DAO | ||||
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Studio album by | ||||
Released | 1996 | |||
Recorded | September 29, 1995 | |||
Studio | Sound on Sound, New York | |||
Genre | Jazz | |||
Length | 72:20 | |||
Label | Homestead HMS 230-2 | |||
Producer | David S. Ware | |||
David S. Ware chronology | ||||
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DAO is an album by the American jazz saxophonist David S. Ware, recorded in 1995 and released on Homestead. In contrast with most of the quartet's previous albums, they didn't undergo the usual rigorous rehearsals for the recording, getting into the studio the day after the Oblations and Blessings sessions. DAO was the fifth and last recording by the David S. Ware Quartet with drummer Whit Dickey, who would be replaced by Susie Ibarra. [1]
Review scores | |
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Source | Rating |
AllMusic | [2] |
The Penguin Guide to Jazz | [3] |
In his review for AllMusic, Thom Jurek states: "This is a stunner, and a beautiful example of four musicians listening intently to one another in the process of discovery." [2] The Penguin Guide to Jazz wrote that "DAO is Ware's attempt to create his own A Love Supreme , a connected sequence of highly spiritual themes for what was rapidly becoming a 'classic quartet'." [3]
Matthew Shipp is an American avant-garde jazz pianist, composer, and bandleader.
Johnny Griffin is an album by American jazz saxophonist Johnny Griffin featuring tracks recorded in 1956 and released on the Argo label in 1958. The album features the first recordings made under Griffin's leadership but was not released until 1958 by which time his first Blue Note album Introducing Johnny Griffin (1956) had been released and he had attracted attention as a member of Art Blakey's Jazz Messengers.
Flight of I is an album by American jazz saxophonist David S. Ware recorded in 1991 and released by the Japanese DIW label and through a temporary licensing arrangement in the United States by Columbia Records. This is the last recording of the David S. Ware Quartet's original lineup with drummer Marc Edwards, who would be replaced by Whit Dickey. Unlike previous albums, Ware only plays tenor sax and tackles two of his favorite standards, Harry Warren's "There Will Never Be Another You" and Jerome Kern's "Yesterdays", and the ballad "Sad Eyes", composed by free jazz saxophonist Arthur Jones.
Third Ear Recitation is an album by American jazz saxophonist David S. Ware recorded in 1992 and released on the Japanese DIW label. This is the first recording by the David S. Ware Quartet with Whit Dickey replacing former drummer Marc Edwards.
Earthquation is an album by the American jazz saxophonist David S. Ware, recorded in 1994 and released on the Japanese DIW label.
Cryptology is an album by jazz saxophonist David S. Ware, recorded in 1994 and released by Homestead Records.
Oblations and Blessings is an album by jazz saxophonist David S. Ware, recorded in 1995 and released on the Silkheart label. It features the David S. Ware Quartet with pianist Matthew Shipp, bassist William Parker and drummer Whit Dickey playing all original Ware compositions.
Godspelized is an album by the American jazz saxophonist David S. Ware, recorded in 1996 and released on the Japanese DIW label. It was the first recording by the David S. Ware Quartet with drummer Susie Ibarra replacing Whit Dickey. The album includes a version of Sun Ra composition "The Stargazers".
Go See the World is an album by American jazz saxophonist David S. Ware which was recorded in 1997 and became his first release on the Columbia label.
Illuminate is an album by a quartet co-led by jazz guitarist Joe Morris and alto saxophonist Rob Brown, which was recorded in 1993 and released on Leo Lab, a sublabel of Leo Records. Rehearsing and recording this album was the first time the quartet worked together as a band, although Morris played with Brown before on Youniverse and the trio without Morris recorded High Wire.
Transonic is the debut album by American jazz drummer Whit Dickey, which was recorded in 1997 and released on AUM Fidelity. For his first record as leader, Dickey went into the studio with long-time associate, saxophonist Rob Brown, and then relative newcomer to the scene, bassist Chris Lightcap. He notes that many of the cuts were inspired by two Thelonious Monk compositions, "Off Minor" & "Criss Cross", along with the magic of tenor saxophonist David S. Ware.
The Multiplication Table is an album by the American jazz pianist Matthew Shipp, recorded in 1997 and released on the Swiss hatOLOGY label.
Freedom Suite is an album by saxophonist David S. Ware featuring his interpretation of the Sonny Rollins composition which was recorded in 2002 and released on the AUM Fidelity label.
Threads is an album by saxophonist and composer David S. Ware's String Ensemble which was recorded in 2003 and released on the Thirsty Ear label.
BalladWare is an album by saxophonist and composer David S. Ware's Quartet which was recorded in 1999 but not released on the Thirsty Ear label until 2006.
Coalescence is an album by American jazz drummer Whit Dickey recorded in 2003 and released on the Portuguese Clean Feed label. Dickey leads a quartet built around a traditional lineup with Roy Campbell on trumpet, Rob Brown on alto sax and flute and Joe Morris on acoustic bass in place of guitar.
Life Cycle is an album by American jazz drummer Whit Dickey recorded in 2000 and released on the Aum Fidelity label. Dickey leads the Nommonsemble, which includes Rob Brown on alto sax and flute, Mat Maneri on viola and Matthew Shipp on piano.
Piano Vortex is an album by American jazz pianist Matthew Shipp recorded in 2007 and released on Thirsty Ear's Blue Series. He leads a traditional acoustic piano trio with Joe Morris on bass and Whit Dickey on drums.
Harmonic Disorder is an album by American jazz pianist Matthew Shipp recorded in 2008 and released on Thirsty Ear's Blue Series. It was the second recording by the trio with Joe Morris on bass and Whit Dickey on drums, following Piano Vortex. The album includes two jazz standards: "There Will Never Be Another You" and "Someday My Prince Will Come".
Renunciation is an album by American jazz saxophonist David S. Ware, which was recorded live at the 2006 Vision Festival and released on the AUM Fidelity label. It was the last U.S. performance by the David S. Ware Quartet.