![]() | You can help expand this article with text translated from the corresponding article in Spanish. (April 2019)Click [show] for important translation instructions.
|
The Virgin of El Panecillo (in Spanish: Virgen del Panecillo), also known as the Virgin of Quito from the sculpture of the same name, is a monument in Quito, Ecuador. It is located on the top of the hill of El Panecillo, a loaf-shaped hill in the heart of the city and serves as a backdrop to the historic center of Quito.
With a total height of 135 feet (41 meters) including the base, it is the highest statue in Ecuador and one of the highest in South America (taller than the Christ the Redeemer statue in the Brazilian city of Rio de Janeiro). It is also the tallest aluminum statue in the world. [1]
In the 1950s, local authorities and religious leaders stood looking at El Panecillo, a loaf-shaped, 656-foot-high (200 meters) hill in central Quito. They agreed that the hilltop, visible throughout the city, was the perfect place to erect a statue. After years of debate, they decided that the statue would be a large replica of the Virgin of Quito, a 48-inch-tall wooden sculpture created by Bernardo de Legarda in 1734. [1] [2]
Designed and built by the Spanish sculptor Agustín de la Herrán Matorras, the statue is made from 7,400 pieces of aluminum, with each piece clearly numbered. The statue was then disassembled, shipped to Ecuador, and assembled again on top of the base. The statue was finished on March 28, 1975. [1]
Quito, officially San Francisco de Quito, is the capital and second-largest city of Ecuador, with an estimated population of 2.8 million in its metropolitan area. It is also the capital of the province of Pichincha. Quito is located in a valley on the eastern slopes of Pichincha, an active stratovolcano in the Andes.
Gabriel Gregorio Fernando José María García Moreno y Morán de Butrón, was an Ecuadorian politician and aristocrat who twice served as President of Ecuador and was assassinated during his second term after being elected to a third. He is noted for his conservatism, nationalism, Catholic religious perspective and rivalry with liberal strongman Eloy Alfaro. García Moreno was noted for efforts to economically and agriculturally advance Ecuador and for his staunch opposition to corruption.
El Panecillo is a 200-metre-high hill of volcanic-origin, with loess soil, located between southern and central Quito. Its peak is at an elevation of 3,016 metres (9,895 ft) above sea level. The original name used by the aboriginal inhabitants of Quito was Yavirac. According to Juan de Velasco, a Jesuit historian, there was a temple on top of Yavirac where the Indians worshiped the sun until it was destroyed by the Spanish conquistadores. The street that leads up to El Panecillo is named after Melchor Aymerich.
The Quito Metropolitan Cathedral, is a Catholic cathedral in Quito, Ecuador. Located on the southwestern side of the Plaza de la Independencia, it served as a seat of the Diocese of Quito from 1545 until 1848 when it was elevated to Archdiocese. In 1995, it was elevated to the Cathedral of Ecuador, making it the seniormost Catholic church in the country.
Píntag is an agrarian village located 27.5 kilometers southeast of Quito in Pichincha Province, Ecuador.
Alausí Canton is a canton in the Chimborazo Province in Ecuador. Its seat is Alausí. The canton is being promoted as a tourist region, and was named a Pueblo Mágico by the Ecuadorian Ministry of Tourism (MINTUR) in 2019.
The Battle of Guayaquil was the final and pivotal armed confrontation in a struggle for political control of Ecuador. The battle was fought on the outskirts of the city of Guayaquil, Ecuador on September 22–24, 1860, among several factions claiming control of the country in the wake of the abdication of president Francisco Robles, amidst continuous Peruvian military pressure due to the ongoing Ecuadorian–Peruvian territorial dispute. The battle brought an end to a series of skirmishes between the forces of Gabriel García Moreno's Provisional Government, backed by General Juan José Flores, and the government of General Guillermo Franco in Guayas, which was recognized by Peruvian president Ramón Castilla.
The Quito School is a Latin American colonial artistic tradition that constitutes essentially the whole of the professional artistic output developed in the territory of the Royal Audience of Quito – from Pasto and Popayán in the north to Piura and Cajamarca in the south – during the Spanish colonial period (1542–1824). It is especially associated with the 17th and 18th centuries and was almost exclusively focused on the religious art of the Catholic Church in the country. Characterized by a mastery of the realistic and by the degree to which indigenous beliefs and artistic traditions are evident, these productions were among of the most important activities in the economy of the Royal Audience of Quito. Such was the prestige of the movement even in Europe that it was said that King Carlos III of Spain (1716–1788), referring to one of its sculptors in particular, opined: "I am not concerned that Italy has Michelangelo; in my colonies of America I have the master Caspicara".
Parque El Ejido is a public park located along Avenue Patria in the Itchimbía neighborhood, in the Old Centre part of Quito, Ecuador. It is the third-largest park in the city. Estadio El Ejido is located nearby. The park hosts exhibitions on the weekend.
The Church and Convent of San Ignacio de Loyola de la Compañía de Jesús de Quito, also known in the Ecuadorian people simply as La Compañía, is a Catholic clerical complex located on the corner formed by calles García Moreno and Sucre, in the Historic Center of the city of Quito, capital of Ecuador. The façade of its main temple is entirely carved in volcanic stone. Over time, this church has also been called: "Temple of Solomon of South America". Father Bernardo Recio, a traveling Jesuit, called it "Golden Ember".
The Virgin of Quito — also known as the Virgin of the Apocalypse, Winged Virgin of Quito, Dancing Madonna, and Legarda's Virgin — is a wooden sculpture by the Quiteño artist Bernardo de Legarda which has become the most representative example of the Quito School of art, developed in the Ecuadorian capital during the Spanish colonial era. This particular Virgin became a popular cult image which is still venerated — via innumerable replicas — throughout the northern Andes.
Manuel Chili – known as Caspicara – was an Ecuadorian sculptor who exemplified the Quito School movement of the 18th century Andes. His major religious works, characterized by polychromed wood sculptures in an elegant Spanish Baroque style, are preserved in the Quito Cathedral and the Church of San Francisco de Quito, Ecuador, and in Popayán, Colombia. His work was rediscovered in 1791 and championed by Eugenio Espejo, then the country's leading intellectual.
La Iglesia de El Sagrario is a Renaissance Catholic Church in the city of Quito, capital of Ecuador. It is located in the Historic Center of the city, on calle García Moreno, formerly known as calle de las Siete Cruces, a few meters from the corner with calle Eugenio Espejo. It is part of the Metropolitan Cathedral complex, although it seems more like an independent church than an adjoining chapel, both because of its size and because of its importance in Quito's art.
The City Museum is a museum in the colonial center of Quito, Ecuador. It is located on Garcia Moreno Street, between Morales and Rocafuerte.
Ecuador is a nation in northwest South America known as the Republic of Ecuador. Hundreds of thousands of kinds of plants and animals can be found there as a result of the diversity of its four zones. There are roughly 1640 bird species there. Along with the 4,500 kinds of butterflies, there are also 345 reptiles, 358 amphibians, and 258 mammals. Ecuador is regarded as one of the 17 nations with the highest concentration of biodiversity on Earth. The majority of its animals and plants are found in 26 state-protected areas. It also provides gastronomy, a range of cultures and customs, and historical attractions like Quito.
El poder brutal, also known as La cara del diablo or El diablo de Tandapi, is a colossal sculpture located in Mejía Canton, Pichincha Province, Ecuador. It is carved into the living rock of a mountain on Ecuador Highway 20, about 5 kilometers from the town of Tandapi. It is famous for its size and because it is located on the most traveled route between Quito and Guayaquil.
The Monumento a la Virgen de la Paz is a colossal statue honoring Mary. Completely made out of concrete, it is located 11 kilometres (6.8 mi) southwest of the city of Trujillo in Venezuela. At 46.72 metres (153.3 ft) tall it is the 48th tallest statue in the world, the tallest statue in South America and the second-tallest in the Americas, the fourth-tallest statue depicting a woman in the world, and the second tallest statue of Mary in the world. It is 16 metres (52 ft) across, with a base that is 18 metres (59 ft) deep, and weighs 1,200 tonnes.
Transport in Quito, Ecuador consists of a variety of modes.
The Santuario de la Virgen de la Nube, better known as the Franciscan Sanctuary Our Lady of the Cloud, is a church of the Roman Catholic Diocese of Azogues, located in the eastern part of the Ecuadorian city of Azogues, capital of the province of Cañar. It was built between 1912 and 1954. It is a church of singular and beautiful construction that dates from the Republican era, its entire structure as well as its stairways were made with carved stone from the Abuga hill. The High Altar of the sanctuary is entirely carved in fine wood, covered with gold leaf. In the central part of it is the image of the Virgin of the Cloud.
The Nuestra Señora de la Nube Monument, also known as Virgen de La Nube in El Abuga, is a religious monument on Abuga in the Cañar Province of Ecuador. It depicts the Virgin Mary holding the baby Jesus in her arms.