Owen McMahon Johnson was an American writer best remembered for his stories and novels cataloguing the educational and personal growth of the fictional character Dink Stover. The "Lawrenceville Stories", set in the well-known prep school, invite comparison with Kipling's Stalky & Co. A 1950 film, The Happy Years, and a 1987 PBS mini-series, The Lawrenceville Stories, were based on them.
Hedda Hopper was an American gossip columnist and actress. At the height of her influence in the 1940s, her readership was 35 million. A strong supporter of the House Un-American Activities Committee (HUAC) hearings, Hopper named suspected communists and was a major proponent of the Hollywood blacklist. Hopper continued to write gossip until the end of her life, her work appearing in many magazines and later on radio. She had an extended feud with another gossip columnist, arch-rival Louella Parsons.
Clara Kimball Young was an American film actress who was popular in the early silent film era.
Anita Stewart was an American actress and film producer of the early silent film era.
Bad Company is a 1925 American silent romantic drama film directed by Edward H. Griffith, based on a story by John C. Brownell. It stars Madge Kennedy, Conway Tearle, and Bigelow Cooper.
Edwin Hunter Pendleton Arden was an American actor, theatre manager, and playwright.
Ralph Waldo Ince was an American pioneer film actor, director and screenwriter whose career began near the dawn of the silent film era. Ralph Ince was the brother of John E. Ince and Thomas H. Ince.
Never the Twain Shall Meet is a 1925 American silent South Seas drama film based on the book by Peter B. Kyne, produced by MGM and directed by Maurice Tourneur, starring Anita Stewart and featuring Boris Karloff in an uncredited bit part. It was remade as talking picture in 1931 at MGM by director W. S. Van Dyke. This is one of Tourneur's many lost and sought after films.
Conway Tearle was an American stage actor who went on to perform in silent and early sound films.
Heedless Moths is a 1921 American silent melodrama film written and directed by Robert Z. Leonard. The film stars Jane Thomas as real life nude model Audrey Munson. Munson appeared as herself in the nude scenes, which were posed similar to tableau vivants, and the film was based on a series of autobiographical stories she wrote. Heedless Moths also stars Holmes Herbert and Hedda Hopper.
Conceit is a 1921 American silent drama film directed by Burton George, produced by Selznick Pictures, and released by Select Pictures. The film stars William B. Davidson and Mrs. De Wolf Hopper, who later became a gossip columnist using the name "Hedda Hopper".
Our Mrs. McChesney is a lost 1918 American silent comedy-drama film produced and distributed by Metro Pictures, directed by Ralph Ince, and based on the 1915 play by Edna Ferber and George V. Hobart which starred Ethel Barrymore.
The Make-Believe Wife is a lost 1918 American silent comedy film starring Billie Burke and directed by John S. Robertson. Based on an original story for the screen, it was produced by Famous Players–Lasky and distributed by Paramount Pictures.
Her First Biscuits is a 1909 American silent short comedy film written by Frank E. Woods, directed by D. W. Griffith, and starring John R. Cumpson and Florence Lawrence. At its release in June 1909, the comedy was distributed to theaters on a "split reel", which was a single projection reel that accommodated more than one motion picture. It shared its reel with another Biograph short directed by Griffith, the drama The Faded Lilies. Prints of both films are preserved in the film archive of the Library of Congress.
His Wife's Mother is a 1909 American silent short comedy film directed by D. W. Griffith.
Human Desire is a 1919 American silent romantic drama film starring Anita Stewart who produced along with Louis B. Mayer. It was distributed by Associated First National.
The Woman Gives is a 1920 American silent drama film directed by Roy William Neill and starring Norma Talmadge, John Halliday, and Edmund Lowe.
The Mind the Paint Girl is a 1919 American silent romantic drama film directed by Wilfrid North based upon the play of the same name by Arthur Wing Pinero and starring Anita Stewart. Stewart produced along with the Vitagraph Company and released through First National Exhibitors.
Square Shoulders is a 1929 American silent crime drama film directed by E. Mason Hopper and starring Frank Coghlan Jr., Louis Wolheim and Anita Louise.
Lucia Moore was an American stage and silent film actress. She appeared in plays on Broadway from 1900 through 1932; often in works written by women playwrights, such as Rachel Crothers, Anita Loos, Clare Kummer, Jean Webster, and Rida Johnson Young. She also appeared in original plays by Maxwell Anderson, Barry Conners, George Scarborough, and Edgar Selwyn.
