Incense and Peppermints is the debut album by psychedelic rock band Strawberry Alarm Clock. Released in October 1967, it reached No. 11 on the Billboard 200 album charts during a 24-week run and included the band's No. 1 Billboard Hot 100 hit "Incense and Peppermints".
Southwest F.O.B. was a 1960s psychedelic rock group from Dallas, Texas, now perhaps best remembered because it featured Dan Seals and John Colley, who later found great success as the duo England Dan and John Ford Coley. The Southwest F.O.B. also included Michael (Doc) Woolbright on the bass.
The West Coast Pop Art Experimental Band (WCPAEB) was an American psychedelic rock band formed in Los Angeles, California, in 1965. The group created music that possessed an eerie, and at times sinister atmosphere, and contained material that was bluntly political, childlike, and bizarre. Representing different musical backgrounds among band members, the group, at times, resembled a traditional Byrds-esque folk rock ensemble, but the WCPAEB also, within the same body of work, recorded avant-garde music marked by multi-layered vocal harmonies.
Unseen Power is the thirteenth studio album of the Christian rock band, Petra. It was released in November 1991.
Volume 3: A Child's Guide to Good and Evil is the fourth album by the American psychedelic rock band The West Coast Pop Art Experimental Band (WCPAEB), and was released on Reprise Records in May 1968. By the time the group commenced recording Volume 3, guitarist Danny Harris had excused himself from the WCPAEB, reducing their numbers to a trio. As with the WCPAEB's earlier work, the album saw the band continue to blend psychedelic influences and complex studio techniques, and was marked by a bizarre fusion of innocence and malice in the band's lyrics. Volume 3 featured the WCPAEB's most ambitious music to date, and the striking cover art of John Van Hamersveld, yet it failed to sell in sufficient copies to chart nationally. In more recent times, the album has been considered the band's most accomplished work and a masterpiece of the psychedelic genre.
Volume One is the first album recorded by the psychedelic rock band the West Coast Pop Art Experimental Band. It was first released in 1966 on the small FiFo Records label. It was reissued in both compact disc and vinyl in 1997 by Sundazed. The album features covers of pop classics such as Richard Berry's "Louie, Louie" and the Kinks' "You Really Got Me". The songs mellow out into a blues/folk style with covers of Bob Dylan songs.
"Heya" was a 1969 international hit song by J.J. Light, stage name for Navajo singer Jim Stallings, who played bass on several Sir Douglas Quintet albums. "Heya", with B-side "On the Road Now", was released in Germany as Liberty catalog number 56111. Stallings studio band included Larry Knechtel on keyboards, guitarists Gary Rowles and Ron Morgan, and drummers Earl Palmer and Jim Gordon. The song begins with a Native American-like chant and reflects Stallings' ancestry.
Part One is the second album by the American psychedelic rock group The West Coast Pop Art Experimental Band and was released in February 1967 on Reprise Records. It features compositions by Bob Johnston, Frank Zappa, Baker Knight, P.F. Sloan and Van Dyke Parks with input from studio drummer Hal Blaine. It has a song most well known as "Morning Dew" composed by the Bonnie Dobson with arrangement by Danny Harris. This is the first album with input from guitarist Ron Morgan.
Where's My Daddy? is the fifth album by the American psychedelic rock group, the West Coast Pop Art Experimental Band, and was released in 1969 on Amos Records, which was owned by Jimmy Bowen. Amos Records signed them after Reprise Records dropped the band from their label following the commercial failure of their first three albums. It features compositions by Danny Harris, Michael Lloyd and Shaun Harris with lyrics by Bob Markley. On the original pressing, Lloyd's contributions were not noted on the back cover as a type of punishment by Markley for recent disagreements with each other. However, promotional copies do show Michael Lloyd's contributions noted on the back cover.
Markley, A Group is the sixth and final album by the American psychedelic rock group, the West Coast Pop Art Experimental Band, and was released in 1970 on Forward Records, owned by Mike Curb. In this case, the album was released under another group name, Markley A Group, as decided by the group owner, Bob Markley. It features compositions by Danny Harris, Michael Lloyd and Shaun Harris with lyrics by Bob Markley. The content is simple and soft, reminiscent of the band's earlier work. Lyrically, however, the band was continuing the trend set by Where's My Daddy?, in which they describe class resentment, paranoid psychedelia, and an unsettling interest in young girls. Although Shaun Harris creates compositions for the album, he only appears on "Outside/Inside". After this album, like those before it, failed to achieve success, the band ceased to exist.
Robert H. Markley was an American singer-songwriter and record producer who co-founded the psychedelic rock band The West Coast Pop Art Experimental Band, in the late 1960s, and became one of the most controversial figures that emerged from the era.
Michael Jeffrey Lloyd is an American record producer, arranger, songwriter and musician. After working with Mike Curb, Kim Fowley and others in the mid-to-late 1960s on musical projects including the West Coast Pop Art Experimental Band, and Steven Spielberg's first short film, Amblin', he became a producer of such teen idol pop stars as the Osmonds, Shaun Cassidy and Leif Garrett in the 1970s.
"Smell of Incense" is a song by the American psychedelic rock band the West Coast Pop Art Experimental Band, written by Ron Morgan and Bob Markley, and was released as a single on Reprise Records in 1968.
The West Coast Pop Art Experimental Band Companion is a compilation album by the American psychedelic rock band the West Coast Pop Art Experimental Band (WCPAEB), and was released on Sunbeam Records on June 7, 2011. The album is a collection of demos, tracks that appear on early singles, and rare material that derive mostly from the group members' side-projects before, during, and after the WCPAEB's recording career.
Creation of Sunlight was an American psychedelic rock band formed originally as a cover group in Long Beach, California, in 1968. Though much of the group's history was initially unknown—even their name was obscured—overtime they have come to the attention of psychedelic music enthusiasts for their sole album, which was released in 1969. The Creation of Sunlight's sound incorporated different aspects of their California contemporaries, such as the cheery nuance of sunshine pop and harder-edge acid rock.
Shaun Harris is an American musician best-remembered as the bassist of the psychedelic rock band the West Coast Pop Art Experimental Band (WCPAEB). Throughout his music career, Harris worked closely with Michael Lloyd on projects outside the WCPAEB including the Rogues, California Spectrum, and Brigadune. In 1973, he recorded a self-titled solo album on Capitol Records.
FiFo Records was an American record label established by singer-songwriters Bob Markley and Baker Knight in Los Angeles, California, in 1961. Following Markley's unsuccessful stint with Warner Bros. Records as a solo artist, he teamed up with Knight, a co-writer on both of Markley's two singles, to found the label, which recorded a variety of pop, R&B, and folk musical acts. FiFo is best-known, however, as the label that released the debut album by the psychedelic rock group the West Coast Pop Art Experimental Band in 1966.
Shadows of Knight is the third studio album by American garage rock band The Shadows of Knight, and was released on Super K Productions, SKS 6002, in 1969. Recording for the album came after lead vocalist Jim Sohns revamped the Shadows of Knight's line-up and signed with Super K. Although Shadows of Knight did not chart and was the last album featuring new material by the group until A Knight to Remember, a single taken from the effort, "Shake", became a moderate national success in the United States.
John A. Ware is an American drummer and percussionist known primarily for his session and live performance work.
