MIT OpenCourseWare is an initiative of the Massachusetts Institute of Technology (MIT) to publish all of the educational materials from its undergraduate- and graduate-level courses online, freely and openly available to anyone, anywhere. The project was announced on April 4, 2001, and uses Creative Commons Attribution-NonCommercial-ShareAlike license. The program was originally funded by the William and Flora Hewlett Foundation, the Andrew W. Mellon Foundation, and MIT. MIT OpenCourseWare is supported by MIT, corporate underwriting, major gifts, and donations from site visitors. The initiative inspired a number of other institutions to make their course materials available as open educational resources.
John W. Dower is an American author and historian. His 1999 book Embracing Defeat: Japan in the Wake of World War II won the U.S. National Book Award for Nonfiction, the Pulitzer Prize for General Nonfiction, the Bancroft Prize, the Los Angeles Times Book Prize, the Mark Lynton History Prize, and the John K. Fairbank Prize of the American Historical Association.
Lev Manovich is an artist, an author and a theorist of digital culture. He is a Distinguished Professor at the Graduate Center of the City University of New York. Manovich played a key role in creating four new research fields: new media studies (1991-), software studies (2001-), cultural analytics (2007-) and AI aesthetics (2018-). Manovich's current research focuses on generative media, AI culture, digital art, and media theory.
The Cornell University Library is the library system of Cornell University. As of 2014, it holds over eight million printed volumes and over a million ebooks. More than 90 percent of its current 120,000 periodical titles are available online. It has 8.5 million microfilms and microfiches, more than 71,000 cubic feet (2,000 m3) of manuscripts, and close to 500,000 other materials, including motion pictures, DVDs, sound recordings, and computer files, extensive digital resources, and the University Archives. It is the 16th-largest library in North America, ranked by number of volumes held, and the 13th-largest research library in the U.S. by both titles and volumes held.
Digital humanities (DH) is an area of scholarly activity at the intersection of computing or digital technologies and the disciplines of the humanities. It includes the systematic use of digital resources in the humanities, as well as the analysis of their application. DH can be defined as new ways of doing scholarship that involve collaborative, transdisciplinary, and computationally engaged research, teaching, and publishing. It brings digital tools and methods to the study of the humanities with the recognition that the printed word is no longer the main medium for knowledge production and distribution.
Archnet is a collaborative digital humanities project focused on Islamic architecture and the built environment of Muslim societies. Conceptualized in 1998 and originally developed at the MIT School of Architecture and Planning in co-operation with the Aga Khan Trust for Culture. It has been maintained by the Aga Khan Documentation Center at MIT and the Aga Khan Trust for Culture since 2011.
Carma Hinton is a documentary filmmaker and Clarence J. Robinson Professor of Visual Culture and Chinese Studies at George Mason University. She worked with Richard Gordon in directing thirteen documentary films about China, including Morning Sun and The Gate of Heavenly Peace. She has also taught at Swarthmore College, Wellesley College, MIT, and Northeastern University and has lectured on Chinese culture, history, and film around the world.
Rudolf G. Wagner was a German sinologist. He was Senior Professor at the Department of Chinese Studies at the Heidelberg University and Co-Director of the Cluster of Excellence "Asia and Europe in a Global Context: Shifting Asymmetries in Cultural Flows".
Visual Communications –– is a community-based non-profit media arts organization based in Los Angeles. It was founded in 1970 by independent filmmakers Robert Nakamura, Alan Ohashi, Eddie Wong, and Duane Kubo, who were students of EthnoCommunications, an alternative film school at University of California, Los Angeles. The mission of VC is to "promote intercultural understanding through the creation, presentation, preservation and support of media works by and about Asian Pacific Americans."
OpenCourseWare (OCW) are course lessons created at universities and published for free via the Internet. OCW projects first appeared in the late 1990s, and after gaining traction in Europe and then the United States have become a worldwide means of delivering educational content.
Digital history is the use of digital media to further historical analysis, presentation, and research. It is a branch of the digital humanities and an extension of quantitative history, cliometrics, and computing. Digital history is commonly known as digital public history, concerned primarily with engaging online audiences with historical content, or digital research methods, that further academic research. Digital history outputs include: digital archives, online presentations, data visualizations, interactive maps, timelines, audio files, and virtual worlds to make history more accessible to users. Recent digital history projects focus on creativity, collaboration, and technical innovation, text mining, corpus linguistics, network analysis, 3D modeling, and big data analysis. By utilizing these resources, the user can rapidly develop new analyses that can link to, extend, and bring to life existing histories.
The Tufts OpenCourseWare (OCW) project, was a web-based publication of educational material from a number of Tufts University courses, providing open sharing of free, searchable, high-quality course content to educators, students, and self-learners throughout the global community. The Tufts OCW initiative encouraged the publication and free exchange of course materials on the World Wide Web. First launched in June 2005, Tufts OCW provided materials with strong representation from Tufts' health sciences schools, some of which were equivalent to textbooks in depth. All materials on the Tufts OCW site were accessible and free of charge. As Tufts OCW is not a distance learning program, no registration, applications, prerequisites, or fees are required and no credit is granted. Tufts ended funding for its Open Courseware initiative in 2014, and content on the Tufts OCW web site was removed on June 30, 2018.
Cultural analytics refers to the use of computational, visualization, and big data methods for the exploration of contemporary and historical cultures. While digital humanities research has focused on text data, cultural analytics has a particular focus on massive cultural data sets of visual material – both digitized visual artifacts and contemporary visual and interactive media. Taking on the challenge of how to best explore large collections of rich cultural content, cultural analytics researchers developed new methods and intuitive visual techniques that rely on high-resolution visualization and digital image processing. These methods are used to address both the existing research questions in humanities, to explore new questions, and to develop new theoretical concepts that fit the mega-scale of digital culture in the early 21st century.
Romantic Circles is an academic peer-reviewed website dedicated to the study of Romantic literature and culture, featuring online editions of many texts of the Romantic era, as well as essays devoted to Romantic literature, culture, and theory.
Lisa Nakamura is an American professor of media and cinema studies, Asian American studies, and gender and women’s studies. She teaches at the University of Michigan, Ann Arbor, where she is also the Coordinator of Digital Studies and the Gwendolyn Calvert Baker Collegiate Professor in the Department of American Cultures.
Jing Wang was Professor of Chinese media and Cultural Studies and S.C. Fang Professor of Chinese Language & Culture at Massachusetts Institute of Technology. She was jointly appointed to MIT's Comparative Media Studies and Global Studies & Languages.
The International Dunhuang Project (IDP) is an international collaborative effort to conserve, catalogue and digitise manuscripts, printed texts, paintings, textiles and artefacts from the Mogao caves at the Western Chinese city of Dunhuang and various other archaeological sites at the eastern end of the Silk Road. The project was established by the British Library in 1994, and now includes twenty-two institutions in twelve countries. As of 18 February 2021 the online IDP database comprised 143,290 catalogue entries and 538,821 images. Most of the manuscripts in the IDP database are texts written in Chinese, but more than fifteen different scripts and languages are represented, including Brahmi, Kharosthi, Khotanese, Sanskrit, Tangut, Tibetan, Tocharian and Old Uyghur.
M+ is an art museum located in the West Kowloon Cultural District of Hong Kong. It exhibits twentieth and twenty-first century art encompassing visual art, design and architecture, and moving image. It opened on 12 November 2021.
The Charter on the Preservation of Digital Heritage of UNESCO defines digital heritage as embracing "cultural, educational, scientific and administrative resources, as well as technical, legal, medical and other kinds of information created digitally, or converted into digital form from existing analogue resources".
The Visualization Sutras or Contemplation Sutras, are a group of Buddhist meditation texts which contain fantastic visual images and which mostly survive in Chinese translations dating from about the sixth century CE.
