Vivian Gornick | |
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Born | The Bronx, New York City, U.S. | June 14, 1935
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Education | |
Subject | Cultural history, memoir |
Vivian Gornick (born June 14, 1935) [1] [2] is an American radical feminist critic, journalist, essayist, and memoirist.
In 1957 Gornick received a bachelor of arts degree from City College of New York and in 1960 a master of arts degree from New York University. [3]
Gornick was a reporter for the Village Voice from 1969 to 1977. [2] Her work has also appeared in the New York Times , The Nation , the Atlantic Monthly , and many other publications. In 1969, the radical feminist group New York Radical Feminists was founded by Shulamith Firestone and Anne Koedt; [4] : 186 Firestone's and Koedt's desire to start this new group was aided by Gornick's 1969 Village Voice article, "The Next Great Moment in History Is Theirs". The end of this essay announced the formation of the group and included a contact address and phone number, raising considerable national interest from prospective members. [4] : 187 [5] Gornick has also published eleven books; the most recent, The Odd Woman and the City, was published in May, 2015. [6] She teaches writing at The New School. For the 2007–2008 academic year, she was a fellow at the Radcliffe Institute at Harvard University, and in 2015 she served as the Bedell Distinguished Visiting Professor in the University of Iowa's Nonfiction Writing Program. [7]
In March 2021 Gornick was awarded the Windham–Campbell Literature Prize for nonfiction. [8]
Year | Review article | Work(s) reviewed |
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2017 | Gornick, Vivian (January–February 2017). "Tied in knots: The modern marriage is an elaborate feat of performance". The New Republic. 248 (1–2): 56–58. | Kristeva, Julia & Philippe Sollers. Marriage As a Fine Art. New York: Columbia University Press. |
Radical feminism is a perspective within feminism that calls for a radical re-ordering of society in which male supremacy is eliminated in all social and economic contexts, while recognizing that women's experiences are also affected by other social divisions such as in race, class, and sexual orientation. The ideology and movement emerged in the 1960s.
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Shulamith Bath Shmuel Ben Ari Firestone was a Canadian-American radical feminist writer and activist. Firestone was a central figure in the early development of radical feminism and second-wave feminism and a founding member of three radical-feminist groups: New York Radical Women, Redstockings, and New York Radical Feminists. Within these radical movements, Firestone became known as "the firebrand" and "the fireball" for the fervor and passion she expressed towards the cause. Firestone participated in activism such as speaking out at The National Conference for New Politics in Chicago. Also while a member of various feminist groups she participated in actions including protesting a Miss America Contest, organizing a mock funeral for womanhood known as "The Burial of Traditional Womanhood", protesting sexual harassment at Madison Square Garden, organizing abortion speakouts, and disrupting abortion legislation meetings.
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Carol Hanisch is an American radical feminist activist. She was an important member of New York Radical Women and Redstockings. She is best known for popularizing the phrase "the personal is political" in a 1970 essay of the same name. She does not take responsibility of the phrase, stating in her 2006 updated essay, with a new introduction, that did not name it that, or in fact use it in the essay at all. Instead she claims that the title was done by the editors of Notes from the Second Year: Women's Liberation, Shulamith Firestone and Anne Koedt. She also conceived the 1968 Miss America protest and was one of the four women who hung a women's liberation banner over the balcony at the Miss America Pageant, disrupting the proceedings.
New York Radical Feminists (NYRF) was a radical feminist group founded by Shulamith Firestone and Anne Koedt in 1969, after they had left Redstockings and The Feminists, respectively. Firestone's and Koedt's desire to start this new group was aided by Vivian Gornick's 1969 Village Voice article, “The Next Great Moment in History Is Theirs”. The end of this essay announced the formation of the group and included a contact address and phone number, raising considerable national interest from prospective members. NYRF was organized into small cells or "brigades" named after notable feminists of the past; Koedt and Firestone led the Stanton-Anthony Brigade.
New York Radical Women (NYRW) was an early second-wave radical feminist group that existed from 1967 to 1969. They drew nationwide media attention when they unfurled a banner inside the 1968 Miss America pageant displaying the words "Women's Liberation".
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Alix Kates Shulman is an American writer of fiction, memoirs, and essays, and a prominent early radical activist of second-wave feminism. She is best-known for her bestselling debut adult novel, Memoirs of an Ex-Prom Queen, hailed by the Oxford Companion to Women's Writing as "the first important novel to emerge from the Women's Liberation Movement."
Amelia Richards is an American activist, organizer, writer, television producer, feminist, and art historian, currently residing in New York. She produced the Emmy-nominated series Woman, which airs on Viceland. She is the president of Soapbox, Inc., a feminist lecture agency.
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"The Myth of the Vaginal Orgasm" is a feminist essay on women's sexuality written by American radical feminist activist Anne Koedt in 1968, and published in 1970. It first appeared in a four-paragraph outline form in the Notes from the First Year which resulted in an extended article in Notes from the Second Year journals published by the New York Radical Women and was partially based on findings from Masters and Johnson's 1966 work Human Sexual Response. It was then distributed as a pamphlet in its full form, including sections on evidence for the clitoral orgasm, female anatomy, and reasons the "myth" of vaginal orgasm is maintained.
The personal is political, also termed The private is political, is a political argument used as a rallying slogan by student activist movements and second-wave feminism from the late 1960s. In the feminist movement of the 1960s and 1970s, it was seen as a challenge to the nuclear family and family values. The phrase was popularized by the publication of feminist activist Carol Hanisch's 1969 essay, "The Personal Is Political." The phrase and idea have been repeatedly described as a defining characterization of second-wave feminism, radical feminism, women's studies, or feminism in general. It has also been used by some female artists as the underlying philosophy for their art practice.
The following is a timeline of the history of feminism.