A B movie, or B film, is a type of low-budget commercial motion picture. Originally, during the Golden Age of Hollywood, this term specifically referred to films meant to be shown as the lesser-known second half of a double feature, somewhat similar to B-sides in the world of recorded music. However, the production of such films as "second features" in the United States largely declined by the end of the 1950s. This shift was due to the rise of commercial television, which prompted film studio B movie production departments to transition into television film production divisions. These divisions continued to create content similar to B movies, albeit in the form of low-budget films and series.
NoHo, short for North of Houston Street, is a primarily residential neighborhood in Lower Manhattan in the New York City borough of Manhattan. It is bounded by Mercer Street to the west and the Bowery to the east, and from East 9th Street in the north to East Houston Street in the south.
The Shubert Organization is a theatrical producing organization and a major owner of theatres based in Manhattan, New York City. It was founded by the three Shubert brothers in the late 19th century. They steadily expanded, owning many theaters in New York and across the United States. Since then it has gone through changes of ownership, but it is still a major theater chain.
A grindhouse or action house is an American term for a theatre that mainly shows low-budget horror, splatter, and exploitation films for adults. According to historian David Church, this theater type was named after the "grind policy", a film-programming strategy dating back to the early 1920s which continuously showed films at cut-rate ticket prices that typically rose over the course of each day. This exhibition practice was markedly different from the era's more common practice of fewer shows per day and graduated pricing for different seating sections in large urban theatres, which were typically studio-owned.
The Collective for Living Cinema was an outpost of avant-garde cinema located on White Street in Lower Manhattan in the United States. It regularly presented work by filmmakers such as Ken Jacobs, Nick Zedd, Johan van der Keuken, Yvonne Rainer, Christine Vachon, Dziga Vertov, and many others who created films that were outside of the commercial mainstream in the United States. It also published a number of scholarly journals on film. Many of the founders studied film at Binghamton University together, where they developed a particular interest in the avant-garde.
Anthology Film Archives is an international center for the preservation, study, and exhibition of film and video, with a particular focus on independent, experimental, and avant-garde cinema. The film archive and theater is located at 32 Second Avenue on the southeast corner of East 2nd Street, in a New York City historic district in the East Village neighborhood of Manhattan.
Film Forum is a nonprofit movie theater at 209 West Houston Street in Greenwich Village, Manhattan.
Bleecker Street is an east–west street in the New York City borough of Manhattan. It is most famous today as a Greenwich Village nightclub district. The street connects a neighborhood today popular for music venues and comedy, but which was once a major center for American bohemia. The street is named after the family name of Anthony Lispenard Bleecker, a banker, the father of Anthony Bleecker, a 19th-century writer, through whose family farm the street ran.
Cinema of Israel refers to film production in Israel since its founding in 1948. Most Israeli films are produced in Hebrew, but there are productions in other languages such as Arabic and English. Israel has been nominated for more Academy Awards for Best Foreign Language Film than any other country in the Middle East.
Come Back, Africa is a 1959 film, the second feature-length film written, produced, and directed by American independent filmmaker Lionel Rogosin. The film had a profound effect on African cinema, and remains historically and cultural importance as a document preserving the heritage of the townships in South Africa in the 1950s. It may be classified as reportage, documentary, historical movie or political cinema, since it portrays real events and people. It reveals an interpretation of meaningful social facts and a strong ethical assumption towards human behaviours like racism.
Lionel Rogosin was an independent American filmmaker. He worked in political cinema, non-fiction partisan filmmaking and docufiction, influenced by Italian neorealism and Robert Flaherty.
Mori was a Greenwich Village eating establishment that featured Italian cooking. It became bankrupt during the aftermath of the Great Depression. Its building later housed the Bleecker Street Cinema.
Kim's Video and Music was a video and music retail store in the East Village of Manhattan, New York City, described as the "go-to place for rare selections" and "widely known among the cognoscenti of new, experimental and esoteric music and film". Its owner was Yongman Kim.
The Quad Cinema is New York City's first small four-screen multiplex theater. Located at 34 West 13th Street in Greenwich Village, it was opened by entrepreneur Maurice Kanbar, along with his younger brother Elliott S. Kanbar in October 1972. It has been described as "one of the oldest independent cinemas in the city" and "a vibrant center for art house films."
Bruce Goldstein is a New York City based film programmer, distributor, documentarian, writer, producer, and publicist. He is best known for his work as the repertory programmer for Film Forum in New York. The magazine Time Out New York named him “one of the 101 essential people or places of New York,” citing him “for keeping showmanship alive.”
The Lynn Redgrave Theater was an Off-Broadway theater located in Manhattan, New York City, New York, that was previously known a the Bleecker Street Theater and 45 Bleecker Street Theater.
The Garrick Cinema was a 199-seat movie house at 152 Bleecker Street in the Greenwich Village neighborhood of Lower Manhattan in New York City. Andy Warhol debuted many of his notable films in this building in the late 1960s. Frank Zappa and the Mothers of Invention played here nightly for 6 months in 1967.
The 55th Street Playhouse—periodically referred to as the 55th Street Cinema and Europa Theatre—was a 253-seat movie house at 154 West 55th Street, Midtown Manhattan, New York City, that opened on May 20, 1927. Many classic art and foreign-language films, including those by Jean Cocteau, Sergei Eisenstein, Federico Fellini, Abel Gance, Fritz Lang, Josef Von Sternberg and Orson Welles, were featured at the theater. Later, Andy Warhol presented many of his notable films in this building in the late 1960s. Other notable films were also shown at the theater, including Boys in the Sand (1971) and Him (1974).
Nitehawk Cinema is a dine-in independent movie theater in Brooklyn, New York City. It operates two locations, in the neighborhoods of Williamsburg and Park Slope. The theater, which offers a menu of food and drinks that can be ordered and consumed while patrons view films, was the first liquor licensed movie theater in the state of New York, and the first movie theater in New York City to offer table service.
