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Vivian Adelberg Rudow (born 1936) is an American composer, performance artist, conductor and concert producer. She composes in the genres of acoustic and electroacoustic music with works ranging from solo to full orchestra. She lives in Baltimore, Maryland.
Adelberg Rudow received a Bachelor of Music degree in piano in 1960 and a Master of Music degree in composition from the Peabody Institute of Johns Hopkins University in 1979. [1] She studied piano with Austin Conradi and composition with Jean Eichelberger Ivey and Robert Hall Lewis. Her earliest composition and theory studies were under Grace Newsom Cushman at the Junior Conservatory Camp (a predecessor of The Walden School).
Adelberg Rudow has won multiple ASCAP Plus Awards since 1987. [1] [2] In 1982 her Force III was premiered by the Baltimore Symphony Orchestra under Sergiu Comissiona and she became the first Maryland composer to have an orchestral work performed in the new Joseph Meyerhoff Symphony Hall. [3] [4] In 1986, Rudow’s composition, With Love; a fantasy for live cello and decorated cello cases, in memory of Myrtle Hollins Adelberg won First Prize in the 14th International Electroacoustic Music Composition Competition in Bourges, France in the Program Division. [5] Adelberg Rudow won First Prize in the International Double Reed Society Composition Contest for her piece Kaddish for solo bassoon, [6] and additionally received a Maryland State Arts Council Fellowship, a City Arts Individual Artist Grant and a Meet-the-Composer Grant. [7]
Adelberg Rudow’s music has been performed worldwide. [8] [9] Her composition Urbo Turbo was recorded by the London Philharmonic Orchestra. [10] She has frequently collaborated with award-winning Maryland poet Grace Cavalieri, including three satellite radio specials of her music in Cavalieri’s "Poet and the Poem" satellite radio broadcasts. [3] Adelberg Rudow has developed her own style of performance art presentations named “The Vivian.” In 2000, she premiered her performance art piece Juan Blanco, Cuban Lawyer Variations of Variations in Havana during the International Electroacoustic Music Festival “Spring Time in Havana” for the 80th birthday of Juan Blanco, Director of the Cuban Electroacoustic Music studio. [1] She performed the piece again in August 2001 at the Kennedy Center in Washington, DC during a Sonic Circuits concert. [8] She was the founding artistic director of Res Musica Baltimore, later Res MusicAmerica, a successful organization active between 1980 and 1991 dedicated to presenting the works of living American composers. [1] In 1988, she produced an International Electroacoustic Music Festival in Baltimore. [11] [12]
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Michael Heisch is a Swiss composer, double bass player, cultural critic and illustrator.
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