Gong are a psychedelic rock band that incorporates elements of jazz and space rock into their musical style. The group was formed in Paris in 1967 by Australian musician Daevid Allen and English vocalist Gilli Smyth. Band members have included Didier Malherbe, Pip Pyle, Steve Hillage, Mike Howlett, Tim Blake, Pierre Moerlen, Bill Laswell and Theo Travis. Others who have played on stage with Gong include Don Cherry, Chris Cutler, Bill Bruford, Brian Davison, Dave Stewart and Tatsuya Yoshida.
Didier Malherbe, is a French jazz, rock and world music musician, known as a member of the bands Gong and Hadouk, as well as a poet.
Raga rock is rock or pop music with a pronounced Indian influence, either in its construction, its timbre, or its use of Indian musical instruments, such as the sitar, tambura, and tabla. The term "raga" refers to the specific melodic modes used in Indian classical music.
Downwind is the third album by Pierre Moerlen's Gong, although it was the first to be released under that name, the previous two having been released as Gong albums for contractual reasons. It was released in February 1979.
Gong est Mort, Vive Gong is a double live album by the progressive rock group Gong, recorded on 28 May 1977 at the Hippodrome, Paris, France, and originally released in 1977 as a double LP by Tapioca Records, France.
Clearlight is a French progressive rock band formed in 1973, although their best known work was produced in England and released by a major British record company. While progressive rock is an appropriate overall genre for the band, much of their work delves into other genres including psychedelic music, jam band music, symphonic rock, space rock, jazz fusion, and new-age music.
Clearlight Symphony is a progressive rock album released in 1975 on Virgin Records in the UK. It is the first in a series of albums by a project led by pianist Cyrille Verdeaux with the participation of other musicians, including in this case three members of Gong on one side, and two other French musicians, Artman and Christian Boulé on the other.
Delired Cameleon Family is a progressive rock album by the group of the same name, released in 1975 on EMI Records in France. It features musicians associated with the Clearlight project, most notably its leader, pianist Cyrille Verdeaux, and Musica Elettronica Viva member Ivan Coaquette, who joined forces to compose the soundtrack for the film Visa de Censure No. X by French actor Pierre Clementi.
Forever Blowing Bubbles is a progressive rock album by Clearlight, released in 1975 on Virgin Records in the UK.
Les Contes du singe fou is a progressive rock album by Clearlight, released in 1977 on Isadora Records in France.
Inédits is an album by French rock band Magma. It was released in 1977 and features unreleased pieces and music that would eventually be used in the band's 2004 studio album K.A. . The album was first released on Tapioca, then on LTM, and more recently on Seventh. It is noted for its poor sound quality.
Ashwin Kumar Batish Hindi: अश्विन कुमार बातिश is an Indian sitar and tabla player.
Paul Livingstone is an American sitarist, composer and multi-instrumentalist. He is one of the few American disciples of Pandit Ravi Shankar, also trained under Rajeev Taranath and Amiya Dasgupta all of the Senia Maihar Gharana.
Shapeshifter is the ninth studio album released under the name Gong and the sixth album by the Daevid Allen version of the group. It was released in 1992. It is the first proper album from Daevid Allen's Gong since You from 1974. It is the first album from the original group without founding member Gilli Smyth. Didier Malherbe and Allen are the only two returning performers from the previous album. Pip Pyle, who performed on Continental Circus and Camembert Electrique also returns.
Spirits Burning is a musical collective that features musicians associated with space rock and progressive rock, including input from members of Blue Öyster Cult, Clearlight, Gong, and Hawkwind. Spirits Burning is overseen by American composer/producer Don Falcone.
In Concert 1972 is a double live album by sitar virtuoso Ravi Shankar and sarodiya Ali Akbar Khan, released in 1973 on Apple Records. It was recorded at the Philharmonic Hall, New York City, in October 1972, and is a noted example of the two Hindustani classical musicians' celebrated jugalbandi (duet) style of playing. With accompaniment from tabla player Alla Rakha, the performance reflects the two artists' sorrow at the recent death of their revered guru, and Khan's father, Allauddin Khan. The latter was responsible for many innovations in Indian music during the twentieth century, including the call-and-response dialogue that musicians such as Shankar, Khan and Rakha popularised among Western audiences in the 1960s.
Asif Sinan is a Pakistan guitarist and singer. He is known for blending Indian classical music with jazz, and playing a guitar in the style of a sitar. Sinan is a graduate of the National Academy of Performing Arts. He has earned international recognition and performed at the Goethe Institute and Deutsches MusikFest in Germany, MOCAFest in London, and toured the US sponsored by its Bureau of Educational and Cultural Affairs.
Tana Mana is an album by Indian musician Ravi Shankar, originally credited to "the Ravi Shankar Project" and released in 1987. The album is an experimental work by Shankar, mixing traditional instrumentation with 1980s electronic music and sampling technology. Shankar recorded much of Tana Mana in 1983 with sound effects innovator Frank Serafine, but it remained unreleased until Peter Baumann, head of new age record label Private Music, became attached to the project. The album title translates to mean "body and mind".
Ravi Shankar's Festival from India is a double album by Indian musician and composer Ravi Shankar, released on World Pacific Records in December 1968. It contains studio recordings made by a large ensemble of performers, many of whom Shankar had brought to the United States from India. Among the musicians were Shivkumar Sharma, Jitendra Abhisheki, Palghat Raghu, Lakshmi Shankar, Aashish Khan and Alla Rakha. The project presented Indian classical music in an orchestral setting, so recalling Shankar's work as musical director of All India Radio in the years before he achieved international fame as a soloist during the 1960s.
