Circular Temple | ||||
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Studio album by | ||||
Released | 1992 | |||
Recorded | October 16, 1990 | |||
Studio | Seltzer Sound, New York | |||
Genre | Jazz | |||
Length | 46:03 | |||
Label | Quinton Infinite Zero | |||
Producer | Matthew Shipp, Whit Dickey | |||
Matthew Shipp chronology | ||||
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Circular Temple is an album by American jazz pianist Matthew Shipp featuring his trio with bassist William Parker and drummer Whit Dickey, which was recorded in 1990 and released on the tiny label Quinton Records. The album was reissued in 1994 by Infinite Zero, a label founded by Henry Rollins and Rick Rubin to re-release out-of-print records, which was a division of American Recordings, under the umbrella of Warner Bros. Records. It will be reissued on CD and, for the first time, on vinyl in 2023 on ESP-Disk'. [1]
Circular Temple is a suite for piano, bass and drums in four movements. The second movement, subtitled "Monk's Nighmare", is referred to by Dickey as a "bop extravaganza". [2] According to David Fricke, "the opening keyboard motif finds the pianist twisting a riff marriage of Bud Powell's 'Dance of the Infidels' and Thelonious Monk's 'Well, You Needn't'." [3] The third movement is a duet between Parker and Dickey. The fourth and final movement begins with a piano solo section.
In his book Visions of Jazz: The First Century, Gary Giddins says "If you think there's nothing to be done with Monk but play his tunes, listen to parts two and four of Shipp's Circular Temple, in which he adduces his own Monkian theme with percussive certainty." [4]
Review scores | |
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Source | Rating |
The Penguin Guide to Jazz | [5] |
(The New) Rolling Stone Album Guide | [6] |
The Penguin Guide to Jazz wrote that this album and the previous one, Points , "takes some clues from the avant-garde past – Taylor, Bley, and Shipp's personal favorite, Andrew Hill – while going their own way in a quite dramatic fashion moment to moment." [5]
The album garnered a lead review in Rolling Stone by David Fricke, who wrote: "Even at his most extreme, as in the tidal waves of block-chord fury in "Circular Temple #1" Shipp never resorts to cheap anarchy, preferring the rigorously sculpted discord that Jimi Hendrix aspired to on the guitar." [3]
The 2023 reissue was received as "daringly incongruous yet hypnotically accessible." [7]
Matthew Shipp is an American avant-garde jazz pianist, composer, and bandleader.
Ivo Perelman is a Brazilian free jazz saxophonist born in São Paulo.
Mat Walerian is a jazz saxophonist and woodwind player, composer and bandleader who specializes in improvisation and avant-garde music.
Cryptology is an album by jazz saxophonist David S. Ware, recorded in 1994 and released by Homestead Records.
Oblations and Blessings is an album by jazz saxophonist David S. Ware, recorded in 1995 and released on the Silkheart label. It features the David S. Ware Quartet with pianist Matthew Shipp, bassist William Parker and drummer Whit Dickey playing all original Ware compositions.
Points is an album by American jazz pianist Matthew Shipp recorded in 1990 and released on the Swedish Silkheart label.
Zo is an album by American jazz pianist Matthew Shipp with bassist William Parker, which was recorded in 1993 and released on the tiny label Rise Records. The album was reissued in 1997 by the 2.13.61 label, founded by Henry Rollins, in partnership with Thirsty Ear Recordings.
Elsewhere is an album by the American jazz guitarist Joe Morris, recorded in 1996 and released on Homestead. The Joe Morris Ensemble features pianist Matthew Shipp's regular trio with bassist William Parker and drummer Whit Dickey. Morris and Shipp played together once with violinist Mat Maneri in Boston four or five years before.
Critical Mass is an album by American jazz pianist Matthew Shipp which was recorded in 1994 and released on 2.13, a division of the 2.13.61 label, founded by Henry Rollins. Shipp adds violinist Mat Maneri to his usual trio lineup with bassist William Parker and drummer Whit Dickey. Shipp met Maneri when the violinist was just 17 in Boston, this is their first collaboration on record.
Prism is an album by American jazz pianist Matthew Shipp featuring his trio with bassist William Parker and drummer Whit Dickey, which was recorded live in 1993 and released on the small Dutch Brinkman label. The album was reissued in 2000 by hatOLOGY.
The Flow of X is an album by the American jazz pianist Matthew Shipp, recorded in 1995 and released on the 2.13.61 label. It features a quartet with violinist Mat Maneri, bassist William Parker and drummer Whit Dickey, the same lineup as the previous album Critical Mass. The liner notes include a piece by Shipp comparing boxing and jazz.
The Multiplication Table is an album by the American jazz pianist Matthew Shipp, recorded in 1997 and released on the Swiss hatOLOGY label.
Strata is an album by the American jazz pianist Matthew Shipp, recorded in 1997 and released on the Swiss hatOLOGY label.
DNA is an album by the American jazz pianist Matthew Shipp with bassist William Parker, which was recorded in 1999 and released on Thirsty Ear. It was their second duo recording; the first was Zo. The album includes two traditional pieces, "When Johnny Comes Marching Home" and "Amazing Grace".
Expansion, Power, Release is an album by American jazz pianist Matthew Shipp which was recorded in 1999 and released on the Swiss hatOLOGY label. It was the second album by his String Trio with violinist Mat Maneri and bassist William Parker, the first was By the Law of Music.
Right Hemisphere is the album by the free jazz collective quartet consisting of Rob Brown on alto sax, Matthew Shipp on piano, Joe Morris on bass and Whit Dickey on drums. It was recorded in 2006 and released on the French RogueArt label. Right Hemisphere has been in existence since 1984 when Shipp and Brown first arrived in New York. The group originally had as its drummer Frank Bambara and shortly after Dickey replaced him. The trio was joined by bassist William Parker and their first recording Points appeared in 1990 under Shipp's leadership.
Piano Vortex is an album by American jazz pianist Matthew Shipp recorded in 2007 and released on Thirsty Ear's Blue Series. He leads a traditional acoustic piano trio with Joe Morris on bass and Whit Dickey on drums.
Elastic Aspects is an album by American jazz pianist Matthew Shipp recorded in 2011 and released on Thirsty Ear's Blue Series. It was the debut studio recording by the trio with Michael Bisio on bass and Whit Dickey on drums, following a live performance included in Art of the Improviser.
Root of Things is an album by American jazz pianist Matthew Shipp, which was recorded in 2013 and released on Relative Pitch. It was the second studio recording by his trio with Michael Bisio on bass and Whit Dickey on drums.
To Duke is an album by American jazz pianist Matthew Shipp, which was recorded in 2014 and released on the French RogueArt label. The album is a tribute to Duke Ellington, featuring Shipp's trio with bassist Michael Bisio and drummer Whit Dickey playing seven Ellington classics plus some Shipp compositions.