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Virginia Opera is an opera company based in the Commonwealth of Virginia which was first organized in 1974 by a group of Norfolk, Virginia community volunteers.
The company presented its first productions in 1975, and in the following four decades has become known and respected nationwide for the identification and presentation of the finest young artists, for the musical and dramatic integrity of its productions, and for the ingenuity and variety of its education and outreach programs. The company has an annual budget of $5 million with over 30 performances, reaching nearly 50,000 attendees each season.
In March 1994, by unanimous vote of the Virginia General Assembly, Virginia Opera was named The Official Opera Company of the Commonwealth of Virginia in recognition of the organization's contribution to the Commonwealth, and to the world of opera.
Virginia Opera currently presents four productions a year at four major Virginia venues: Norfolk's Harrison Opera House, [1] Richmond's Carpenter Theatre at Richmond CenterStage, George Mason University's Center for the Arts in Fairfax, [2] and the Sandler Center for the Performing Arts in Virginia Beach. Virginia Opera is the only opera company to perform a full season of operas in multiple mainstage venues and to reach more than 150,000 students and community members each year through its innovative Education and Outreach Program.
Organized in 1974 by founding chair Edythe C. Harrison, Virginia Opera was launched with two productions in the Norfolk Center Theater. Dr. David Farrar was the founding Stage Director and Director of Productions of the Virginia Opera. He was responsible for twelve years of innovation and vitality, during which the company experienced a period of tremendous growth. Dr. Farrar invited Peter Mark to the company and Mark was appointed Artistic Director, a position he held for over 35 years. He was named Artistic Director Emeritus in 2012. Russell P. Allen, appointed President and CEO in 2011, currently leads the company, returning to Virginia Opera after previously serving six years as General Manager from 1994-2000.
The company's first three seasons were limited to Norfolk. Expansion to Richmond began in 1977 with the encouragement of then-Governor Mills Godwin and Mrs. T. Fleetwood (Anna) Garner, under whose leadership "The Richmond Friends of Opera" was formed to present Virginia Opera productions annually in Richmond. By 1983, the Richmond and Central Virginia Board of Virginia Opera was formed and a Richmond office was opened. In November 1992, the company presented its first mainstage performance at the Center for the Arts at George Mason University in Fairfax. This development was hailed as "one of the major local operatic events of the year" [ citation needed ] by The Washington Post, and deemed a special day in music history for the Washington, D.C. area by Opera News .[ citation needed ]
Some of the nation's most promising young singers have appeared on the company's stages and in concert. These have included Luciano Pavarotti, Beverly Sills, Renée Fleming, Diana Soviero, Lawrence Brownlee, Barbara Dever, Jeannine Altmeyer, Ashley Putnam, Cristina Nassif, Frederick Burchinal, John Aler, Rockwell Blake, Randy Locke, Jake Gardner, Sujung Kim, Frank Porretta, Grant Youngblood, Fabiana Bravo, Mary Elizabeth Williams, Nmon Ford, Jeniece Goldbourne, Randall Scarlata, and Thomas Rolf Truhitte.
Attracting acclaimed directors from the theater and opera world, the company has given audiences the experience of seeing the work of Gian Carlo Menotti, Gordon Davidson, Greg Ganakas, Arvin Brown, Dorothy Danner, Lillian Groag and Sam Helfrich, among others, in new productions designed by the nation's top opera and theatre designers.
The first few seasons consisted of standard works such as La boheme , La traviata , Tosca , Lucia di Lammermoor and The Barber of Seville , all presented in the 1975 to 1976 period. Full Details, including full casts and production personnel of past seasons' productions are available on the company's website.
Many standard works are still performed, but each season typically contains a variety of operatic styles from different eras. Added to these have been productions of American musicals such as Man of La Mancha (1987), West Side Story (1994), Carousel (1996) Oklahoma! (1997), Sweeney Todd (September/October 2014) as well as several comic operas by Gilbert and Sullivan such as The Pirates of Penzance (1999 and 2022), The Mikado (2001) and HMS Pinafore (2014).
While many of productions have focused on the standard repertory of popular operas which are frequently performed by most companies, Virginia Opera is also noted for its innovative programming of rarer or new works. These are noted below.
The company has produced notable world and American premieres of new works, including most recently American composer Ricky Ian Gordon's Rappahannock County, a Civil War song cycle co-commissioned by Virginia Opera, the Virginia Arts Festival, the Modlin Center of the University of Richmond, and the University of Texas at Austin. Rappahannock County premiered in Norfolk on April 12, 2011, the 150th anniversary of the firing upon Fort Sumter, South Carolina.
Earlier world and American premieres included operas by Scottish-American composer Thea Musgrave, including Mary, Queen of Scots (1975—77), [3] A Christmas Carol (1978—79), [4] Harriet, The Woman Called Moses (1984), [5] and Simon Bolivar (1992). [6]
Amongst some of the more unusual operas performed over 40 years were the double bill of Mozart's The Impresario along with the popular Pagliacci in March/April 1977.
The baroque era has been well represented by Handel's Giulio Cesare in early 1997, his Rodelinda in February 2000 and Agrippina in early 2007. Stagings of some bel canto classics not so often performed in the 1980s such as Bellini's I Capuleti e i Montecchi in Spring 1981, Norma in October 1983 and again in January 1994, along with Donizetti's Anna Bolena in January 1989 reflect a broad approach to the repertoire.
Amongst several of Wagner's operas, The Flying Dutchman entered the repertory in January/February 1996, while Die Walkure followed in the fall of 2002 and again in early 2011.
Richard Strauss is represented by Ariadne auf Naxos in 2014, although it was given several times over the earlier years, and there have been several productions of Salome , the next appearing in January/February 2015. Elektra was given in early 2002.
In addition to the Musgrave premieres, other 20th century American works have included Porgy and Bess several times beginning in 1980; Menotti's Amahl and the Night Visitors in December 1982 and his The Medium in early 1992; Andre Previn's 1998 A Streetcar Named Desire was seen in February/March 2013; Aaron Copland's The Tender Land appeared in early 1998; and Carlyle Floyd's Susannah was staged in November 2006.
Full casts and production details appear on the company's website.
Lyric Opera of Chicago is one of the leading opera companies in the United States. It was founded in Chicago in 1954, under the name 'Lyric Theatre of Chicago' by Carol Fox, Nicola Rescigno and Lawrence Kelly, with a season that included Maria Callas's American debut in Norma. The company was re-organized by Fox in 1956 under its present name and, after her 1981 departure, it has continued to be of one of the major opera companies in the United States. The Lyric is housed in a theater and related spaces in the Civic Opera Building. These spaces are now owned by the Lyric.
The New York City Opera (NYCO) is an American opera company located in Manhattan in New York City. The company has been active from 1943 through 2013, and again since 2016 when it was revived.
The Washington National Opera (WNO) is an American opera company in Washington, D.C. Formerly the Opera Society of Washington and the Washington Opera, the company received Congressional designation as the National Opera Company in 2000. Performances are now given in the Opera House of the John F. Kennedy Center for the Performing Arts.
Opera Memphis is a Memphis, Tennessee non-profit arts organization chartered in 1956 by a group of Memphians interested in producing regional opera. Charter signatories included noted Memphians Philip Belz and Walter Chandler. Early productions consisted mainly of local singers and local directors. During this initial period the Metropolitan Opera Company toured regularly through the area and performed in Memphis two to three times per year. As the company grew, the performers and directors became more regional and the sets and costumes more professional. By the mid-1970s, Opera Memphis began bringing in well-known singers like Leontyne Price, Beverly Sills, Joan Sutherland, Sherrill Milnes, and Birgit Nilsson to perform in lead roles.
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Portland Stage Company is a professional LORT theater company in the state of Maine. Founded as the Profile Theatre in 1974 as a touring theater company, in 1976 the company made Portland a permanent home and in 1982 it moved to its current home of 25A Forest Ave, Portland, ME. Anita Stewart has served as the Artistic Director since 1996 and in 2006 was made Executive Director as well.
The Atlanta Opera is an opera company located in the Atlanta metropolitan area. Founded in 1979, it produces mainstage opera productions and arts education programs for Metropolitan Atlanta and the Southeast.
The Governor's School for the Arts is a regional secondary arts school sponsored by the Virginia Department of Education and the public school divisions of Chesapeake, Franklin, Isle of Wight County, Norfolk, Portsmouth, Southampton County, Suffolk, and Virginia Beach. It is one of the nineteen Virginian academic-year Governor's Schools and provides intensive educational opportunities for identified gifted students in instrumental music, vocal music, dance, musical theatre, theatre & film, and visual arts. Housed in the newly renovated, historic Monroe Building in downtown Norfolk, students attend afternoon classes at the magnet school during the academic year.
TheatreWorks Silicon Valley is a Tony Award-winning non-profit, professional theatre company based in Palo Alto, California, founded in July, 1970. The company is a member of the League of Resident Theatres (LORT) and employs some 300 artists annually, including Equity and non-Equity actors, directors, designers and specialty artists. The company stages a year-round season of eight productions - comedies, dramas, and musicals - in the Mountain View Center for the Performing Arts and in the California Mission-style Lucie Stern Theatre complex in Palo Alto.
The Culture of Virginia refers to the distinct human activities and values that take place in, or originate from the Commonwealth of Virginia. Virginia's historic culture was popularized and spread across America by Washington, Jefferson, and Madison, and their homes represent Virginia as the birthplace of America. Modern Virginia culture has many heritages, and is largely part of the culture of the Southern United States, however, Northern Virginia has become increasingly similar in culture to the Northeastern United States within the past few decades.
The Virginia Arts Festival is a Norfolk-based non-profit arts presenter which serves southeastern Virginia, offering dozens of performances during the spring and throughout the year. Virginia Arts Festival performances have included international ballet companies, along with modern, contemporary, and ethnic dance companies; world-renowned soloists and ensembles in musical genres including classical, jazz, world, folk, rock, blues, bluegrass, country, and pop; opera; theater and cabaret; and collaborative productions with local arts organizations like the Virginia Symphony Orchestra.
Cincinnati Opera is an American opera company based in Cincinnati, Ohio and the second oldest opera company in the United States. Beginning with its first season in 1920, Cincinnati Opera has produced operas in the summer months of June and July with the Cincinnati Symphony Orchestra providing orchestral accompaniment.
Andrew McKinley was an American operatic tenor, violinist, arts administrator, music educator, and school administrator. Although he mainly performed in the United States, he had an active international singing career with major opera companies and symphony orchestras from the 1940s through the 1960s. His repertoire spanned a wide range, from leading tenor parts to character roles.
Leon Lishner was an American operatic bass-baritone. He was particularly associated with the works of Gian Carlo Menotti, having created parts in the world premieres of four of his operas. He performed in many productions with the New York City Opera and the NBC Opera Theatre during the 1950s and early 1960s.
Boston Metro Opera was a semi-professional American opera company based in the Greater Boston area of Massachusetts. The company specialized in contemporary works and operated from 2008 to 2015. It also sponsored and ran the Boston-International Contempo Festival and its associated International Composers' Competition.
Gian Carlo Menotti was an Italian composer, librettist, director, and playwright who is primarily known for his output of 25 operas. Although he often referred to himself as an American composer, he kept his Italian citizenship. One of the most frequently performed opera composers of the 20th century, his most successful works were written in the 1940s and 1950s. Highly influenced by Giacomo Puccini and Modest Mussorgsky, Menotti further developed the verismo tradition of opera in the post-World War II era. Rejecting atonality and the aesthetic of the Second Viennese School, Menotti's music is characterized by expressive lyricism which carefully sets language to natural rhythms in ways that highlight textual meaning and underscore dramatic intent.
Harriet, the Woman Called Moses is an opera in two acts composed by Thea Musgrave who also wrote the libretto which is loosely based on episodes in the life of the American abolitionist and former slave Harriet Tubman. The opera premiered on 1 March 1985 in Norfolk, Virginia, performed by Virginia Opera with subsequent broadcasts of the Virginia Opera production on National Public Radio and BBC Radio 3. Musgrave also wrote two shortened versions of the opera—The Story of Harriet Tubman and the concert work Remembering Harriet.
Simón Bolívar is an opera in two acts composed by Thea Musgrave who also wrote the libretto. It is loosely based on episodes in the life of Simón Bolívar, the military and political leader who played a leading role in freeing Latin American countries from Spanish rule. The opera premiered on 20 January 1995 performed by Virginia Opera at the Harrison Opera House in Norfolk, Virginia. Although the libretto is written in English, the opera was performed at the premiere in Spanish translation. Musgrave extracted a suite from the opera Remembering Bolívar in 1994 and wrote a shortened version of the opera in 2013.
Frederick Burchinal is an American operatic baritone, whose career centered on the works of Giuseppe Verdi as well as verismo opera more broadly. Burchinal is best known for his association with the Metropolitan Opera, and sang with the company for over 22 years.