Volume One | ||||
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Studio album by | ||||
Released | 6 June 1966 | |||
Recorded | 1965–1966 | |||
Genre | Psychedelic rock, folk rock, blues rock | |||
Length | 51:35 | |||
Label | FiFo (original) Sundazed (rerelease) | |||
Producer | Bob Irwin | |||
The West Coast Pop Art Experimental Band chronology | ||||
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Volume One is the first album recorded by the psychedelic rock band the West Coast Pop Art Experimental Band. It was first released in 1966 on the small FiFo Records label. It was reissued in both compact disc and vinyl in 1997 by Sundazed. [1] The album features covers of pop classics such as Richard Berry's "Louie, Louie" and the Kinks' "You Really Got Me". The songs mellow out into a blues/folk style with covers of Bob Dylan songs. [2]
Most of the material was completed before Bob Markley was included in band activities. Still, Markley's presence was evident on tracks like "Don't Break My Balloon" and "If You Want This Love", in which he contributed vocals to the songs. [3]
Kim Vincent Fowley was an American record producer, songwriter and musician who was behind a string of novelty and cult pop rock singles in the 1960s, and managed The Runaways in the 1970s. He has been described as "one of the most colorful characters in the annals of rock & roll", as well as "a shadowy cult figure well outside the margins of the mainstream".
"Like a Rolling Stone" is a song by American singer-songwriter Bob Dylan, released on July 20, 1965, by Columbia Records. Its confrontational lyrics originated in an extended piece of verse Dylan wrote in June 1965, when he returned exhausted from a grueling tour of England. Dylan distilled this draft into four verses and a chorus. "Like a Rolling Stone" was recorded a few weeks later as part of the sessions for the forthcoming album Highway 61 Revisited.
Self Portrait is the tenth studio album by American singer-songwriter Bob Dylan, released on June 8, 1970, by Columbia Records.
The West Coast Pop Art Experimental Band (WCPAEB) was an American psychedelic rock band formed in Los Angeles, California, in 1965. The group created music that possessed an eerie, and at times sinister atmosphere, and contained material that was bluntly political, childlike, and bizarre. Representing different musical backgrounds among band members, the group, at times, resembled a traditional Byrds-esque folk rock ensemble, but the WCPAEB also, within the same body of work, recorded avant-garde music marked by multi-layered vocal harmonies.
Volume 3: A Child's Guide to Good and Evil is the fourth album by the American psychedelic rock band The West Coast Pop Art Experimental Band (WCPAEB), and was released on Reprise Records in May 1968. By the time the group commenced recording Volume 3, guitarist Danny Harris had excused himself from the WCPAEB, reducing their numbers to a trio. As with the WCPAEB's earlier work, the album saw the band continue to blend psychedelic influences and complex studio techniques, and was marked by a bizarre fusion of innocence and malice in the band's lyrics. Volume 3 featured the WCPAEB's most ambitious music to date, and the striking cover art of John Van Hamersveld, yet it failed to sell in sufficient copies to chart nationally. In more recent times, the album has been considered the band's most accomplished work and a masterpiece of the psychedelic genre.
In Concert at the Troubadour, 1969 is a live country rock album by Ricky Nelson recorded in Los Angeles during four dates at The Troubadour in late 1969. The album featured the debut of the Stone Canyon Band, which included Randy Meisner, Tom Brumley, Allen Kemp, and Patrick Shanahan, and was Nelson's highest-charting release in three years. The album contains four songs written by Nelson and three Bob Dylan compositions, as well as other songs by Eric Andersen and Tim Hardin. The performances were attended by many fellow musicians and songwriters.
Pebbles is a compilation of US underground and garage single record releases from the mid- to late-1960s. It had a limited original release in 1978 and a more general release in 1979. It was followed by several subsequent Pebbles compilations and albums. This album is nowadays known as Pebbles, Volume 1 and was originally issued in 1978 as Pebbles, Volume One: Artyfacts from the First Punk Era, an obvious riff on Nuggets: Original Artyfacts from the First Psychedelic Era, a similar, groundbreaking compilation from 1972.
Cactus Juice is a two-CD album by the country rock band the New Riders of the Purple Sage. It was released by Arcadia Records in 2006. It is a repackaging of three complete New Riders albums from the 1970s — Home, Home on the Road; Brujo; and Oh, What a Mighty Time.
Preflyte is a compilation album by the American folk rock band the Byrds and was released in July 1969 on Together Records. The album is a collection of demos recorded by the Byrds at World Pacific Studios in Los Angeles during late 1964, before the band had signed to Columbia Records and become famous. It includes early demo versions of the songs "Here Without You", "You Won't Have to Cry", "I Knew I'd Want You", and "Mr. Tambourine Man", all of which appeared in re-recorded form on the band's 1965 debut album.
Volume 2 (Breaking Through) is the third album by the American psychedelic rock group, the West Coast Pop Art Experimental Band, and was released in October 1967 on Reprise Records (R 6270 mono, RS 6270 stereo). At the time of recording, Michael Lloyd was not present so the group was reduced to Bob Markley and the Harris brothers, with additional uncredited contributions from Ron Morgan. On the back of original LP release appears 'Breaking Through' and the declaration: "Every song in this album has been written, arranged, sung and played by the group. No one censored us. We got to say everything we wanted to say, in the way we wanted to say it".
Part One is the second album by the American psychedelic rock group The West Coast Pop Art Experimental Band, and was released in February 1967 on Reprise Records. It features compositions by Bob Johnston, Frank Zappa, Baker Knight, P.F. Sloan and Van Dyke Parks with input from studio drummer Hal Blaine. It has a song most well known as "Morning Dew" composed by Bonnie Dobson with arrangement by Danny Harris. This is the first album with input from guitarist Ron Morgan.
Where's My Daddy? is the fifth album by the American psychedelic rock group, the West Coast Pop Art Experimental Band, and was released in 1969 on Amos Records, which was owned by Jimmy Bowen. Amos Records signed them after Reprise Records dropped the band from their label following the commercial failure of their first three albums. It features compositions by Danny Harris, Michael Lloyd and Shaun Harris with lyrics by Bob Markley. On the original pressing, Lloyd's contributions were not noted on the back cover as a type of punishment by Markley for recent disagreements with each other. However, promotional copies do show Michael Lloyd's contributions noted on the back cover.
Markley, A Group is the sixth and final album by the American psychedelic rock group, the West Coast Pop Art Experimental Band, and was released in 1970 on Forward Records, owned by Mike Curb. In this case, the album was released under another group name, Markley A Group, as decided by the group owner, Bob Markley. It features compositions by Danny Harris, Michael Lloyd and Shaun Harris with lyrics by Bob Markley. The content is simple and soft, reminiscent of the band's earlier work. Lyrically, however, the band was continuing the trend set by Where's My Daddy?, in which they describe class resentment, paranoid psychedelia, and an unsettling interest in young girls. Although Shaun Harris creates compositions for the album, he only appears on "Outside/Inside". After this album, like those before it, failed to achieve success, the band ceased to exist.
Robert H. Markley was an American singer-songwriter and record producer who co-founded the psychedelic rock band, The West Coast Pop Art Experimental Band, in the late 1960s, and became one of the most controversial figures that emerged from the era.
Michael Jeffrey Lloyd is an American record producer, arranger, songwriter and musician. After working with Mike Curb, Kim Fowley and others in the mid-to-late 1960s on musical projects including the West Coast Pop Art Experimental Band, and Steven Spielberg's first short film, Amblin', he became a producer of such teen idol pop stars as the Osmonds, Shaun Cassidy and Leif Garrett in the 1970s.
"Smell of Incense" is a song by the American psychedelic rock band the West Coast Pop Art Experimental Band, written by Ron Morgan and Bob Markley, and was released as a single on Reprise Records in 1968.
The West Coast Pop Art Experimental Band Companion is a compilation album by the American psychedelic rock band the West Coast Pop Art Experimental Band (WCPAEB), and was released on Sunbeam Records on June 7, 2011. The album is a collection of demos, tracks that appear on early singles, and rare material that derive mostly from the group members' side-projects before, during, and after the WCPAEB's recording career.
The Fire Escape was an American psychedelic rock band formed in San Francisco, California, in 1967. Existing mainly as a studio group composed of unknown session musicians, the band was masterminded by record producer Kim Fowley and Michael Lloyd. The project produced one album called Psychotic Reaction, which contained mainly cover versions of popular songs from the era. It is reported that Sky Saxon of the garage rock band, the Seeds and Mars Bonfire of Steppenwolf, played on some of the tracks.
Shaun Harris is an American musician best-remembered as the bassist of the psychedelic rock band the West Coast Pop Art Experimental Band (WCPAEB). Throughout his music career, Harris worked closely with Michael Lloyd on projects outside the WCPAEB including the Rogues, California Spectrum, and Brigadune. In 1973, he recorded a self-titled solo album on Capitol Records.
John A. Ware is an American drummer and percussionist known primarily for his session and live performance work.