Live in the World | ||||
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Live album by The David S. Ware Quartets | ||||
Released | 2005 | |||
Recorded | 1998 and 2003 | |||
Venue | Chiasso, Switzerland (1998); Terni, Italy (2003); Milano, Italy (2003) | |||
Genre | Free jazz | |||
Length | 3:45:52 | |||
Label | Thirsty Ear THI57153.2 | |||
David S. Ware chronology | ||||
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Live in the World is a live album by the David S. Ware Quartets. Six tracks were recorded in Switzerland in 1998, and feature Ware on saxophone, Matthew Shipp on piano, William Parker on bass, and Susie Ibarra on drums. The remaining tracks were recorded in two locations during 2003: Terni, Italy, with Ware, Shipp, Parker and drummer Hamid Drake; and Milano, Italy, with Drake replaced by Guillermo E. Brown. The album was released as a triple CD set by Thirsty Ear Recordings in 2005. [1] [2] [3]
Review scores | |
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Source | Rating |
AllMusic | [1] |
The Penguin Guide to Jazz | [4] |
All About Jazz | [5] |
The Guardian | [6] |
PopMatters | [7] |
Robert Christgau | A− [8] |
The Absolute Sound | [9] |
In a review for AllMusic, Steve Loewy called the album "glorious," and wrote: "This set is destined to be a mini-classic, and a critical addition to the discography of David S. Ware." [1]
The authors of The Penguin Guide to Jazz Recordings awarded the album a full 4 stars, and stated: "The title can be read two ways, as a straightforward description of these live dates..., but also as injunction not to overlook the near-at-hand. For all his mysticism Ware is profoundly committed to the basic mechanics of the music." [4]
A reviewer for All About Jazz commented: "Ware's playing draws broadly from the free jazz tradition, but it steers mercifully clear of the clinical approach adopted by many European improvisers. His compositions seem designed from the outset to match the strengths of his bandmates, who treat the canvas of sound as something to stretch, warp, and remold in the spirit of the moment, capturing an organic, ephemeral glow." He concluded: "Ecstasy, indeed." [5]
The Guardian's John Fordham remarked: "the commitment, energy and skill are occasionally exhausting, often dazzling." [6]
Writing for PopMatters , John Kenyon stated: "these live reinterpretations of Ware's own compositions show the evolving creativity of his side players, while at the same time testifying to the skillful hand of their creator." [7]
Robert Christgau praised the album's "organic integrity," calling it "chaos rendered beautiful," and wrote: "Ware's ideas flow nonstop. After all these years it's clear that he commands one of the great sounds in tenor sax history, very nearly on a par with Rollins, Coltrane, Webster--huge yet lyrical, and so loose." [8]
In a review for the BBC, John Eyles commented: "This is currently top of my list of the year's best. A joyful noise; highly recommended." [10]
Mark Saleski of Something Else!!!! called Ware "one of the most powerful and compelling saxophone voices of modern jazz," and remarked: "His sound has the 'air' of Sonny Rollins right alongside the spiritual howl of an Albert Ayler or even the great John Coltrane. While you can definitely hear Ware's reverence for the masters of jazz, he's not content to just revisit and polish the past." [11]
The Big Takeover's Steve Holtje described the album as "amazingly compelling," and stated that it "offers a thrilling look back at different eras of this long-running group." [12]
Writing for The Village Voice , Larry Blumenfeld called Ware's quartet "the most resilient, least heralded, best-sounding supergroup in modern jazz," and remarked: "A mountain of music—worth the climb for its glimpses of Ware's unencumbered bliss." [13]
"The Way We Were" was composed by Barbra Streisand. "Freedom Suite" parts 1–4 were composed by Sonny Rollins. Remaining tracks were composed by David S. Ware.
Disc 1, disc 2 track 6, and disc 3 track 5 were recorded in Chiasso, Switzerland on December 11, 1998. Disc 2, tracks 1–5 were recorded in Terni, Italy in 2003. Disc 3, tracks 1–4 were recorded in Milano, Italy in 2003. [14]
William Parker is an American free jazz double bassist. Beginning in the 1980s, Parker played with Cecil Taylor for over a decade, and he has led the Little Huey Creative Music Orchestra since 1981. The Village Voice named him "the most consistently brilliant free jazz bassist of all time" and DownBeat has called him "one of the most adventurous and prolific bandleaders in jazz".
Matthew Shipp is an American avant-garde jazz pianist, composer, and bandleader.
Guillermo E. Brown is a multi-disciplinary performer whose works include Soul at the Hands of the Machine, The Beat Kids' Open Rhythm System and Sound Magazine, Black Dreams 1.0,...Is Arturo Klauft, Handeheld, Shuffle Mode, WOOF TICKET EP, PwEP2, forthcoming full-length album Dream&Destroy and performance piece Bee Boy. His one-man theater piece, Robeson in Space, premiered at Luna Stage (2005).
Mat Maneri is an American composer, violin, and viola player. He is the son of the saxophonist Joe Maneri and Sonja Maneri.
Arthur Murray Blythe was an American jazz alto saxophonist and composer. He was described by critic Chris Kelsey as displaying "one of the most easily recognizable alto sax sounds in jazz, big and round, with a fast, wide vibrato and an aggressive, precise manner of phrasing" and furthermore as straddling the avant garde and traditionalist jazz, often with bands featuring unusual instrumentation.
A Love Supreme is an album by American jazz saxophonist John Coltrane. He recorded it in one session on December 9, 1964, at Van Gelder Studio in Englewood Cliffs, New Jersey, leading a quartet featuring pianist McCoy Tyner, bassist Jimmy Garrison and drummer Elvin Jones.
AUM Fidelity is an independent record label in New York City primarily devoted to avant-garde jazz artists such as William Parker, Matthew Shipp, and David S. Ware. It has also released recordings by improvisational rock band Shrimp Boat and exclusively distributes the CaseQuarter and Riti labels. It was founded in 1997 by former Homestead Records label manager Steven Joerg.
Roy Sinclair Campbell Jr. was an American trumpeter frequently linked to free jazz, although he also performed rhythm and blues and funk during his career.
Thirsty Ear Recordings is an American independent record label. It was founded in the late 1970s as a marketing company for the then-unnamed alternative music field, and expanded to issue its own records in 1990.
A Night at the "Village Vanguard" is a live album by American jazz saxophonist Sonny Rollins recorded at the Village Vanguard in New York City on November 3, 1957 and released on Blue Note the following year. Rollins played three sets, one in the afternoon and two in the evening, with different rhythm sections: Donald Bailey and Pete LaRoca, and Wilbur Ware and Elvin Jones, respectively.
David Spencer Ware was an American jazz saxophonist, composer, and bandleader.
Misterioso is a 1958 live album by American jazz ensemble the Thelonious Monk Quartet. By the time of its recording, the pianist and bandleader Thelonious Monk had overcome an extended period of career difficulties and achieved stardom with his residency at New York's Five Spot Café, beginning in 1957. He returned there the following year for a second stint with his quartet, featuring drummer Roy Haynes, bassist Ahmed Abdul-Malik, and tenor saxophonist Johnny Griffin. Along with Thelonious in Action (1958), Misterioso captures portions of the ensemble's August 7 show at the venue.
In the 1990s in jazz, jazz rap continued progressing from the late 1980s and early 1990s, and incorporated jazz influence into hip hop. In 1988, Gang Starr released the debut single "Words I Manifest", sampling Dizzy Gillespie's 1962 "A Night in Tunisia", and Stetsasonic released "Talkin' All That Jazz", sampling Lonnie Liston Smith. Gang Starr's debut LP, No More Mr. Nice Guy, and their track "Jazz Thing" for the soundtrack of Mo' Better Blues, sampling Charlie Parker and Ramsey Lewis. Gang Starr also collaborated with Branford Marsalis and Terence Blanchard. Groups making up the collective known as the Native Tongues Posse tended towards jazzy releases; these include the Jungle Brothers' debut Straight Out the Jungle and A Tribe Called Quest's People's Instinctive Travels and the Paths of Rhythm and The Low End Theory.
Great Bliss, Vol. 1 is an album by American jazz saxophonist David S. Ware recorded in 1990 and released on the Swedish Silkheart label. Great Bliss was conceived as a two-installment project and marks the debut of the David S. Ware Quartet, one of the most highly acclaimed musical groups of the decade.
Third Ear Recitation is an album by American jazz saxophonist David S. Ware recorded in 1992 and released on the Japanese DIW label. This is the first recording by the David S. Ware Quartet with Whit Dickey replacing former drummer Marc Edwards.
Zo is an album by American jazz pianist Matthew Shipp with bassist William Parker, which was recorded in 1993 and released on the tiny label Rise Records. The album was reissued in 1997 by the 2.13.61 label, founded by Henry Rollins, in partnership with Thirsty Ear Recordings.
Freedom Suite is an album by saxophonist David S. Ware featuring his interpretation of the Sonny Rollins composition which was recorded in 2002 and released on the AUM Fidelity label.
Threads is an album by saxophonist and composer David S. Ware's String Ensemble which was recorded in 2003 and released on the Thirsty Ear label.
Live in Vilnius is an album by American jazz saxophonist David S. Ware, which was recorded in 2007 and released as a double limited edition LP on the Lithuanian NoBusiness label. It was the last recorded work by the David S. Ware Quartet.
Renunciation is an album by American jazz saxophonist David S. Ware, which was recorded live at the 2006 Vision Festival and released on the AUM Fidelity label. It was the last U.S. performance by the David S. Ware Quartet.
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