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Video painting is a form of video art presented via projectors, LCD or other flat panel display and wall-mounted in the same manner as traditional paintings. Video painting is a relatively new concept that was first coined by Brian Eno in the 1980s to refer to his experimentations with long-form video art. [1] It was later developed upon by Hilary Lawson. [2]
Video painting began as a way for Eno to expand upon the ambient philosophy of his music in a visual form. He explained the coinage and practice of video painting to NME:
"I was delighted to find this other way of using video because at last here's video which draws from another source, which is painting... I call them 'video paintings' because if you say to people 'I make videos', they think of Sting's new rock video or some really boring, grimy 'Video Art'. It's just a way of saying, 'I make videos that don't move very fast." [1]
The idea of video painting was later taken up in Hilary Lawson’s theory of Closure (published 2001), in which he proposed that the world is open and that we close that openness with thought and language. He reinterpreted art as the attempt to avoid closure and approach openness. [3] [ third-party source needed ]
Lawson eventually set about creating a narrative-less frame which he hoped would avoid closure. Working with a close friend and artist, Sanchita Islam, a small initial group was formed which also included artists William Raban, Isabelle Inghillieri, Nina Danino, and Tina Keane. The group met regularly and discussed and shared their work. [2]
Flatscreen technologies such as plasma, LCD, DLP and OLED displays are on the cusp of exploding in terms of marketplace penetration. Currently, the market offers both existing hybrid (video projection boxes) and true flatscreen technologies, and video art projections using cutting-edge projection technology. Even as these devices are being steadily introduced to domestic and creative cultural spheres, more revolutionary technologies are being developed and implemented. Bill Buxton (University of Toronto, former chief scientist for Alias Wave Front and Silicon Graphics) maintains that gel, thin film, and painted surface video technologies are the inevitable next step in this development. Massively large scale moving images, beyond anything we have experienced, will be part of our everyday lives. As a result, our domestic (and public) visual spaces will be profoundly transformed.
There are several artists and designers who are producing video paintings and ambient art that is intended to repurpose the blank space of an idle flatscreen. In addition to this, there is an ever-increasing number of companies specialising in video paintings to varying degrees. Companies such as Plasma Window, Vat19, and Digital Hotcakes have all contributed to this growing phenomenon often providing the archetypal classical ambient video paintings. These companies and increasingly other artists and companies are expanding the availability of this genre. Ambient Digital Art [4] have evolved the concept to more specialised markets including bespoke personalised service additionally with expansion into the realm of generative art.
TransLumen Technologies [5] was founded in 2000 and applied for patents on imperceptibly different images or Subthreshold Extreme Gradual Change (STEGC) also called Fluid Stills Art Illusions. These patents were subsequently awarded and additional patents filed. TransLumen creates and provides ambient video DVD's, HD and custom installations. They specialize in ultra-slow-motion technology and video painting.
Jim Bizzocchi, [6] an artist and assistant professor at Simon Fraser University's School of Interactive Arts and Technology, describes the new form: "Ambient video will emerge as a supremely pictorial form - relying on visual impact and the subtle manipulation of image, layer, flow, and transition. It sits in the visual background of our lives - always changing, but never too quickly. It does not conquer, it seduces. It rewards attention, but never commands it. Rather, its aim is to support whatever level of attention the viewer cares to bestow in the moment: a passing glance, a more intentional look, or a longer and deeper immersion within the dynamically changing experience of an ambient video world." Bizzochi must be credited with advancing the academic study of this phenomenon from his earliest papers on streaming video and other academic papers on video paintings.
NomIg [7] were among the first to create video paintings with their 2001 piece ‘Ad Infinitum’. Working as audiovisual artists, the NomIg. duo questioned what would happen if the concepts of Eno's ambient works were applied to the visual domain. As a result, their works place paramount importance on fluidity of movement; an absence of direct cuts/edits; and the removal of a linear time experience for the viewer. Their video paintings are centered on near-imperceptible movement where the works cause the viewer to question whether there is any movement at all. Upon a passing glance the work appears to be still - it is only after a returning glance or concentrated awareness that the motion of the piece reveals itself. Their work takes a fleeting second and expands it into a timeless contemplation of the moment. To achieve their extreme slow motion NomIg. have heavily researched and developed editing techniques which layer and blend frames while not succumbing to the artifacts of the standard digital slow motion process (jerky movement, blurry content). The actual duration of their paintings often exceeds 3 hours and are regularly produced in 1080p HD format. They are seamless loops.
In 2003, while curating the audiovisual component of the New Forms Festival, [8] the nomigs met Bizzocchi and quickly formed an alliance. Bizzocchi's "Rockface" was used as the intermission piece during the aforementioned audiovisual evening in place of traditional intermission background music thereby playing with the conventional structure of the ambient paradigm. 2004 saw NomIg. and Bizzocchi team up to curate a video painting exhibition at the 2004 New Forms Festival.
Believing that this infant art form needs to develop a strong community, NomIg. developed a dedicated video painting & ambient video resource [9] in an effort to grow the video painting community as well as offer a resource for those looking for information about video painting in general.
2007 sees NomIg. continue to advance the video painting form with a newly developed slow-motion technique; artistic manipulation of the display device itself; as well as the integration of the display device into sculptural works.
Visual artist Jeffers Egan [10] has been working with the video painting medium for some time, producing works described as references to Rothko and Pollock.
Malcolm Daniel (who was involved in the New Forms Festival exhibition mentioned below) has recently started producing a series of work as well. To the rich tapestry of ambient video, Malcolm Daniel adds commentary on culture and society with his Video Paintings. Filmed on location in India, Malcolm's works speak to the integration of society and spiritualism that is so prominent to the region. The cultural significance of this relationship is explored through layering and slow motion effects which serve to foster an ethereal and meditative presence for the viewer.
An early pioneer of the ambient video art movement and video painting is Douglas R. Siefken. His first public exhibit of the Fluid Stills artform was sponsored by Sony on 02/02/02 at the Julia Friedman Gallery in Chicago. Doug is a founder and Chief Technology Officer of TransLumen Technologies, LLC. Their Fluid Stills Art Illusions are a new genre of art merging with technology. The art imbues each digital frame with the integrity of an independent artistic still that cohesively changes over time without any visible or detectable change as that change occurs, creating a serene, temporally streaming subthreshold ultra-slow motion video composition. This tranquil and harmonious art form obviates the visual noise and environmental disruption presented by some other digital art alternatives. Doug has a version of the Chicago Skyline series that was installed at the Hotel Cass, Chicago in August 2007. The piece is running on an 80” DLP screen in the main lobby. In 2008 Chicago's Mayor Daley was flanked by two images from that series on large screens at a luncheon. [11]
One of the early participants in the growing ambient video genre, Detourdvd [12] have been designing ambient video since 2003. Slow moving videos, with no audio track play in infinite loops, the Detourdvd Collection references modern design themes, with some titles available in a choice of color palettes. With sales of flatscreens soaring (Keepmedia [13] ), and with the new, sleek screens on display instead of being hidden away in an armoire or closet, more people are searching for sources moving art to display in their homes. As Jim Bizzocchi says, "We believe artists will use the flat-panel displays as frames for "video paintings"—slow moving but highly pictorial works of televisual art that explore light, shape, texture and motion. The next decade will be a rich test-bed for new forms of domestic visual art."
Bill Viola is an American contemporary video artist whose artistic expression depends upon electronic, sound, and image technology in new media. His works focus on the ideas behind fundamental human experiences such as birth, death and aspects of consciousness.
Ambient music is a genre of music that emphasizes tone and atmosphere over traditional musical structure or rhythm. It may lack net composition, beat, or structured melody. It uses textural layers of sound that can reward both passive and active listening and encourage a sense of calm or contemplation. The genre is said to evoke an "atmospheric", "visual", or "unobtrusive" quality. Nature soundscapes may be included, and the sounds of acoustic instruments such as the piano, strings and flute may be emulated through a synthesizer.
Digital art refers to any artistic work or practice that uses digital technology as part of the creative or presentation process. It can also refer to computational art that uses and engages with digital media.
Interactive art is a form of art that involves the spectator in a way that allows the art to achieve its purpose. Some interactive art installations achieve this by letting the observer walk through, over or around them; others ask the artist or the spectators to become part of the artwork in some way.
Generative art refers to art that in whole or in part has been created with the use of an autonomous system. An autonomous system in this context is generally one that is non-human and can independently determine features of an artwork that would otherwise require decisions made directly by the artist. In some cases the human creator may claim that the generative system represents their own artistic idea, and in others that the system takes on the role of the creator.
Visual effects is the process by which imagery is created or manipulated outside the context of a live-action shot in filmmaking and video production. The integration of live-action footage and other live-action footage or CGI elements to create realistic imagery is called VFX.
Thursday Afternoon is the tenth solo studio album by British ambient musician Brian Eno consisting of one 60-minute eponymous composition. It is the rearranged soundtrack to an 80-minute video production of the same title made in 1984.
onedotzero is a contemporary digital arts organisation based in London that aims to promote new work in moving image and motion arts. The organisation conducts public events, artist and content development, publishing projects, education, production, creative direction, and related visual art consultancy services.
The Shutov Assembly is the thirteenth solo studio album by British musician Brian Eno, released on 10 November 1992 on Warner. One of Eno's ambient albums, it was reissued in 2014 with a second disc with bonus tracks.
Lumen Eclipse is a public media arts gallery located in Harvard Square, Cambridge, Massachusetts, founded to expand public awareness of local, national, and international artists. The gallery is situated on two mounted displays on the Tourism Information Kiosk, just outside the Harvard Square MBTA stop, screening motion art daily. The gallery may also be viewed on the Lumen Eclipse website.
Michael Betancourt is a critical theorist, film theorist, art & film historian, and animator. His principal published works focus on the critique of digital capitalism, motion graphics, visual music, new media art, theory, and formalist study of motion pictures.
Brian Peter George St John le Baptiste de la Salle Eno, also known by the mononym Eno, is an English musician, composer, record producer and visual artist. He is best known for his pioneering contributions to the ambient music and electronic genres and for his work in rock, artistic pop and minimalist drone music. A self-described "non-musician", Eno has helped introduce unconventional concepts and approaches to contemporary music. He has been described as one of popular music's most influential and innovative figures. In 2019, he was inducted into the Rock and Roll Hall of Fame as a member of Roxy Music.
Someoddpilot is primarily a visual communication agency and Someoddpilot Records is an independent record label that exists within the larger visual communication agency. They are located in the Wicker Park neighborhood of Chicago, and owned by Chris Eichenseer.
Internet art is a form of new media art distributed via the Internet. This form of art circumvents the traditional dominance of the physical gallery and museum system. In many cases, the viewer is drawn into some kind of interaction with the work of art. Artists working in this manner are sometimes referred to as net artists.
New media art includes artworks designed and produced by means of electronic media technologies, comprising virtual art, computer graphics, computer animation, digital art, interactive art, sound art, Internet art, video games, robotics, 3D printing, and cyborg art. The term defines itself by the thereby created artwork, which differentiates itself from that deriving from conventional visual arts. New Media art has origins in the worlds of science, art, and performance. Some common themes found in new media art include databases, political and social activism, Afrofuturism, feminism, and identity, a ubiquitous theme found throughout is the incorporation of new technology into the work. The emphasis on medium is a defining feature of much contemporary art and many art schools and major universities now offer majors in "New Genres" or "New Media" and a growing number of graduate programs have emerged internationally. New media art may involve degrees of interaction between artwork and observer or between the artist and the public, as is the case in performance art. Yet, as several theorists and curators have noted, such forms of interaction, social exchange, participation, and transformation do not distinguish new media art but rather serve as a common ground that has parallels in other strands of contemporary art practice. Such insights emphasize the forms of cultural practice that arise concurrently with emerging technological platforms, and question the focus on technological media per se. New Media art involves complex curation and preservation practices that make collecting, installing, and exhibiting the works harder than most other mediums. Many cultural centers and museums have been established to cater to the advanced needs of new media art.
Digital Performance refers to the use of computers as an interface between a creator, consumer of images, and sounds in a wide range of artistic applications. It is performance that incorporates and integrates computer technologies and techniques. Performers can incorporate multimedia into any type of production whether it is live on a theatre stage, or in the street. Anything as small as video recordings or a visual image classifies the production as multimedia. When the key role in a performance is the technologies, it is considered a digital performance. This can be as simple as making projections on a screen for a live audience or as complex as planning and putting on a show online.
The visual arts are art forms such as painting, drawing, printmaking, sculpture, ceramics, photography, video, filmmaking, design, crafts, and architecture. Many artistic disciplines, such as performing arts, conceptual art, and textile arts, also involve aspects of the visual arts as well as arts of other types. Also included within the visual arts are the applied arts, such as industrial design, graphic design, fashion design, interior design, and decorative art.
Addie Wagenknecht is an American artist and researcher living in New York City and Liechtenstein. Her work deals primarily with pop culture, feminist theory, new media and open source software and hardware. She frequently works in collectives, which have included Nortd Labs, F.A.T. lab, and Deep Lab. She has received fellowships and residencies from Eyebeam, Mozilla, The Studio for Creative Inquiry at Carnegie Mellon University and CERN.
Andy Lomas is a British artist with a mathematical background, formerly a television and film CG supervisor and more recently a contemporary digital artist, with a special interest in morphogenesis using mathematical morphology.
Ambient video is a genre of video that puts emphasis on atmosphere over traditional storytelling or news content. Its purpose is to create a soothing, pleasant environment through the use of imagery. A typical video might include footage of waves rolling over the beach accompanied by soft ambient music. Some additional examples might include movement of water, sunrise or sunset, or slow movement such as that of a jellyfish. Ambient video can be the subject of focus or alternatively run unobtrusively in the background.