Victor Louis | |
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![]() Victor Louis | |
Born | 10 May 1731 Paris, France |
Died | 2 July 1800 69) Paris, France | (aged
Nationality | French |
Occupation | Architect |
Spouse | Marie-Emmanuelle Bayon Louis |
Children | Marie-Hélène-Victoire Louis |
Victor Louis (French pronunciation: [viktɔʁlwi] ; 10 May 1731, Paris – 2 July 1800, Paris) was a French architect, disqualified on a technicality from winning the Prix de Rome in architecture in 1755. [1]
He was born Louis-Nicolas Louis in Paris. [2] He did not adopt the name Victor until after he returned from a trip to Poland in 1765. [3] In 1770 he married the pianist and composer Marie-Emmanuelle Bayon. They had a daughter, Marie-Hélène-Victoire, in 1774. [4] A full biography of Victor Louis was published by Charles Marionneau in Bordeaux in 1881. [5]
Louis' masterpiece is the Grand Théâtre de Bordeaux of 1780. [6] He also designed other theatres, including the Salle Richelieu on the rue de Richelieu (1790, later to become the home of the Comédie-Française) and the Théâtre National de la rue de la Loi (1793, demolished). [7] The Salle Richelieu was the first major building with a roof structure of iron which was selected for its fire-resistant qualities when compared with wood. [8] [9] Other buildings include the Intendance in Besançon (completed 1776), the garden galleries of the Palais-Royal in Paris (1781–1784), the Salle de Beaujolais (1782–83), and the Château du Bouilh near Bordeaux (1786–1789, unfinished). [10] [11]
The Palais Garnier, also known as L'Opéra Garnier, is a historic 1,979-seat opera house at the Place de l'Opéra in the 9th arrondissement of Paris, France. It was built for the Paris Opera from 1861 to 1875 at the behest of Emperor Napoleon III. Initially referred to as le nouvel Opéra de Paris, it soon became known as the Palais Garnier, "in acknowledgment of its extraordinary opulence" and the architect Charles Garnier's plans and designs, which are representative of the Napoleon III style. It was the primary theatre of the Paris Opera and its associated Paris Opera Ballet until 1989, when a new opera house, the Opéra Bastille, opened at the Place de la Bastille. The company now uses the Palais Garnier mainly for ballet. The theatre has been a monument historique of France since 1923.
The Tuileries Palace was a royal and imperial palace in Paris which stood on the right bank of the Seine, directly in the west-front of the Louvre Palace. It was the Parisian residence of most French monarchs, from Henry IV to Napoleon III, until it was burned by the Paris Commune in 1871.
The Luxembourg Palace is at 15 Rue de Vaugirard in the 6th arrondissement of Paris, France. It was originally built (1615–1645) to the designs of the French architect Salomon de Brosse to be the royal residence of the regent Marie de' Medici, mother of King Louis XIII. After the Revolution it was refashioned (1799–1805) by Jean Chalgrin into a legislative building and subsequently greatly enlarged and remodeled (1835–1856) by Alphonse de Gisors. The palace has been the seat of the upper houses of the various French national legislatures since the establishment of the Sénat conservateur during the Consulate; as such, it has been home to the Senate of the Fifth Republic since its establishment in 1958.
Jacques Lemercier was a French architect and engineer, one of the influential trio that included Louis Le Vau and François Mansart who formed the classicizing French Baroque manner, drawing from French traditions of the previous century and current Roman practice the fresh, essentially French synthesis associated with Cardinal Richelieu and Louis XIII.
The Palais-Royal is a former French royal palace located on Rue Saint-Honoré in the 1st arrondissement of Paris. The screened entrance court faces the Place du Palais-Royal, opposite the Louvre. Originally called the Palais-Cardinal, it was built for Cardinal Richelieu from about 1633 to 1639 by architect Jacques Lemercier. Richelieu bequeathed it to Louis XIII, before Louis XIV gave it to his younger brother, Philippe I, Duke of Orléans. As the succeeding Dukes of Orléans made such extensive alterations over the years, almost nothing remains of Lemercier's original design.
Pierre Contant d'Ivry, was a French architect and designer working in a chaste and sober Rococo style and in the goût grec phase of early Neoclassicism.
The Grand Théâtre de Bordeaux is an opera house in Bordeaux, France, first inaugurated on 17 April 1780. It was in this theatre that the ballet La fille mal gardée premiered in 1789, and where a young Marius Petipa staged some of his first ballets.
The Louvre Palace, often referred to simply as the Louvre, is an iconic French palace located on the Right Bank of the Seine in Paris, occupying a vast expanse of land between the Tuileries Gardens and the church of Saint-Germain l'Auxerrois. Originally a defensive castle, it has served several government-related functions in the past, including intermittently as a royal residence between the 14th and 18th centuries. It is now mostly used by the Louvre Museum, which first opened there in 1793.
Charles de Wailly was a French architect and urbanist, and furniture designer, one of the principals in the Neoclassical revival of the Antique. His major work was the Théâtre de l'Odéon for the Comédie-Française (1779–82). In his designs, de Wailly showed a predilection for the perfect figure, the circle.
Claude-Nicolas Ledoux was one of the earliest exponents of French Neoclassical architecture. He used his knowledge of architectural theory to design not only domestic architecture but also town planning; as a consequence of his visionary plan for the Ideal City of Chaux, he became known as a utopian. His greatest works were funded by the French monarchy and came to be perceived as symbols of the Ancien Régime rather than Utopia. The French Revolution hampered his career; much of his work was destroyed in the nineteenth century. In 1804, he published a collection of his designs under the title L'Architecture considérée sous le rapport de l'art, des mœurs et de la législation. In this book he took the opportunity of revising his earlier designs, making them more rigorously neoclassical and up to date. This revision has distorted an accurate assessment of his role in the evolution of Neoclassical architecture. His most ambitious work was the uncompleted Royal Saltworks at Arc-et-Senans, an idealistic and visionary town showing many examples of architecture parlante. Conversely his works and commissions also included the more mundane and everyday architecture such as approximately sixty elaborate tollgates around Paris in the Wall of the General Tax Farm.
Alphonse Hubert François Balat was a Belgian architect.
The Royal Opera of Versailles is the main theatre and opera house of the Palace of Versailles. Designed by Ange-Jacques Gabriel, it is also known as the Théâtre Gabriel. The interior decoration by Augustin Pajou is constructed almost entirely of wood, painted to resemble marble in a technique known as faux marble. The excellent acoustics of the opera house are at least partly due to its wooden interior.
The Théâtre du Palais-Royal is a 750-seat Parisian theatre at 38 rue de Montpensier, located at the northwest corner of the Palais-Royal in the Galerie de Montpensier at its intersection with the Galerie de Beaujolais.
Louis XVI style, also called Louis Seize, is a style of architecture, furniture, decoration and art which developed in France during the 19-year reign of Louis XVI (1774–1792), just before the French Revolution. It saw the final phase of the Baroque style as well as the birth of French Neoclassicism. The style was a reaction against the elaborate ornament of the preceding Baroque period. It was inspired in part by the discoveries of Ancient Roman paintings, sculpture and architecture in Herculaneum and Pompeii. Its features included the straight column, the simplicity of the post-and-lintel, the architrave of the Greek temple. It also expressed the Rousseau-inspired values of returning to nature and the view of nature as an idealized and wild but still orderly and inherently worthy model for the arts to follow.
The Hôtel Tubeuf or Hôtel Duret-de-Chevry is a hôtel particulier located at 8 Rue des Petits Champs in the 2nd arrondissement of Paris. It was built in 1635 to the designs of the French architect Jean Thiriot for Charles Duret de Chevry, president of the Chambre des Comptes. It was unfinished, when in 1641 it was purchased by the financier Jacques Tubeuf, who sold it to Cardinal Mazarin in 1649. The latter expanded it and combined it with adjacent hôtels, creating the Palais Mazarin, which in 1721 became the Bibliothèque du Roi. The Hôtel Tubeuf is now part of the complex of buildings forming the Richelieu site of the Bibliothèque nationale de France and was declared a monument historique in 1983.
The Théâtre du Palais-Royal on the rue Saint-Honoré in Paris was a theatre in the east wing of the Palais-Royal, which opened on 14 January 1641 with a performance of Jean Desmarets' tragicomedy Mirame. The theatre was used by the troupe of Molière from 1660 to 1673 and as an opera house by the Académie Royale de Musique from 1673 to 1763, when it was destroyed by fire. It was rebuilt and reopened in 1770, but again was destroyed by fire in 1781 and not rebuilt.
The Salle Richelieu is the principal theatre of the Comédie-Française. It is located in the Palais-Royal in the first arrondissement of Paris and was originally constructed in 1786–1790 to the designs of the architect Victor Louis. It seats 862 spectators.
Neoclassicism is a movement in architecture, design and the arts which emerged in France in the 1740s and became dominant in France between about 1760 to 1830. It emerged as a reaction to the frivolity and excessive ornament of the baroque and rococo styles. In architecture it featured sobriety, straight lines, and forms, such as the pediment and colonnade, based on Ancient Greek and Roman models. In painting it featured heroism and sacrifice in the time of the ancient Romans and Greeks. It began late in the reign of Louis XV, became dominant under Louis XVI, and continued through the French Revolution, the French Directory, and the reign of Napoleon Bonaparte, and the Bourbon Restoration until 1830, when it was gradually replaced as the dominant style by romanticism and eclecticism.
The expansion of the Louvre under Napoleon III in the 1850s, known at the time and until the 1980s as the Nouveau Louvre or Louvre de Napoléon III, was an iconic project of the Second French Empire and a centerpiece of its ambitious transformation of Paris. Its design was initially produced by Louis Visconti and, after Visconti's death in late 1853, modified and executed by Hector-Martin Lefuel. It represented the completion of a centuries-long project, sometimes referred to as the grand dessein, to connect the old Louvre Palace around the Cour Carrée with the Tuileries Palace to the west. Following the Tuileries' arson at the end of the Paris Commune in 1871 and demolition a decade later, Napoleon III's nouveau Louvre became the eastern end of Paris's axe historique centered on the Champs-Élysées.