Victor Lazzarini (born 1969) is a Brazilian-Irish composer [1] and computer music researcher. [2] Born in Londrina, Brazil, he studied music in the local conservatory and completed his B.Mus. (Composition) at the State University of Campinas (UNICAMP). He received a doctorate from the University of Nottingham in 1996. Since 1998, he has been working at Maynooth University, where he is currently a Professor of Music and Dean of Arts, Celtic Studies and Philosophy. [3]
Lazzarini is one of the leading developers of Csound [4] along with John ffitch and Steven Yi, and the author of the Sound Object (SndObj) Library. Lazzarini has contributed a number of new sound synthesis techniques such as Modified FM Synthesis, [5] [6] Vector Phase Shaping, [7] Feedback AM, [8] and Adaptive Frequency Modulation. [9] He is the co-editor, with Richard Boulanger, of the Audio Programming Book. [10]
Lazzarini has composed music for films, [11] [12] [13] as well as electronic and instrumental works. [14] [15] He was the winner of the AIC/IMRO Mostly Modern International Composer's Competition in Ireland and the Hallward Composition Prize in the UK. [16] [17]
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Computer music is the application of computing technology in music composition, to help human composers create new music or to have computers independently create music, such as with algorithmic composition programs. It includes the theory and application of new and existing computer software technologies and basic aspects of music, such as sound synthesis, digital signal processing, sound design, sonic diffusion, acoustics, electrical engineering, and psychoacoustics. The field of computer music can trace its roots back to the origins of electronic music, and the first experiments and innovations with electronic instruments at the turn of the 20th century.
An electronic musical instrument or electrophone is a musical instrument that produces sound using electronic circuitry. Such an instrument sounds by outputting an electrical, electronic or digital audio signal that ultimately is plugged into a power amplifier which drives a loudspeaker, creating the sound heard by the performer and listener.
Frequency modulation synthesis is a form of sound synthesis whereby the frequency of a waveform is changed by modulating its frequency with a modulator. The (instantaneous) frequency of an oscillator is altered in accordance with the amplitude of a modulating signal.
Digital music technology encompasses digital instruments, computers, electronic effects units, software, or digital audio equipment by a performer, composer, sound engineer, DJ, or record producer to produce, perform or record music. The term refers to electronic devices, instruments, computer hardware, and software used in performance, playback, recording, composition, mixing, analysis, and editing of music.
Csound is a domain-specific computer programming language for audio programming. It is called Csound because it is written in C, as opposed to some of its predecessors.
Wavetable synthesis is a sound synthesis technique used to create quasi-periodic waveforms often used in the production of musical tones or notes.
Granular synthesis is a sound synthesis method that operates on the microsound time scale.
The YM2612, a.k.a. OPN2, is a sound chip developed by Yamaha. It is a member of Yamaha's OPN family of FM synthesis chips, and is derived from the YM2203.
The Yamaha DX7 is a synthesizer manufactured by the Yamaha Corporation from 1983 to 1989. It was the first successful digital synthesizer and is one of the best-selling synthesizers in history, selling more than 200,000 units.
Programming is a form of music production and performance using electronic devices and computer software, such as sequencers and workstations or hardware synthesizers, sampler and sequencers, to generate sounds of musical instruments. These musical sounds are created through the use of music coding languages. There are many music coding languages of varying complexity. Music programming is also frequently used in modern pop and rock music from various regions of the world, and sometimes in jazz and contemporary classical music. It gained popularity in the 1950s and has been emerging ever since.
The digital sound revolution refers to the widespread adoption of digital audio technology in the computer industry beginning in the 1980s.
Phase distortion (PD) synthesis is a synthesis method introduced in 1984 by Casio in its CZ range of synthesizers. In outline, it is similar to phase modulation synthesis as championed by Yamaha Corporation, in the sense that both methods dynamically change the harmonic content of a carrier waveform by influence of another waveform (modulator) in the time domain. However, the application and results of the two methods are quite distinct.
John M. Chowning is an American composer, musician, discoverer, and professor best known for his work at Stanford University, the founding of CCRMA - Center for Computer Research in Music and Acoustics in 1975 and his development of the digital implementation of FM synthesis and the digital sound spatialization while there.
Distortion synthesis is a group of sound synthesis techniques which modify existing sounds to produce more complex sounds, usually by using non-linear circuits or mathematics.
John Peter Fitch is a computer scientist, mathematician and composer, who has worked on relativity, planetary astronomy, computer algebra and Lisp. Alongside Victor Lazzarini and Steven Yi, he is the project leader for audio programming language Csound, having a leading role in its development since the early 1990s; and he was a director of Codemist Ltd, which developed the Norcroft C compiler.
Yamaha SY77 is a 16 voice multitimbral music workstation first produced by Yamaha Corporation in 1989. The SY77 is a synthesizer whose architecture combines AFM synthesis, AWM2 for ROM-borne sample-based synthesis, and the combination of these two methods christened Realtime Convolution and Modulation Synthesis (RCM). The same technology was also packaged in a rack-mounted module released simultaneously, the TG77.
The Korg Z1 is a physical modelling sound synthesiser released in 1997. Touted as a polyphonic Prophecy, the Z1 implements 13 synthesis types, all derived from the original OASYS synthesizer.
Richard Charles Boulanger is a composer, author, and electronic musician. He is a key figure in the development of the audio programming language Csound, and is associated with computer music pioneers Max Mathews and Barry Vercoe.
A sound chip is an integrated circuit (chip) designed to produce audio signals through digital, analog or mixed-mode electronics. Sound chips are typically fabricated on metal–oxide–semiconductor (MOS) mixed-signal chips that process audio signals. They normally contain audio components such as oscillators, envelope controllers, samplers, filters, amplifiers, and envelope generators.
The OPL series are a family of sound chips developed by Yamaha. The OPL series are low-cost sound chips providing FM synthesis for use in computing, music and video game applications.
