Matthew Shipp is an American avant-garde jazz pianist, composer, and bandleader.
Digital III at Montreux is a 1979 live album featuring a compilation of performances by Ella Fitzgerald, Count Basie, Niels-Henning Ørsted Pedersen, Joe Pass, and Ray Brown, recorded at the 1979 Montreux Jazz Festival. It was produced and has liner notes by Norman Granz. The cover photo is by Phil Stern.
Everybody Digs Bill Evans is an album by jazz musician Bill Evans. It was released in early 1959 on the Riverside label.
The Miles Davis Quintet was an American jazz band from 1955 to early 1969 led by Miles Davis. The quintet underwent frequent personnel changes toward its metamorphosis into a different ensemble in 1969. Most references pertain to two distinct and relatively stable bands: the First Great Quintet from 1955 to 1959, and the Second Great Quintet from late 1964 to early 1969, Davis being the only constant throughout.
Jazz at the Plaza Vol. I is a live album by The Miles Davis Sextet. It was recorded in 1958 and released in 1973 by Columbia Records. Duke Ellington was recorded at the same event and released as the second volume (Jazz at the Plaza Vol. II).
By the end of the 1940s, the nervous energy and tension of bebop was replaced with a tendency towards calm and smoothness, with the sounds of cool jazz, which favoured long, linear melodic lines. It emerged in New York City, as a result of the mixture of the styles of predominantly white swing jazz musicians and predominantly black bebop musicians, and it dominated jazz in the first half of the 1950s. The starting point were a series of singles on Capitol Records in 1949 and 1950 of a nonet led by trumpeter Miles Davis, collected and released first on a ten-inch and later a twelve-inch as the Birth of the Cool. Cool jazz recordings by Chet Baker, Dave Brubeck, Bill Evans, Gil Evans, Stan Getz and the Modern Jazz Quartet usually have a "lighter" sound which avoided the aggressive tempos and harmonic abstraction of bebop. Cool jazz later became strongly identified with the West Coast jazz scene, but also had a particular resonance in Europe, especially Scandinavia, with emergence of such major figures as baritone saxophonist Lars Gullin and pianist Bengt Hallberg. The theoretical underpinnings of cool jazz were set out by the blind Chicago pianist Lennie Tristano, and its influence stretches into such later developments as Bossa nova, modal jazz, and even free jazz. See also the list of cool jazz and West Coast musicians for further detail.
The Essential Miles Davis is a 2-CD compilation album by Miles Davis released by Columbia Legacy on May 15, 2001. It belongs to Sony Music Entertainment's "The Essential" series, not to the series "Essentials", established by WEA International, and was released as part of Sony's Miles 75 Anniversary program. In 2008, The Essential Miles Davis 3.0 was released as a limited edition album featuring a bonus third disc that added five more songs to the original track list.
Great Bliss, Vol. 1 is an album by American jazz saxophonist David S. Ware recorded in 1990 and released on the Swedish Silkheart label. Great Bliss was conceived as a two-installment project and marks the debut of the David S. Ware Quartet, one of the most highly acclaimed musical groups of the decade.
Third Ear Recitation is an album by American jazz saxophonist David S. Ware recorded in 1992 and released on the Japanese DIW label. This is the first recording by the David S. Ware Quartet with Whit Dickey replacing former drummer Marc Edwards.
Cryptology is an album by jazz saxophonist David S. Ware, recorded in 1994 and released by Homestead Records.
Points is an album by American jazz pianist Matthew Shipp recorded in 1990 and released on the Swedish Silkheart label.
Blink of an Eye is an album by American jazz saxophonist Rob Brown which was recorded live in 1996 and released on No More, the label founded by producer Alan Schneider. The album features a duo performance with pianist Matthew Shipp nearly a decade after they played together on their debut recording, Sonic Explorations. They reunited in June 1996 as part of the Vision Festival and Brown asked Shipp to share his evening at Roulette. This is the first documented recording of Rob playing flute.
The Multiplication Table is an album by the American jazz pianist Matthew Shipp, recorded in 1997 and released on the Swiss hatOLOGY label.
Strata is an album by the American jazz pianist Matthew Shipp, recorded in 1997 and released on the Swiss hatOLOGY label.
Time Is of the Essence Is Beyond Time is the third album by free jazz collective quartet Other Dimensions In Music, composed of trumpeter Roy Campbell, multi-instrumentalist Daniel Carter, bassist William Parker and drummer Rashid Bakr. For this special quintet, recorded live in 1997 and released on the AUM Fidelity label, they are joined by pianist Matthew Shipp.
Freedom Suite is an album by saxophonist David S. Ware featuring his interpretation of the Sonny Rollins composition which was recorded in 2002 and released on the AUM Fidelity label.
Thoughts of Dar es Salaam is an album by the American jazz pianist/composer Horace Tapscott, recorded in 1996 and released on the Arabesque label.
One is a solo album by American jazz pianist Matthew Shipp, which was recorded in 2005 and released on Thirsty Ear's Blue Series.
Piano Sutras is a solo album by American jazz pianist Matthew Shipp, which was recorded in 2013 and released on Thirsty Ear's Blue Series.
The Darkseid Recital is an album by American jazz saxophonist Darius Jones and pianist Matthew Shipp, which was recorded live between 2011 and 2013 and released on the AUM Fidelity label. It was their second duo following Cosmic Lieder. The record is named for the character Darkseid created by comic artist Jack Kirby, and song titles reference concepts and characters from Kirby's New Gods series and other DC Comics.
