Visualizing Cultures (website)

Last updated

Visualizing Cultures is an educational website intended to tie "images and scholarly commentary in innovative ways to illuminate social and cultural history." [1] The project describes itself as a "gateway to seeing history through images that once had wide circulation among peoples of different times and places" and investigates history as "how people saw themselves, how they saw others including foreigners and enemies, and how in turn others saw them." [1]

Contents

History

The site was created in 2002 by Professors John W. Dower of the History Faculty and Shigeru Miyagawa of Foreign Languages and Literatures. It is affiliated with the MIT open courseware project, a project initiated in 2001 intended to make materials from MIT courses available freely online. The site draws on the digitized visual record to develop historical units covering events in China, Japan, and the Philippines in the modern world. Some 28 scholars from multiple universities have collaborated with Visualizing Cultures to produce 55 units comprising essays, visual narratives, and image galleries. With the mission to explore history utilizing the newly digitized visual record, and the potential of image-driven scholarship published in the interactive digital medium and disseminated on the web, the site design and structure was developed by the project's Creative Director, Ellen Sebring. [2]

The first Visualizing Cultures unit, "Black Ships & Samurai," written by John Dower, juxtaposed the visual record from the two sides of the 1853–1854 encounter when Commodore Matthew Perry of the United States arrived in Japan aboard steam-powered gunboats to force that long-secluded country to open its borders to the outside world. [3]

Nine of the units have curriculum designed for secondary school teaching. Outreach of the project includes workshops for teachers and a traveling exhibition that toured the United States, including an exhibit as part of the revival of Stephen Sondheim's play, Pacific Overtures on Broadway, and Japan. [4] Visualizing Cultures (VC) has collaborated with more than 200 museums, libraries, and archives to make the digital visual record in the form of popular, political, and commercial historical images, freely accessible under the Creative Commons license. [5]

Awards and reception

The project was recognized by MIT with the "Class of 1960 Innovation in Education Award" in 2004. In 2005, the National Endowment for the Humanities selected VC for inclusion on "EDSITEment" as an online resource for education in the humanities. The curriculum on the website for the Canton Trade unit won the 2011 Franklin R. Buchanan prize from the Association for Asian Studies for "best curricular materials concerning Asia." [1]

The New York Times described the site as "a kind of virtual museum in its own right, an addictive and visually stunning one not just for scholars but for anyone with even a casual interest in Japan and China and their economic and cultural interplay over the last 300 years." It called the site "a marvel of navigation, with topics and historical periods arranged in grids or in lists." [6]

2006 controversy

On April 23, 2006, the MIT homepage posted a link to the Visualizing Cultures project in its "Spotlight" section. The "Throwing Off Asia" units included woodblock prints produced in Japan as propaganda during the Chinese-Japanese War of 1894–1895. One of the prints illustrated Japanese soldiers executing "violent Chinese soldiers," with human heads scattered on the ground and blood gushing from the captives' necks.

Visualizing Cultures original web page sample Vc1.jpg
Visualizing Cultures original web page sample

A campus-based Chinese student-led protest ensued, saying that the purpose of the project was not sufficiently clear to contextualize the negative messages of the historical images on the site. [7] The protest led to general concerns over academic freedom and the right to student protest. The website was temporarily taken down in response to the criticism.[ citation needed ]

H-Asia, an international history and online discussion forum of scholars and teachers in the Humanities & Social Sciences, published exchanges and debate upon how it should be handled. [8] Benjamin A. Elman' published "Teaching through the MIT Visualizing Cultures Controversy in Spring 2006"[ citation needed ]. After a week, the MIT professors agreed to include additional context to the sections before republishing their work. [9] The website remained online. [10]

In 2015, Winnie Wong and Jing Wang edited a special issue on the debate seen in the larger critical context. [11] The special issue reflects upon the events from multiple perspectives with three sets of questions. The first entails questions over the changing narratives of nationalism and history in Sino-Japanese-US relations, and as taught to and contested by Chinese overseas students. The second revolves around the use and display of visual images in pedagogical, digital, and scholarly contexts, examining debates over authority and interpretation of propagandistic, racist, and violent visual imagery. The third stems from the promises of digital media and examines the challenges of public participation and dissent in the pedagogical sphere. In what ways should or could the norms of scholarship, pedagogy, and student interaction evolve in response to the digital turn, to the globalization of the student body, and to the appropriation of visual technology in the classroom?

Related Research Articles

<span class="mw-page-title-main">MIT OpenCourseWare</span> Web-based publication of MIT course content

MIT OpenCourseWare is an initiative of the Massachusetts Institute of Technology (MIT) to publish all of the educational materials from its undergraduate- and graduate-level courses online, freely and openly available to anyone, anywhere. The project was announced on April 4, 2001, and uses Creative Commons Attribution-NonCommercial-ShareAlike license. The program was originally funded by the William and Flora Hewlett Foundation, the Andrew W. Mellon Foundation, and MIT. MIT OpenCourseWare is supported by MIT, corporate underwriting, major gifts, and donations from site visitors. The initiative inspired a number of other institutions to make their course materials available as open educational resources.

Graphics are visual images or designs on some surface, such as a wall, canvas, screen, paper, or stone, to inform, illustrate, or entertain. In contemporary usage, it includes a pictorial representation of data, as in design and manufacture, in typesetting and the graphic arts, and in educational and recreational software. Images that are generated by a computer are called computer graphics.

John W. Dower is an American author and historian. His 1999 book Embracing Defeat: Japan in the Wake of World War II won the U.S. National Book Award for Nonfiction, the Pulitzer Prize for General Nonfiction, the Bancroft Prize, the Los Angeles Times Book Prize, the Mark Lynton History Prize, and the John K. Fairbank Prize of the American Historical Association.

<span class="mw-page-title-main">Lev Manovich</span>

Lev Manovich is an artist, an author and a theorist of digital culture. He is a Distinguished Professor at the Graduate Center of the City University of New York. Manovich played a key role in creating four new research fields: new media studies (1991-), software studies (2001-), cultural analytics (2007-) and AI aesthetics (2018-). Manovich's current research focuses on generative media, AI culture, digital art, and media theory.

<span class="mw-page-title-main">Cornell University Library</span> Library system of Cornell University

The Cornell University Library is the library system of Cornell University. As of 2014, it holds over eight million printed volumes and over a million ebooks. More than 90 percent of its current 120,000 periodical titles are available online. It has 8.5 million microfilms and microfiches, more than 71,000 cubic feet (2,000 m3) of manuscripts, and close to 500,000 other materials, including motion pictures, DVDs, sound recordings, and computer files, extensive digital resources, and the University Archives. It is the 16th-largest library in North America, ranked by number of volumes held, and the 13th-largest research library in the U.S. by both titles and volumes held.

<span class="mw-page-title-main">Digital rhetoric</span> Forms of communication via digital mediums

Digital rhetoric can be generally defined as communication that exists in the digital sphere. As such, digital rhetoric can be expressed in many different forms, including text, images, videos, and software. Due to the increasingly mediated nature of our contemporary society, there are no longer clear distinctions between digital and non-digital environments. This has expanded the scope of digital rhetoric to account for the increased fluidity with which humans interact with technology.

<span class="mw-page-title-main">Digital humanities</span> Area of scholarly activity

Digital humanities (DH) is an area of scholarly activity at the intersection of computing or digital technologies and the disciplines of the humanities. It includes the systematic use of digital resources in the humanities, as well as the analysis of their application. DH can be defined as new ways of doing scholarship that involve collaborative, transdisciplinary, and computationally engaged research, teaching, and publishing. It brings digital tools and methods to the study of the humanities with the recognition that the printed word is no longer the main medium for knowledge production and distribution.

<span class="mw-page-title-main">ArchNet</span> Digital humanities project on Islamic architecture and the built environment of Muslim societies

Archnet is a collaborative digital humanities project focused on Islamic architecture and the built environment of Muslim societies. Conceptualized in 1998 and originally developed at the MIT School of Architecture and Planning in co-operation with the Aga Khan Trust for Culture. It has been maintained by the Aga Khan Documentation Center at MIT and the Aga Khan Trust for Culture since 2011.

<span class="mw-page-title-main">Carma Hinton</span> American filmmaker

Carma Hinton is a documentary filmmaker and Clarence J. Robinson Professor of Visual Culture and Chinese Studies at George Mason University. She worked with Richard Gordon in directing thirteen documentary films about China, including Morning Sun and The Gate of Heavenly Peace. She has also taught at Swarthmore College, Wellesley College, MIT, and Northeastern University and has lectured on Chinese culture, history, and film around the world.

OpenCourseWare (OCW) are course lessons created at universities and published for free via the Internet. OCW projects first appeared in the late 1990s, and after gaining traction in Europe and then the United States have become a worldwide means of delivering educational content.

The Hamilton Library at the University of Hawaiʻi at Mānoa is the largest research library in the state of Hawaii. The Library serves as a key resource for the flagship Manoa campus as well as the other University of Hawaiʻi system campuses.

Digital history is the use of digital media to further historical analysis, presentation, and research. It is a branch of the digital humanities and an extension of quantitative history, cliometrics, and computing. Digital history is commonly digital public history, concerned primarily with engaging online audiences with historical content, or, digital research methods, that further academic research. Digital history outputs include: digital archives, online presentations, data visualizations, interactive maps, timelines, audio files, and virtual worlds to make history more accessible to the user. Recent digital history projects focus on creativity, collaboration, and technical innovation, text mining, corpus linguistics, network analysis, 3D modeling, and big data analysis. By utilizing these resources, the user can rapidly develop new analyses that can link to, extend, and bring to life existing histories.

The Tufts OpenCourseWare (OCW) project, was a web-based publication of educational material from a number of Tufts University courses, providing open sharing of free, searchable, high-quality course content to educators, students, and self-learners throughout the global community. The Tufts OCW initiative encouraged the publication and free exchange of course materials on the World Wide Web. First launched in June 2005, Tufts OCW provided materials with strong representation from Tufts' health sciences schools, some of which were equivalent to textbooks in depth. All materials on the Tufts OCW site were accessible and free of charge. As Tufts OCW is not a distance learning program, no registration, applications, prerequisites, or fees are required and no credit is granted. Tufts ended funding for its Open Courseware initiative in 2014, and content on the Tufts OCW web site was removed on June 30, 2018.

Cultural analytics refers to the use of computational, visualization, and big data methods for the exploration of contemporary and historical cultures. While digital humanities research has focused on text data, cultural analytics has a particular focus on massive cultural data sets of visual material – both digitized visual artifacts and contemporary visual and interactive media. Taking on the challenge of how to best explore large collections of rich cultural content, cultural analytics researchers developed new methods and intuitive visual techniques that rely on high-resolution visualization and digital image processing. These methods are used to address both the existing research questions in humanities, to explore new questions, and to develop new theoretical concepts that fit the mega-scale of digital culture in the early 21st century.

Multiliteracy is an approach to literacy theory and pedagogy coined in the mid-1990s by the New London Group. The approach is characterized by two key aspects of literacy – linguistic diversity and multimodal forms of linguistic expressions and representation. It was coined in response to two major changes in the globalized environment. One such change was the growing linguistic and cultural diversity due to increased transnational migration. The second major change was the proliferation of new mediums of communication due to advancement in communication technologies e.g. the internet, multimedia, and digital media. As a scholarly approach, multiliteracy focuses on the new "literacy" that is developing in response to the changes in the way people communicate globally due to technological shifts and the interplay between different cultures and languages.

Romantic Circles is an academic peer-reviewed website dedicated to the study of Romantic literature and culture, featuring online editions of many texts of the Romantic era, as well as essays devoted to Romantic literature, culture, and theory.

Lincoln/Net is a digital history project created by the Abraham Lincoln Historical Digitization Project, based at Northern Illinois University in DeKalb, Illinois. It preserves and provides access to primary documents relating to Lincoln's time in Illinois (1830–1861) as well as documents from the early years of Illinois' statehood. The historical materials include books, manuscripts, images, speeches, writings, and other types of documents. Over 30,000,000 words of searchable text and over 3,000 audio/visual artifacts exist. These items are supplemented by biographical information and historical interpretations.

<span class="mw-page-title-main">Lisa Nakamura</span> American professor

Lisa Nakamura is an American professor of media and cinema studies, Asian American studies, and gender and women’s studies. She teaches at the University of Michigan, Ann Arbor, where she is also the Coordinator of Digital Studies and the Gwendolyn Calvert Baker Collegiate Professor in the Department of American Cultures.

<span class="mw-page-title-main">Jing Wang (professor)</span> American media scholar (1950–2021)

Jing Wang was Professor of Chinese media and Cultural Studies and S.C. Fang Professor of Chinese Language & Culture at Massachusetts Institute of Technology. She was jointly appointed to MIT's Comparative Media Studies and Global Studies & Languages.

Digital heritage is the use of digital media in the service of understanding and preserving cultural or natural heritage.

References

  1. 1 2 3 "MIT Visualizing Cultures". ocw.mit.edu.
  2. "MIT Visualizing Cultures". ocw.mit.edu.
  3. "MIT Visualizing Cultures". ocw.mit.edu.
  4. "MIT Visualizing Cultures". ocw.mit.edu.
  5. "MIT Visualizing Cultures". ocw.mit.edu.
  6. Kennedy, Randy (16 April 2010). "Asian Culture Through a Lens". New York Times.
  7. "On the "Visualizing Cultures" Controversy and Its Implications". web.mit.edu.
  8. "H-Net Discussion Networks -". h-net.msu.edu.
  9. "Agreement Reached On Pulled OCW Site Course Site to Return With Added Context". tech.mit.edu.
  10. "Statements on Visualizing Cultures".
  11. "Reconsidering MIT Visualizing Cultures Controversy," positions: Asia Critique, Vol. 23, No. 1 (2015)