| Visions Volume 1 | |
|---|---|
| Studio album by | |
| Released | 6 October 2023 [1] |
| Recorded | 2021–2023 [2] |
| Studio | Various studios, London and Melbourne [3] |
| Genre | Electronic, melodic house, dance [3] |
| Length | 38:23 [4] |
| Label | Armada Music (under exclusive licence from Farrell Music LTD) [5] |
| Producer | Tim Metcalfe, Flynn Francis [6] |
Visions Volume 1 is the debut studio album by the electronic music trio Lufthaus, a project featuring Robbie Williams alongside Australian producers Tim Metcalfe and Flynn Francis. The album was released on 6 October 2023 through Armada Music. Blending melodic-house textures with introspective songwriting, Visions Volume 1 represents a continuation of Williams's interest in electronic experimentation previously explored on his 2006 solo album Rudebox and later revisited during Take That's 2010 record Progress . [1]
Lufthaus was formed during the COVID-19 lockdowns by Williams, Metcalfe and Francis, who had previously collaborated on Williams's 2012 album Take the Crown . The trio began exchanging musical sketches between London and Melbourne, aiming to merge the atmosphere of European club culture with classic pop sensibility. Williams stated in interviews that the project allowed him to "explore emotion through texture rather than personality," distancing himself from the expectations of his solo career. [2]
The group signed with Armada Music and gradually unveiled singles including "Sway", "Sunlight", and "Immortal", the latter featuring vocals by Sophie Ellis-Bextor. The project was also previewed during Williams's 2022–2023 XXV tour, where Lufthaus tracks were played before the main set. [7]
Visions Volume 1 combines elements of melodic house, downtempo and ambient pop. Reviewers described its sound as "cinematic electronica designed for late-night reflection as much as for the dance floor." [3] Tracks such as "Sway" and "Unlovable" feature minimalistic synth layers and subdued vocals, while "Sunlight" and "Alcohol" adopt brighter rhythmic pulses. Lyrically, the record explores renewal, isolation and transcendence — recurrent themes in Williams's later career.
The album was released on 6 October 2023 on digital and streaming platforms through Armada Music and Farrell Music LTD. Promotion included a digital pre-order campaign, visualizers, and listening events in Ibiza and London. [5]
| Title | Release date | Format | Notes |
|---|---|---|---|
| "Sway" | 25 August 2023 | Digital download, streaming | Lead single; accompanied by an official visualizer. [8] |
| "Sunlight" | 15 September 2023 | Digital download, streaming | Second single; described as "a euphoric electronic sunrise." [9] |
| "Immortal" (featuring Sophie Ellis-Bextor) | 29 September 2023 | Digital download, streaming | Third single and collaboration with Ellis-Bextor. [10] |
All tracks written by Robbie Williams, Tim Metcalfe and Flynn Francis. Produced by Tim Metcalfe and Flynn Francis.
| # | Title | Length |
|---|---|---|
| 1 | "Sway" | 4:01 |
| 2 | "Sunlight" | 3:49 |
| 3 | "Immortal" (featuring Sophie Ellis-Bextor) | 3:30 |
| 4 | "Alcohol" | 3:23 |
| 5 | "Unlovable" | 4:02 |
| 6 | "Ringo" | 2:36 |
| 7 | "Bon Vivant Redux" | 4:23 |
| 8 | "To the Light" | 4:21 |
| 9 | "Mason's Daughter" | 4:33 |
| 10 | "Soul Seekers" | 3:41 |
Total length: 38:23 [4]
Visions Volume 1 received generally positive notices from electronic-music and pop outlets. Tonspion praised it as "a surprisingly introspective and cinematic debut that favours tone and texture over hooks." [2] NME called the record "a bridge between Williams's pop instincts and the discipline of melodic house." [1] iPropaganda highlighted the production's "warmth, melancholy, and precision," describing it as "a quiet reinvention where dance music becomes reflective rather than escapist." [11]
Adapted from Armada Music and Discogs liner notes. [6] [3]
| Chart (2023) | Peak position |
|---|---|
| UK Official Album Downloads Chart [12] | 94 |
Several commentators later described Visions Volume 1 as a continuation of Williams's experimental trajectory. The Independent noted that the record "realises the potential of 2006's Rudebox and provides the electronic vocabulary that would later shape Progress ." [13] Fans and critics alike interpreted the Lufthaus project as the most authentic expression of Williams's long-standing fascination with electronic music, positioning it as both a creative renewal and a spiritual successor to his earlier avant-pop explorations.[ citation needed ]