Shipp worked in a bookshop as an assistant manager. He was fired, he threw some books at his boss, and he decided he would not look for a day job anymore. [8] )
He was initially most active in free jazz but has since branched out, particularly exploring music that touches on contemporary classical, hip hop, and electronica. [9] Earlier in his career Shipp was compared to some of his predecessors in the jazz piano pantheon, but has since been recognized as a complete stylistic innovator on the piano, with AllMusic referring to his "unique, instantly recognizable style", [10] and Larry Blumenfeld in Jazziz magazine referring to Shipp as "stunning in originality" and to his album 4D as "further proof of his idiosyncratic genius".
Shipp has also been celebrated by a wide range of artists: David Bowie has praised his work (specifically "Rocket Shipp" from the album Nu Bop), [11] and Thurston Moore, who first saw him perform in 1990, has complimented his cross-genre appeal: "I see the same people showing up for Matthew's gigs as for Merzbow". [1] (As a member of the David S. Ware Quartet, Shipp has opened for Sonic Youth.) [9] Shipp has also been noted for his association with punk-rock icon Henry Rollins, who released several of Shipp's records on his 213 imprint. [1] In 2010, Rollins wrote, "Matthew Shipp and his work have fascinated me since I first heard him many years ago. His originality and approach sometimes stretches the limits of what is considered Jazz music yet at the same time, describes perfectly the fierce freedom of it. ... Matthew is not only a brilliant Jazz pianist, he is a true artist and visionary." [12] In the early 1990s Shipp also befriended Chan Marshall (aka Cat Power), then his next-door neighbor. [6]
One of the first people Shipp sought out upon arriving in New York was William Parker, who he knew from his recordings with Cecil Taylor; Parker later recommended him for saxophonist David S. Ware's quartet, alongside Parker himself and a series of drummers (Marc Edwards, Susie Ibarra, Guillermo E. Brown, Whit Dickey). [6] As a member of Ware's quartet, Shipp recorded albums for Homestead ( Cryptology and DAO ), Thirsty Ear ( Threads , Live in the World , BalladWare ), AUM Fidelity (the label's first release, Wisdom of Uncertainty , as well as Corridors & Parallels , Freedom Suite , and Renunciation ), Silkheart ( Great Bliss, Vol. 1 Great Bliss, Vol. 2 , Oblations and Blessings ), Columbia ( Go See the World , Surrendered ), and DIW ( Flight of I , Third Ear Recitation , Earthquation , Godspelized ). [13]
In addition, the rhythm section of Shipp, Parker, and Brown recorded Ware compositions without Ware in 2003, released by Splasc(H) Records as The Trio Plays Ware , and Shipp and Ware performed as a duo, recorded in concert and released by AUM Fidelity as Live in Sant'Anna Arresi, 2004 . [13] In 2001, Gary Giddens wrote for The Village Voice that "The David S. Ware Quartet is the best small band in jazz today". [14] After Ware's death, Shipp wrote, "Some have compared our unit to the classic Coltrane quartet, but the members of our group all brought something to the table that only someone playing now could bring—resulting in a gestalt that is of its time and does not look back. When free jazz seemed like a spent force, he brought something new—and greatly beautiful—to it." [15]
Shipp was also a member of Roscoe Mitchell's Note Factory, which Shipp said "could be seen as an extension of some post-Coltrane concepts, but in Roscoe's hands it is extended technique with multiple pulses", noting "[Mitchell's] insistence at all times of transcending cliché". [16]
Shipp has recorded or performed with many other musicians, including High Priest and Beans of Antipop Consortium, Michael Bisio, Daniel Carter, DJ Spooky, El-P, Mat Maneri, Joe Morris, Ivo Perelman, Mat Walerian, Allen Lowe, and Chad Fowler. He has also co-led the group East Axis, with bassist Kevin Ray, drummer Gerald Cleaver, and saxophonists Allen Lowe (first album) and Scott Robinson (second album).
The New York Times has noted Shipp's curatorial work for Thirsty Ear Records as "one of the label's chief consultants and most prolific artists". [17] Shipp's own releases on the label include 2011's double-disc album, entitled Art of the Improviser ; AllMusic called the work a "testament to Shipp's achievements, yet it is also a continuation of the discovery in his developmental musical language" [18] and the Chicago Tribune called the project "monumental" and "galvanic as ever". [19] Thirsty Ear also released Shipp's 2013 solo record Piano Sutras , which PopMatters described as "the kind of record we talk about and play for each other decades later ... music that frames up a whole history: of an artist, of listeners, of the artists who formed the history of the art form, of the culture and time that allowed this art to flourish". [20] This was followed by 2015's The Conduct of Jazz , the first album by Shipp's trio with bassist Michael Bisio and drummer Newman Taylor Baker.
Shipp's work with the France-based RogueArt imprint began with the 2006 album Salute to 100001 Stars: A Tribute to Jean Genet by the group Declared Enemy (Sabir Mateen, Shipp, William Parker, and Gerald Cleaver). From 2006 to 2013, Shipp appeared on five albums released through RogueArt, one of which ( Un Piano ) billed Shipp as leader; from 2015 to 2022, the label put out six more albums with Shipp as leader, and another nine on which he was co-billed with, among others, Mark Helias, Nate Wooley, William Parker, Mat Maneri, John Butcher, and Evan Parker. [21] Shipp's work on RogueArt, along with biographical material and placement of Shipp's artistic evolution within the context of the downtown Manhattan avant-garde jazz scene, is the subject of music journalist Clifford Allen's 2023 book Singularity Codex: Matthew Shipp on RogueArt; the Burning Ambulance review by Todd Manning declares that "Singularity Codex examines so many aspects of [Shipp's] life and the scene around him that it is not only indispensable to anyone trying to come to a deeper understanding of his work but also for those wanting to study the avant-garde jazz scene of New York City’s Lower East Side." [22]
Shipp began working with ESP-Disk with the Shipp/Mat Walerian duo album Live at Okuden , billed as The Uppercut. Issued in 2015, it was the last new release approved by ESP-Disk's founder Bernard Stollman. [23] All four of Walerian's albums with Shipp have been released on ESP-Disk’. Shipp's first ESP albums as leader were a quartet album, Sonic Fiction, and a solo album, Zer0, both issued in 2018. After that, he released several albums by his trio with Michael Bisio and Newman Taylor Baker: Signature, The Unidentifiable, World Construct, and New Concepts in Piano Trio Jazz. [24] World Construct was called "a career-defining album" and awarded five stars by critic Mike Hobart in the Financial Times, [25] while New Concepts in Piano Trio Jazz was called by Tony Dudley Evans (London Jazz Times) "an album of great beauty that is state of the art in terms of the possibilities of the jazz piano trio." [26] In 2022 a duo album by Shipp and Ivo Perelman, Fruition, was released by ESP, with NPR's Nate Chinen stating in his review, "The freeform alchemy between Brazilian saxophonist Ivo Perelman and American pianist Matthew Shipp is by now a proven fact: rarely do two musicians achieve a higher flow state in real time." [27]
In 2020, longtime Shipp collaborator Whit Dickey started a label called Tao Forms; as of January 2023, the label had released two Shipp albums, The Piano Equation and Codebreaker, both solo releases, and four further albums on which he collaborates. [28] That same year, one of Shipp's most systematized statements, "Black Mystery School Pianists,"" was published on the website of NewMusicUSA. Five years later, when this essay found its way into print in the book Black Mystery School Pianists and Other Writings (a collection of Shipp's essays plus a transcribed lecture), Stewart Smith, reviewing the book in The Wire, called the titular essay “a thought-provoking counter-history to the official accounts of the jazz academy.” [29]
| Release year | Title | Label | Personnel/Notes |
|---|---|---|---|
| 1988 | Sonic Explorations | Cadence Jazz | Duo with Rob Brown (alto sax) |
| 1992 | Points | Silkheart | Quartet with Rob Brown (alto sax), William Parker (bass), Whit Dickey (drums) |
| 1992 | Circular Temple | Quinton | Trio with William Parker (bass), Whit Dickey (drums) |
| 1994 | Zo | Rise | Duo with William Parker (bass) |
| 1995 | Critical Mass | 2.13.61 | Quartet with Mat Maneri (violin), William Parker (bass), Whit Dickey (drums) |
| 1996 | Symbol Systems | No More | Solo piano |
| 1996 | Prism | Brinkman | Trio with William Parker (bass), Whit Dickey (drums) |
| 1996 | 2-Z | 2.13.61 | Duo with Roscoe Mitchell (saxophones) |
| 1997 | The Flow of X | 2.13.61 | Quartet with Mat Maneri (violin), William Parker (bass), Whit Dickey (drums) |
| 1997 | Before the World | FMP | Solo piano |
| 1997 | By the Law of Music | hatHUT | String Trio with Mat Maneri (violin), William Parker (bass) |
| 1997 | Thesis | hatOLOGY | Duo with Joe Morris (guitar) |
| 1998 | The Multiplication Table | hatOLOGY | Trio with William Parker (bass), Susie Ibarra (drums) |
| 1998 | Strata | hatOLOGY | Quartet with Roy Campbell (trumpet), Daniel Carter (saxophones, flute, trumpet), William Parker (bass) |
| 1999 | DNA | Thirsty Ear | Duo with William Parker (bass) |
| 1999 | Magnetism | Bleu Regard | Solo, duo and trio performances with Rob Brown (alto sax, flute), William Parker (bass) |
| 2000 | Gravitational Systems | hatOLOGY | Duo with Mat Maneri (violin) |
| 2000 | Pastoral Composure | Thirsty Ear | Quartet with Roy Campbell (trumpet), William Parker (bass), Gerald Cleaver (drums) |
| 2001 | Expansion, Power, Release | hatOLOGY | String Trio with Mat Maneri (violin), William Parker (bass) |
| 2001 | New Orbit | Thirsty Ear | Quartet with Wadada Leo Smith (trumpet), William Parker (bass), Gerald Cleaver (drums) |
| 2002 | Songs | Splasc(h) | Solo piano |
| 2002 | Nu Bop | Thirsty Ear | With William Parker (bass), Guillermo E. Brown (drums), Daniel Carter (sax, flute), FLAM (synths, programming) |
| 2003 | Equilibrium | Thirsty Ear | With William Parker (bass), Gerald Cleaver (drums), Khan Jamal (vibes), FLAM (synths, programming) |
| 2003 | Antipop vs. Matthew Shipp | Thirsty Ear | |
| 2003 | The GoodandEvil Sessions | Thirsty Ear | With Roy Campbell (trumpet), Alex Lodico, Josh Roseman (trombone), Miso (turntables), William Parker (bass), Danny Blume (drums, guitar, programming), Chris Kelly (drums, programming) |
| 2003 | The Sorcerer Sessions | Thirsty Ear | With Evan Ziporyn (clarinets), William Parker (bass), Gerald Cleaver (drums), FLAM (synths, programming), Daniel Bernard Roumain (violin) |
| 2004 | The Trio Plays Ware | Splasc(h) | Trio with William Parker (bass), Guillermo E. Brown (drums) |
| 2004 | Harmony and Abyss | Thirsty Ear | With William Parker (bass), Gerald Cleaver (drums), FLAM (synths, drums programming) |
| 2005 | In Finland | Cadence Jazz | Trio with Joe McPhee (soprano sax, trumpet), Dominic Duval (bass) |
| 2005 | One | Thirsty Ear | Solo piano |
| 2006 | Phenomena of Interference | Hopscotch | With Steve Dalachinsky |
| 2006 | Salute to 100001 Stars – A Tribute to Jean Genet | RogueArt | As the band Declared Enemy; with Sabir Mateen (alto sax, flute, clarinet), William Parker (bass), Gerald Cleaver (drums), Denis Lavant (spoken words) |
| 2007 | Piano Vortex | Thirsty Ear | Trio with Joe Morris (bass), Whit Dickey (drums) |
| 2007 | Abbey Road Duos | Treader | Duo with Evan Parker (tenor sax, soprano sax) |
| 2008 | Right Hemisphere | RogueArt | As the band Right Hemisphere; quartet with Rob Brown (alto sax), Joe Morris (bass), Whit Dickey (drums) |
| 2008 | Un Piano | RogueArt | Solo piano |
| 2008 | Cosmic Suite | Not Two | Quartet with Daniel Carter (reeds), Joe Morris (bass), Whit Dickey (drums) |
| 2009 | Harmonic Disorder | Thirsty Ear | Trio with Joe Morris (bass), Whit Dickey (drums) |
| 2010 | 4D | Thirsty Ear | Solo piano |
| 2010 | SAMA | Not Two | Duo with Sabir Mateen (reeds) |
| 2010 | Creation Out of Nothing (Live in Moscow) | SoLyd | Solo piano |
| 2011 | Night Logic | RogueArt | Trio with Marshall Allen (alto sax, flute, EVI), Joe Morris (bass) |
| 2011 | Art of the Improviser | Thirsty Ear | Solo piano and trio with Michael Bisio (bass), Whit Dickey (drums) |
| 2011 | SaMa Live in Moscow | SoLyd | Duo with Sabir Mateen (saxophone) |
| 2011 | Cosmic Lieder | AUM Fidelity | Duo with Darius Jones (alto sax) |
| 2011 | Broken Partials | Not Two | Duo with Joe Morris (bass) |
| 2012 | Elastic Aspects | Thirsty Ear | Trio with Michael Bisio (bass), Whit Dickey (drums) |
| 2012 | Floating Ice | Relative Pitch | Duo with Michael Bisio (bass) |
| 2013 | Rex, Wrecks & XXX | RogueArt | Duo with Evan Parker (tenor sax) |
| 2013 | Piano Sutras | Thirsty Ear | Solo piano |
| 2014 | Root of Things | Relative Pitch | Trio with Michael Bisio (bass), Whit Dickey (drums) |
| 2014 | The Darkseid Recital | AUM Fidelity | Duo with Darius Jones (alto sax) |
| 2014 | I've Been to Many Places | Thirsty Ear | Solo piano |
| 2015 | To Duke | RogueArt | Trio with Michael Bisio (bass), Whit Dickey (drums) |
| 2015 | Live at Okuden | ESP-Disk | As the band The Uppercut; with Mat Walerian (reeds) |
| 2015 | The Gospel According to Matthew & Michael | Relative Pitch | Chamber Ensemble; trio with Mat Maneri (viola), Michael Bisio (bass) |
| 2015 | Our Lady of the Flowers | RogueArt | As the band Declared Enemy; quartet with Sabir Mateen (tenor sax, clarinet), William Parker (bass), Gerald Cleaver (drums) |
| 2015 | The Conduct of Jazz | Thirsty Ear | Trio with Michael Bisio (bass), Newman Taylor Baker (drums) |
| 2016 | Live in Seattle | Arena Music Promotion | Duo with Michael Bisio (bass) |
| 2016 | Live at Okuden | ESP-Disk | As the band Jungle; with Mat Walerian (reeds), Hamid Drake (drums) |
| 2016 | Cactus | Northern Spy | Duo with Bobby Kapp (drums) |
| 2017 | Piano Song | Thirsty Ear | Trio with Michael Bisio (bass), Newman Taylor Baker (drums) |
| 2017 | Invisible Touch At Taktlos Zürich | hatOLOGY | Solo piano |
| 2017 | This Is Beautiful Because We Are Beautiful People | ESP-Disk | As the band Toxic; with Mat Walerian (reeds), William Parker (bass, shakuhachi) |
| 2017 | Not Bound | Fortune | Quartet with Daniel Carter (reeds), Michael Bisio (bass), Whit Dickey (drums) |
| 2018 | Accelerated Projection | RogueArt | Duo with Roscoe Mitchell (tenor & soprano sax, flute) |
| 2018 | Zero | ESP-Disk | Solo piano |
| 2018 | Sonic Fiction | ESP-Disk | Quartet with Mat Walerian (reeds), Michael Bisio (bass), Whit Dickey (drums) |
| 2019 | Signature | ESP-Disk | Trio with Michael Bisio, Newman Taylor Baker |
| 2020 | The Unidentifiable | ESP-Disk | Trio with Michael Bisio, Newman Taylor Baker |
| 2020 | The Piano Equation | TAO Forms | Solo piano |
| 2020 | The Reward | RogueArt | Solo piano |
| 2021 | Codebreaker | TAO Forms | Solo piano |
| 2021 | Cool With That | ESP-Disk | As East Axis; with Gerald Cleaver, Kevin Ray, Allen Lowe |
| 2021 | Village Mothership | TAO Forms | Trio with Whit Dickey, William Parker |
| 2022 | World Construct | ESP-Disk | Trio with Michael Bisio, Newman Taylor Baker |
| 2023 | No Subject | Mack Avenue- Brother Mister | As East Axis; with Gerald Cleaver, Kevin Ray, Scott Robinson |
| 2024 | New Concepts in Piano Trio Jazz | ESP-Disk | Trio with Michael Bisio, Newman Taylor Baker |
| Release year | Leader | Title | Label |
|---|---|---|---|
| 1991 | David S. Ware | Great Bliss, Vol. 1 | Silkheart |
| 1991 | David S. Ware | Great Bliss, Vol. 2 | Silkheart |
| 1992 | David S. Ware | Flight of I | DIW/Columbia |
| 1993 | David S. Ware | Third Ear Recitation | DIW |
| 1994 | David S. Ware | Earthquation | DIW |
| 1995 | David S. Ware | Cryptology | Homestead |
| 1996 | David S. Ware | Oblations and Blessings | Silkheart |
| 1996 | David S. Ware | DAO | Homestead |
| 1996 | David S. Ware | Godspelized | DIW |
| 1997 | David S. Ware | Wisdom of Uncertainty | AUM Fidelity |
| 1998 | David S. Ware | Go See the World | Columbia |
| 2000 | David S. Ware | Surrendered | Columbia |
| 2001 | David S. Ware | Corridors & Parallels | AUM Fidelity |
| 2002 | David S. Ware | Freedom Suite | AUM Fidelity |
| 2003 | David S. Ware | Threads | Thirsty Ear |
| 2005 | David S. Ware | Live in the World | Thirsty Ear |
| 2006 | David S. Ware | BalladWare | Thirsty Ear |
| 2007 | David S. Ware | Renunciation | AUM Fidelity |
| 2009 | David S. Ware | Live in Vilnius | NoBusiness |
| 2016 | David S. Ware | Live in Sant'Anna Arresi, 2004 | AUM Fidelity |
| 1997 | Rob Brown | Blink of an Eye | No More |
| 1998 | Mat Maneri | So What? | hatOLOGY |
| 2001 | Whit Dickey | Life Cycle | AUM Fidelity |
| 2017 | Whit Dickey | Vessel in Orbit | AUM Fidelity |
| 2004 | El-P | High Water | Thirsty Ear |
| 1992 | Roscoe Mitchell | This Dance Is for Steve McCall | Black Saint |
| 1999 | Roscoe Mitchell | Nine to Get Ready | ECM |
| 2003 | Roscoe Mitchell | The Bad Guys | Around Jazz |
| 2014 | Jemeel Moondoc | The Zookeeper's House | Relative Pitch |
| 2018 | Jemeel Moondoc | The Astral Revelations | RogueArt |
| 1996 | Joe Morris | Elsewhere | Homestead |
| 2000 | Other Dimensions In Music | Time Is of the Essence Is Beyond Time | Homestead |
| 1996 | Ivo Perelman | Cama de Terra | Homestead |
| 1997 | Ivo Perelman | Bendito of Santa Cruz | Cadence Jazz |
| 1999 | Ivo Perelman | Brazilian Watercolour | Leo |
| 2011 | Ivo Perelman | The Hour of the Star | Leo |
| 2012 | Ivo Perelman | The Foreign Legion | Leo |
| 2012 | Ivo Perelman | The Clairvoyant | Leo |
| 2012 | Ivo Perelman | The Gift | Leo |
| 2013 | Ivo Perelman | The Edge | Leo |
| 2013 | Ivo Perelman | The Art of the Duet, Volume One | Leo |
| 2013 | Ivo Perelman | Enigma | Leo |
| 2013 | Ivo Perelman | Serendipity | Leo |
| 2013 | Ivo Perelman | A Violent Dose of Anything | Leo |
| 2014 | Ivo Perelman | Book of Sound | Leo |
| 2014 | Ivo Perelman | The Other Edge | Leo |
| 2015 | Ivo Perelman | Callas | Leo |
| 2015 | Ivo Perelman | Butterfly Whispers | Leo |
| 2015 | Ivo Perelman | Complementary Colors | Leo |
| 2016 | Ivo Perelman | Soul | Leo |
| 2016 | Ivo Perelman | Corpo | Leo |
| 2016 | Ivo Perelman | The Art Of The Improv Trio Volume 3 | Leo |
| 2017 | Ivo Perelman | The Art Of Perelman-Shipp Volume 1: Titan | Leo |
| 2017 | Ivo Perelman | The Art Of Perelman-Shipp Volume 2: Tarvos | Leo |
| 2017 | Ivo Perelman | The Art Of Perelman-Shipp Volume 3: Pandora | Leo |
| 2017 | Ivo Perelman | The Art Of Perelman-Shipp Volume 4: Hyperion | Leo |
| 2017 | Ivo Perelman | The Art Of Perelman-Shipp Volume 5: Rhea | Leo |
| 2017 | Ivo Perelman | The Art Of Perelman-Shipp Volume 6: Saturn | Leo |
| 2017 | Ivo Perelman | The Art Of Perelman-Shipp Volume 7: Dione | Leo |
| 2017 | Ivo Perelman | Live in Brussels | Leo |
| 2017 | Ivo Perelman | Live in Baltimore | Leo |
| 2017 | Ivo Perelman | Heptagon | Leo |
| 2017 | Ivo Perelman | Scalene | Leo |
| 2017 | Ivo Perelman | Philosopher's Stone | Leo |
| 2018 | Ivo Perelman | Oneness | Leo |
| 2022 | Ivo Perelman | Fruition | ESP-Disk |
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