Surrealism is an art and cultural movement that developed in Europe in the aftermath of World War I in which artists aimed to allow the unconscious mind to express itself, often resulting in the depiction of illogical or dreamlike scenes and ideas. Its intention was, according to leader André Breton, to "resolve the previously contradictory conditions of dream and reality into an absolute reality, a super-reality", or surreality. It produced works of painting, writing, theatre, filmmaking, photography, and other media as well.
André Robert Breton was a French writer and poet, the co-founder, leader, and principal theorist of surrealism. His writings include the first Surrealist Manifesto of 1924, in which he defined surrealism as "pure psychic automatism".
Raymond Georges Yves Tanguy, known as just Yves Tanguy, was a French surrealist painter.
Katherine Linn Sage, usually known as Kay Sage, was an American Surrealist artist and poet active between 1936 and 1963. A member of the Golden Age and Post-War periods of Surrealism, she is mostly recognized for her artistic works, which typically contain themes of an architectural nature.
Pavel Fyodorovich Tchelitchew was a Russian-born surrealist painter, set designer and costume designer.
Wolfgang Robert Paalen was an Austrian-Mexican painter, sculptor, and art philosopher. A member of the Abstraction-Création group from 1934 to 1935, he joined the influential Surrealist movement in 1935 and was one of its prominent exponents until 1942. Whilst in exile in Mexico, he founded his own counter-surrealist art-magazine DYN, in which he summarized his critical attitude towards radical subjectivism and Freudo-Marxism in Surrealism with his philosophy of contingency. He rejoined the group between 1951 and 1954, during his sojourn in Paris.
Charles Henri Ford was an American poet, novelist, diarist, filmmaker, photographer, and collage artist. He published more than a dozen collections of poetry, exhibited his artwork in Europe and the United States, edited the Surrealist magazine View (1940–1947) in New York City, and directed an experimental film. He was the partner of the artist Pavel Tchelitchew.
Minotaure was a Surrealist-oriented magazine founded by Albert Skira and E. Tériade in Paris and published between 1933 and 1939. Minotaure published on the plastic arts, poetry, and literature, avant garde, as well as articles on esoteric and unusual aspects of literary and art history. Also included were psychoanalytical studies and artistic aspects of anthropology and ethnography. It was a lavish and extravagant magazine by the standards of the 1930s, profusely illustrated with high quality reproductions of art, often in color.
VVV was a magazine devoted to the dissemination of Surrealism published in New York City from 1942 through 1944. It was the product of leading Surrealists.
The Art of This Century gallery was opened by Peggy Guggenheim at 30 West 57th Street in Manhattan, New York City on October 20, 1942. The gallery occupied two commercial spaces on the seventh floor of a building that was part of the midtown arts district including the Museum of Modern Art, the Museum of Non-Objective Painting, Helena Rubinstein's New Art Center, and numerous commercial galleries. The gallery exhibited important modern art until it closed in 1947, when Guggenheim returned to Europe. The gallery was designed by architect, artist, and visionary Frederick Kiesler.
DYN was an art magazine founded by the Austrian-Mexican Surrealist Wolfgang Paalen, published in Mexico City, and distributed in New York City, and London between 1942 and 1944. Only six issues were produced.
Le Surréalisme au service de la révolution was a periodical issued by the Surrealist Group in Paris between 1930 and 1933. It was the successor of La Révolution surréaliste and preceded the primarily surrealist publication Minotaure.
Nicolas Calas was the pseudonym of Nikos Kalamaris, a Greek-American poet and art critic. While living in Greece, he also used the pseudonyms Nikitas Randos and M. Spieros.
Pegeen Vail Guggenheim was a Swiss-born American painter. Her work combines surrealism and naïve art.
The Hugo Gallery was a New York City gallery, founded by Robert Rothschild, Elizabeth Arden and Maria dei Principi Ruspoli Hugo between 1945 and 1955 and operated by Alexander Iolas. The Hugo gallery was initially on East 55th Street and Madison Avenue.
The Exposition Internationale du Surréalisme was an exhibition by surrealist artists that took place from January 17 to February 24, 1938, in the generously equipped Galérie Beaux-Arts, run by Georges Wildenstein, at 140, Rue du Faubourg Saint-Honoré in Paris. It was organised by the French writer André Breton, the surrealists' brain and theorist, and Paul Éluard, the best known poet of the movement. The catalogue listed, along with the above, Marcel Duchamp as generator and arbitrator, Salvador Dalí and Max Ernst as technical advisers, Man Ray as head lighting technician and Wolfgang Paalen as responsible for the design of the entrance and main hall with "water and foliage". The exhibition was staged in three sections, showing paintings and objects as well as unusually decorated rooms and mannequins which had been redesigned in various ways. With this holistic presentation of surrealist art work the movement wrote exhibition history.
Maria Martins was a Brazilian visual artist who was particularly well known for her modern sculptures.
Nuage articulé(Articulated cloud) is a surrealist object in the form of an assemblage by Wolfgang Paalen produced in 1937. The object consists of an umbrella covered with natural sponges and was one of the most significant objects at the Exposition Internationale du Surréalisme, which was held in Paris at the Wildenstein Gallery in 1938. It was also exhibited in numerous later exhibitions, such as Amsterdam (1938), Cambridge (1938) and Mexico City (1940). Many photographers have captured the item in its context, Man Ray, Kurt Husnik, Josef Breitenbach and Denise Bellon.
Isabelle Waldberg, néeIsabelle Margaretha Maria Farner was a French-Swiss sculptor associated with surrealism.
Robert Lebel was a French art historian, specializing in modern French art. He was also an essayist, poet, novelist, and art collector, He wrote the first fundamental essay on Marcel Duchamp and remained close to the artists and poets of Surrealism. For example, Lebel was the friend and advisor of André Breton and close to Max Ernst, Jacques Lacan, André Masson and Claude Lévi-Strauss.
