Dada or Dadaism was an art movement of the European avant-garde in the early 20th century, with early centres in Zürich, Switzerland, at the Cabaret Voltaire. New York Dada began c. 1915, and after 1920 Dada flourished in Paris. Dadaist activities lasted until the mid 1920s.
Surrealism is a cultural movement that developed in Europe in the aftermath of World War I in which artists depicted unnerving, illogical scenes and developed techniques to allow the unconscious mind to express itself. Its aim was, according to leader André Breton, to "resolve the previously contradictory conditions of dream and reality into an absolute reality, a super-reality", or surreality. It produced works of painting, writing, theatre, filmmaking, photography, and other media.
Henri-Robert-Marcel Duchamp was a French painter, sculptor, chess player, and writer whose work is associated with Cubism, Dada, and conceptual art. Duchamp is commonly regarded, along with Pablo Picasso and Henri Matisse, as one of the three artists who helped to define the revolutionary developments in the plastic arts in the opening decades of the 20th century, responsible for significant developments in painting and sculpture. Duchamp has had an immense impact on twentieth-century and twenty first-century art, and he had a seminal influence on the development of conceptual art. By the time of World War I he had rejected the work of many of his fellow artists as "retinal" art, intended only to please the eye. Instead, Duchamp wanted to use art to serve the mind.
transition was an experimental literary journal that featured surrealist, expressionist, and Dada art and artists. It was founded in 1927 by Maria McDonald and her husband Eugene Jolas and published in Paris. They were later assisted by editors Elliot Paul, Robert Sage, and James Johnson Sweeney.
Four Surrealist Manifestos are known to exist. The first two manifestos, published in October 1924, were written by Yvan Goll and André Breton, the leaders of rival Surrealist groups. Breton published his second manifesto for the Surrealists in 1929, and wrote his third manifesto that was not issued during his lifetime.
Arsenal/Surrealist Subversion was a surrealist magazine published in Chicago and edited by Franklin Rosemont. It appeared infrequently between 1970 and 1989. Apart from Rosemont, the editor in chief, the magazine's editorial board included other members of the Chicago Surrealist group. The first issue of the magazine was published in October 1970. Four issues have appeared, the second in 1973, the third in 1976 and the fourth and most recent in 1989. The publisher of all four issues was Black Swan Press.
Anti-art is a loosely used term applied to an array of concepts and attitudes that reject prior definitions of art and question art in general. Somewhat paradoxically, anti-art tends to conduct this questioning and rejection from the vantage point of art. The term is associated with the Dada movement and is generally accepted as attributable to Marcel Duchamp pre-World War I around 1914, when he began to use found objects as art. It was used to describe revolutionary forms of art. The term was used later by the Conceptual artists of the 1960s to describe the work of those who claimed to have retired altogether from the practice of art, from the production of works which could be sold.
La Révolution surréaliste was a publication by the Surrealists in Paris. Twelve issues were published between 1924 and 1929.
Charles Henri Ford was an American poet, novelist, diarist, filmmaker, photographer, and collage artist. He published more than a dozen collections of poetry, exhibited his artwork in Europe and the United States, edited the Surrealist magazine View (1940–1947) in New York City, and directed an experimental film. He was the partner of the artist Pavel Tchelitchew.
Minotaure was a Surrealist-oriented magazine founded by Albert Skira and E. Tériade in Paris and published between 1933 and 1939. Minotaure published on the plastic arts, poetry, and literature, avant garde, as well as articles on esoteric and unusual aspects of literary and art history. Also included were psychoanalytical studies and artistic aspects of anthropology and ethnography. It was a lavish and extravagant magazine by the standards of the 1930s, profusely illustrated with high quality reproductions of art, often in color.
unu was the name of an avant-garde art and literary magazine, published in Romania from April 1928 to December 1932. Edited by writers Sașa Pană and Moldov, it was dedicated to Dada and Surrealism.
VVV was a magazine devoted to the dissemination of Surrealism published in New York City from 1942 through 1944. It was the product of leading Surrealists.
Documents was a Surrealist art magazine edited by Georges Bataille. Published in Paris from 1929 through 1930, it ran for 15 issues, each of which contained a wide range of original writing and photographs.
Arturo Umberto Samuele Schwarz was an Italian scholar, art historian, poet, writer, lecturer, art consultant and curator of international art exhibitions. He lived in Milan, where he amassed a large collection of Dada and Surrealist art, including many works by personal friends such as Marcel Duchamp, André Breton, Man Ray, and Jean Arp.
DYN was an art magazine founded by the Austrian-Mexican Surrealist Wolfgang Paalen, published in Mexico City, and distributed in New York City, Paris, and London between 1942 and 1944. Only six issues were produced.
Le Surréalisme au service de la révolution was a periodical issued by the Surrealist Group in Paris between 1930 and 1933. It was the successor of La Révolution surréaliste and preceded the primarily surrealist publication Minotaure.
The Exposition Internationale du Surréalisme was an exhibition by surrealist artists that took place from January 17 to February 24, 1938, in the generously equipped Galérie Beaux-Arts, run by Georges Wildenstein, at 140, Rue du Faubourg Saint-Honoré in Paris. It was organised by the French writer André Breton, the surrealists' brain and theorist, and Paul Éluard, the best known poet of the movement. The catalogue listed, along with the above, Marcel Duchamp as generator and arbitrator, Salvador Dalí and Max Ernst as technical advisers, Man Ray as head lighting technician and Wolfgang Paalen as responsible for the design of the entrance and main hall with "water and foliage". The exhibition was staged in three sections, showing paintings and objects as well as unusually decorated rooms and mannequins which had been redesigned in various ways. With this holistic presentation of surrealist art work the movement wrote exhibition history.
Isabelle Waldberg, néeIsabelle Margaretha Maria Farner (1911–1990) was a French-Swiss sculptor associated with surrealism.
Gabrièle Buffet-Picabia, was a French art critic and writer affiliated with Dadaism. She was an organiser of the French resistance and the first wife of artist Francis Picabia.
Robert Lebel was a art historian, specializing in modern French art. He was also an essayist, poet, novelist, and art collector, He wrote the first fundamental essay on Marcel Duchamp and remained close to the artists and poets of Surrealism. For example, Lebel was the friend and advisor of André Breton and close to Max Ernst, Jacques Lacan, André Masson and Claude Lévi-Strauss.
