Violin Sonata No. 2 (Stanford)

Last updated

Violin Sonata
No. 2
by Charles Villiers Stanford
Charles Villiers Stanford c1894bw.jpg
Stanford in 1894
Key A major
Opus 70
Composedc.1898
Published2006
Movements4

Charles Villiers Stanford's Violin Sonata No. 2 in A major, Op. 70, was composed around 1898. [lower-alpha 1] Performed only once during the composer's lifetime, the sonata remained unpublished until 2006.

Contents

History

The exact circumstances under which this sonata, which only survives in the form of a copy made for the Royal College of Music (RCM), was written is unknown. [2] Biographer Jeremy Dibble notes that it may have been written for Richard Gompertz or for Enrique Fernández Arbós, who ultimately became the dedicatee of the composer's Violin Concerto, Op. 74, both colleagues at the RCM. [3] The only known performance of the sonata during the composer's lifetime took place in London on 7 December 1898 at the Prince's Galleries, Piccadilly, under the auspices of the Curtius Club. [1] The soloists for the performance were Australian-born violinist Joseph Kreuse and pianist Viola Fischer-Sobell. John France located several reviews of this concert, most of which were favorable; one exception was the anonymous review published in The Musical Standard the day after the concert. The reviewer, while liking the work in general, felt that the finale was too close in character to the preceding movement to be completely effective. [1]

There is no documentary evidence of subsequent performances until the work was recorded by Hyperion in 1999 [4] for an album featuring both of the composer's violin sonatas. Publication ultimately took place in 2006, with a version edited by Richard Barnes and released by Cathedral Music, an imprint of the Royal School of Church Music. [5] A second recording was made in 2013 by violinist Alberto Bologni and pianist Christopher Howell as part of a collection of the complete works by Stanford for the instruments. [6]

Structure

The sonata, unlike the composer's first violin sonata, is in four movements: [7]

  1. Allegro commodo
  2. Adagio molto
  3. Prestissimo
  4. Allegretto – Animato

An average performance takes around 25–28 minutes. [7]

Notes

  1. The anonymous reviewer who wrote for the Musical Standard indicated in his review he had heard the sonata had been composed around 1896, but offered no source for this information. [1]

Related Research Articles

1877 in music Overview of the events of 1877 in music

This article is about music-related events in 1877.

Walford Davies British composer (1869-1941)

Sir Henry Walford Davies was an English composer, organist, and educator who held the title Master of the King's Music from 1934 until 1941. He served with the Royal Air Force during the First World War, during which he composed the Royal Air Force March Past, and was music adviser to the British Broadcasting Corporation, for whom he gave commended talks on music between 1924 and 1941.

Charles Villiers Stanford Irish composer, music teacher, and conductor

Sir Charles Villiers Stanford was an Anglo-Irish composer, music teacher, and conductor of the late Romantic era. Born to a well-off and highly musical family in Dublin, Stanford was educated at the University of Cambridge before studying music in Leipzig and Berlin. He was instrumental in raising the status of the Cambridge University Musical Society, attracting international stars to perform with it.

John Ireland (composer) British composer and teacher of music (1879–1962)

John Nicholson Ireland was an English composer and teacher of music. The majority of his output consists of piano miniatures and of songs with piano. His best-known works include the short instrumental or orchestral work "The Holy Boy", a setting of the poem "Sea-Fever" by John Masefield, a formerly much-played Piano Concerto, the hymn tune Love Unknown and the choral motet "Greater Love Hath No Man".

Samuel Coleridge-Taylor English composer and conductor (1875–1912)

Samuel Coleridge-Taylor was an English composer and conductor.

Giuseppe Martucci Italian composer

Giuseppe Martucci was an Italian composer, conductor, pianist and teacher. Sometimes called "the Italian Brahms", Martucci was notable among Italian composers of the era in that he dedicated his entire career to absolute music, and wrote no operas. As a composer and teacher he was influential in reviving Italian interest in non-operatic music. As a conductor he helped to introduce Wagner's operas to Italy and also gave important early concerts of English music there.

York Bowen English composer and pianist (1884–1961)

Edwin York Bowen was an English composer and pianist. Bowen's musical career spanned more than fifty years during which time he wrote over 160 works. As well as being a pianist and composer, Bowen was a talented conductor, organist, violist and horn player. Despite achieving considerable success during his lifetime, many of the composer's works remained unpublished and unperformed until after his death in 1961. Bowen's compositional style is widely considered as ‘Romantic’ and his works are often characterized by their rich harmonic language.

Alan Gray English organist and composer

Alan Gray was an English organist and composer.

Robert Hausmann German cellist

Robert Hausmann was a notable 19th-century German cellist who premiered important works by Johannes Brahms and Max Bruch. He was the cellist for the Joachim Quartet and taught at the Berlin Königliche Hochschule für Müsik.

Kendall Taylor British pianist

Edgar Kendall Taylor CBE, FRCM, Hon FRAM was a British pianist, who had an international career as a solo concert pianist. In the United Kingdom, he was well known for his concerts, which were broadcast on the BBC. He was also known for his recitals and broadcasts to the troops during World War II through the Entertainments National Service Association. He also had a career as a teacher and pedagogue.

Charles Villiers Stanford's Serenade in F major, Op. 95 is a composition for a chamber ensemble of nine soloists, composed in 1905.

<i>Three Latin Motets</i> (Stanford) Compositions by Charles Villiers Stanford

Three Latin Motets, Op. 38, is a collection of three sacred motets based on Latin texts for mixed unaccompanied choir by Charles Villiers Stanford, comprising Justorum animae, Coelos ascendit hodie and Beati quorum via. The texts come from different sources, and the scoring is for four to eight parts. They were published by Boosey & Co in 1905. The works, some of Stanford's few settings of church music in Latin, have remained in the choral repertoire internationally and are performed in liturgies and concert.

Symphony No. 1 in B-flat major was the first symphony composed by Charles Villiers Stanford an Irish composer, music teacher, and conductor. It was written in 1876 to compete for a prize offered by the proprietors of the Alexandra Palace. It came second out of 46 entries earning a prize of £5. The symphony was dedicated to the tenor Arthur Duke Coleridge who had been a friend of Stanford's at Cambridge. It was first played at The Crystal Palace in London in 1879 but was never published or performed again in Stanford's lifetime.

Service in B-flat major, Op. 10 (Stanford)

The Service in B-flat major, Op. 10, is a collection of Anglican church music by Charles Villiers Stanford for mixed choir and organ containing the canticles for each of the principal services of the Anglican Church. Stanford set the traditional liturgical texts in English in 1879 when he was the organist of Trinity College, Cambridge. They were published by Novello in 1902. Stanford orchestrated the work in 1903, with additional organ.

Violin Sonata No. 1 (Stanford) 1877 composition by Charles Villiers Stanford

Charles Villiers Stanford's Violin Sonata No. 1 in D major, Op. 11, was composed in 1877, shortly after the composer completed his studies in Germany. It was one of his first pieces of chamber music, preceded only by his A major cello sonata. First performed the year it was composed, the sonata was published in 1878 by Ries & Erler in Germany, with a dedication to violinist Ludwig Straus.

Percy Turnbull was an English composer and pianist best known for his piano character pieces and songs.

<i>The Blue Bird</i> (Stanford) 1910 part song by Charles Villiers Stanford

The Blue Bird is a partsong composed by Charles Villiers Stanford in 1910. It is set to the words of L'Oiseau Bleu, a poem by Mary Elizabeth Coleridge, which depicts a bluebird in flight over a lake. It is written for soprano, divided altos, tenor and bass. "The Blue Bird" is the third of Stanford's Eight Part Songs which are all settings of texts by Coleridge. It was widely performed by choral societies in England during Stanford's life and is considered one of the best English partsongs ever written. It has been recorded by ensembles including The Cambridge Singers, Oxford Camerata, Tenebrae, and the Gabrieli Consort.

References

Notes

  1. 1 2 3 (France  2014b, 2014c)
  2. Dibble 2002 , p. 478
  3. Dibble 2002, p. 303.
  4. Dibble 1999, p. 10.
  5. "Catalog: Duo's with Strings" (PDF). Cathedral Music. 2012.
  6. France 2014a.
  7. 1 2 Dibble 1999, p. 3.

Sources