Victoria Schultz (born in Helsinki, Finland), is a photographer and documentary film producer. She attended a school run by nuns from St. Louis, Missouri and studied at the University of Helsinki where she received a master's degree in languages and literature. She wrote her master's thesis in 1964 on the work of the African American writer James Baldwin. In 1967, she arrived in New York where she obtained another master's from Columbia University School of Journalism. It was there that she focused on film and photography that centered on social upheavals. [1]
Growing up, Schultz had a passion for books, comics and magazines that combined images and texts. Also as and avid movie-goer she developed her love for strong, visual narration. As she became a documentary filmmaker, she focused first on developing factual stories. [1]
During the 1970s, Schultz was a correspondent for the Finnish radio and television in the United States and Latin America. It was during this time that she covered the Nicaraguan Revolution and made the film, Women In Arms, which showed women's powerful and important roles in this uprising.
The general strike in Nicaragua occurred in June 1979 and one month later, war broke out and the overthrow of the Somoza family dictatorshipoccurred. [2]
She covered the Nicaraguan revolution as a reporter for WBAI radio and the Finnish Broadcasting Company. She also served as a photographer. Women in Arms portrays the brave role of the Sandinista women in the revolution. It won awards in many countries and was shown extensively in the United States on college campuses, at the Nicaraguan Film Industry, and at art theatres including the in New York City at Bleecker Street Cinema, and the Museum of Modern Art. It is still being shown and also used as a visual reference to the days of the Nicaraguan revolution. [3]
In the late 1980s, Schultz was employed by the United Nations as a film producer and director. Her role was to cover trouble spots around the world where the UN had missions. She specialized in disarmament issues and was sent to Iraq to search for weapons of mass destruction. Her documentaries on these issues were shown worldwide. She was also a reporter for CNN and a senior TV-producer with the UN mission in Kosovo. In the 2000s that she devoted herself to photography. Selections of her photographs are included in the National Library of France, La biblioteque national de France.
Now she focuses on making independent short films, memoirs. She combines still photos from her archives, film from her documentaries as well as newly shot footage in these films. She divides her time between New York, Paris and Helsinki.
Victoria Schultz's early work includes many reports and films on social issues. Schultz made award-winning documentaries that were shown worldwide. She produced award-winning reports on post war Kosovo in the Balkans in 1999 for CNN World Report. Among the documentaries she produced at the United Nations are two films on the search for weapons of mass destruction in Iraq, Hide in Seek in Iraq and Secrets in the Sand.
These were broadcast all around world. She also made an independent documentary called Covering Chiapas. This film was on the Zapatista Movement, where the Zapatistas took over territory in Chiapas, Mexico and marched into the Cathedral in San Cristóbal de las Casas. The film covers and details of this noted event. [3]
Starting in the early 2000s up until now, Schultz focused on her passion for still photography. She uses her life experiences as an inspiration and creates stories using still photos. She not only takes pictures of others but frequently includes herself in her photos. [3]
Schultz's first portfolio, "Stories from Inside the Camera", is a series of photos portraying dramatic moments from her past. The series includes subsections, "Yes and No in my Sister’s Soul," which includes the use of negative film to portray the self, "Shadowboxing in my Father’s Eye," which depicts the F-stops in the camera's lens, and "Not Much Fun to be His Other One," which is a depiction of a couple's struggle. [3]
Another portfolio includes "Animal Tales," "Escapees from the Zoo" and "I Married a Crocodile." In the first subsection, the series of photos includes the wearing of animal masks to accentuate human urges and anxieties. The second involves a bride and a large, live reptile to represent our partner choices in life. [3]
The third portfolio series, "Social Matters," touches upon world affairs. It includes the series, "Amerika", "Que Viva Mexico!" and "Activists of the Occupy Movement." Without the constraints of CNN or the UN broadcasting company she express her personal thoughts in her photos as well as her sense of humor. [3]
Funded by the two foundations, Ford Foundation and Rockefeller Foundation, and the New York Council of the Arts, Victoria Schultz's directed and produced many independent documentaries, such as 'Women in Arms, "La Frontera" "Covering Chiapas" "Argentina under Tyranny" and "Holy Terror.". [3]
Back to making films, Schultz has recently produced and directed a feature film YOU NEVER KNOW which tells the story of a young woman who returns to her native Finland and discovers family secrets having to do with Soviet Russia's control of the country. Her distributor in New York is CINEMA GUILD. She is currently working on a series of Memoir films, with each one depicting a fragment from her long and adventure-filled life.
David Royston Bailey is an English photographer and director, most widely known for his fashion photography and portraiture, and role in shaping the image of the Swinging Sixties. Bailey has also directed several television commercials and documentaries.
Susan Meiselas is an American documentary photographer. She has been associated with Magnum Photos since 1976 and been a full member since 1980. Currently she is the President of the Magnum Foundation. She is best known for her 1970s photographs of war-torn Nicaragua and American carnival strippers.
Sally Mann is an American photographer known for making large format black and white photographs of people and places in her immediate surroundings: her children, husband, and rural landscapes, as well as self-portraits.
Lucian Perkins is an American photojournalist, who is best known for covering a number of conflicts with profound compassion for his photograph's subjects, including the war in Afghanistan, Kosovo and the 1991 Persian Gulf War. It has been said that Perkins has a developed style that not only portrays the hopes and weaknesses of the people in his photographs but in an unconventional manner. Perkins currently works at The Washington Post, where he has worked for the past 30 years and resides in Washington, D.C.
"People of the Sun" is the second single by American rock band Rage Against the Machine for their 1996 album Evil Empire. Written in 1992, the song is about the Zapatista revolution. Lead vocalist Zack de la Rocha wrote the song after a visit to Chiapas in southern Mexico. "People of the Sun" also has a music video. It was nominated for a Best Hard Rock Performance Grammy in 1998, but it lost to The Smashing Pumpkins' "The End Is the Beginning Is the End".
Maryam Zandi is an Iranian documentary photographer and author. She is best known for her photographs during the Iranian Revolution.
A Place Called Chiapas is a 1998 Canadian documentary film of first-hand accounts of the Ejército Zapatista de Liberación Nacional (EZLN) the and the lives of its soldiers and the people for whom they fight. Director Nettie Wild takes the viewer to rebel territory in the southeastern Mexican state of Chiapas, where the EZLN live and evade the Mexican Army.
Heikki Taavetti Aho is viewed as a pioneer of Finnish documentary film. Aho worked with his half-brother Björn Soldan (1902–1953) through their film production company Aho & Soldan (1925–1961) the Finnish documentary film tradition was born. Aho & Soldan was founded in 1925 in Helsinki, largely to enable a visual image of Finland as a newly born nation, and was active until 1961.
Nettie Wild is a Canadian filmmaker with a focus on documentaries that highlight marginalized groups and discrimination that these groups face, including people in Canada and around the world. She has worked throughout her professional career as an actor, director, producer, and cameraperson.
Sirkka-Liisa Konttinen is a Finnish photographer who has worked in Britain since the 1960s. Her work is held in the collections of the Museum of Fine Arts, Houston, National Gallery of Art, Washington, D.C., Tate and the UK Memory of the World Register.
Mary C. "Molly" Bingham is an American journalist and filmmaker.
Michele Westmorland is an American photographer who specializes in underwater photography. She is a fellow of the International League of Conservation Photographers and The Explorers Club. She runs Westmorland Images in Redmond, Washington, where she resides.
Newsha Tavakolian is an Iranian photojournalist and documentary photographer. She has worked for Time magazine, The New York Times, Le Figaro, and National Geographic. Her work focuses on women's issues and she has been a member of the Rawiya women's photography collective which she co-established in 2011. Tavakolian is a full member of Magnum Photos.
Ruth Maddison is an Australian photographer. She started photography in the 1970s and continues to make contributions to the Australian visual arts community.
Silvia Vaculíková is Slovak writer, photographer and traveler. She mainly photographs simple people in their natural environment, recording local customs, religion and culture. Her photos, won her many awards.
Signe Viola Brander was a Finnish photographer. She is best known for documenting the changing cityscapes of Helsinki and the everyday lives of the city's inhabitants in the early 20th century.
Janine Wiedel is a documentary photographer and visual anthropologist. She was born in New York City, has been based in the UK since 1970, and lives in London. Since the late 1960s she has been working on projects which have become books and exhibitions. In the early 1970s she spent five years working on a project about Irish Travellers; in the late 1970s two years documenting the industrial heartland of Britain. Wiedel's work is socially minded, exploring themes such as resistance, protest, multiculturalism and counterculture movements.
Hannah Reyes Morales is a Filipina photographer from Manila, Philippines.
Rhonda Wilson MBE was a women's activist, photographer, writer, editor, and educator in British contemporary photography, best known for her initiation of the Rhubarb-Rhubarb International Festival of the Image.