Videophile

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A videophile (literally, "one who loves sight") is one who is concerned with achieving high-quality results in the recording and playback of movies, TV programs, etc. [1]

Contents

Criteria

Similar to audiophile values, [2] videophile values may be applied at all stages of the chain: the initial audio-visual recording, the video production process, and the playback (usually in a home setting). Some of the aspects of video that most videophiles are concerned with include frame rate, color system, resolution, compression artifacts, motion artifacts, video noise, screen size, etc.

Origin

The term "videophile" was popularised, if not coined, by Tallahassee, Florida-based attorney and writer Jim Lowe, editor and publisher of The Videophile's Newsletter, the first issue of which appeared in the summer of 1976. This was the first publication to unite fans of the Sony Betamax home video recorder (and later VHS, introduced in 1977). The newsletter later became The Videophile, a nationally distributed magazine, the last issue of which was published in 1981. [3]

See also

Related Research Articles

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<span class="mw-page-title-main">Video CD</span> CD-based format meant for digital video distribution

Video CD is a home video format and the first format for distributing films on standard 120 mm (4.7 in) optical discs. The format was widely adopted in Southeast Asia, Central Asia and the Middle East, superseding the VHS and Betamax systems in the regions until DVD-Video finally became affordable in the first decade of the 21st century.

<span class="mw-page-title-main">VHS</span> Consumer-level analog videotape recording and cassette form standard

Video Home System, commonly abbreviated/initialized to VHS, is a standard for consumer-level analog video recording on tape cassettes.

An audiophile is a person who is enthusiastic about high-fidelity sound reproduction. An audiophile seeks to reproduce the sound of a live musical performance, typically in a room with good acoustics. It is widely agreed that reaching this goal is very difficult and that even the best-regarded recording and playback systems rarely, if ever, achieve it.

<span class="mw-page-title-main">Videotape</span> Magnetic tape used for storing video and sound simultaneously

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<span class="mw-page-title-main">S-VHS</span> Improved version of VHS

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<span class="mw-page-title-main">Betamax</span> Consumer-level analog video tape recording and cassette form factor standard

Betamax is a consumer-level analog recording and cassette format of magnetic tape for video, commonly known as a video cassette recorder. It was developed by Sony and was released in Japan on May 10, 1975, followed by the US in November of the same year.

<span class="mw-page-title-main">LaserDisc</span> Optical analog video disc format

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<span class="mw-page-title-main">Camcorder</span> Video camera with built-in video recorder

A camcorder is a self-contained portable electronic device with video and recording as its primary function. It is typically equipped with an articulating screen mounted on the left side, a belt to facilitate holding on the right side, hot-swappable battery facing towards the user, hot-swappable recording media, and an internally contained quiet optical zoom lens.

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<span class="mw-page-title-main">Video tape recorder</span> Tape recorder designed to record and play back video and audio material on magnetic tape

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<span class="mw-page-title-main">Videotape format war</span> Period of competition

The videotape format war was a period of competition or "format war" of incompatible models of consumer-level analog video videocassette and video cassette recorders (VCR) in the late 1970s and the 1980s, mainly involving the Betamax and Video Home System (VHS) formats. VHS ultimately emerged as the preeminent format.

<span class="mw-page-title-main">8 mm video format</span> Magnetic tape-based videocassette format for camcorders

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<span class="mw-page-title-main">U-matic</span> Videocassette format; the first of its kind

U-matic is an analogue recording videocassette format first shown by Sony in prototype in October 1969, and introduced to the market in September 1971. It was among the first video formats to contain the videotape inside a cassette, as opposed to the various reel-to-reel or open-reel formats of the time. The videotape is 34 in (19 mm) wide, so the format is often known as "three-quarter-inch" or simply "three-quarter", compared to open reel videotape formats in use, such as 1 in (25 mm) type C videotape and 2 in (51 mm) quadruplex videotape.

<span class="mw-page-title-main">Betamovie</span>

Betamovie is the brand name for a range of consumer grade camcorders developed by Sony for the Betamax format. By "camcorder" is understood a single unit comprising a video camera and a video recorder.

High-resolution audio is a term for audio files with greater than 44.1 kHz sample rate or higher than 16-bit audio bit depth. It commonly refers to 96 or 192 kHz sample rates. However, there also exist 44.1 kHz/24-bit, 48 kHz/24-bit and 88.2 kHz/24-bit recordings that are labeled HD Audio.

Master Quality Authenticated (MQA) is a lossy audio compression format, which is used to transfer high quality audio to a smart phone or audio device. The tech was launched in 2014 by Meridian Audio, and is now owned and licensed by MQA Ltd. MQA is a proprietary system and requires licensing fees to use.

References

  1. "Videophiles | Article about Videophiles by The Free Dictionary". encyclopedia2.thefreedictionary.com. Retrieved 2018-07-19.
  2. "Ever wonder why old tech appeals to audiophiles, but videophiles not so much?". CNET. Retrieved 2018-07-19.
  3. Greenberg, J.M. (2004). From Betamax to Blockbuster: Mediation in the Consumption Junction. Cornell University, Aug. ISBN   9780496879663 . Retrieved 2018-07-19.