| Volcanic Sunlight | ||||
|---|---|---|---|---|
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| Studio album by Saul Williams | ||||
| Released | May 10, 2011 | |||
| Genre | Dance-pop | |||
| Length | 55:16 | |||
| Label | Columbia Records | |||
| Producer | Renaud Létang | |||
| Saul Williams chronology | ||||
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Volcanic Sunlight is the fourth solo studio album by Saul Williams. [1] It was released by Columbia Records in 2011.
Saul Stacey Williams is an American rapper, singer-songwriter, musician, slam poet, writer, and actor. He is known for his blend of poetry and alternative hip hop and for his lead roles in the 1998 independent film Slam and the 2013 jukebox musical Holler If Ya Hear Me, featuring Tupac Shakur's music.
Columbia Records is an American record label owned by Sony Music Entertainment, a subsidiary of Sony Corporation of America, the North American division of Japanese conglomerate Sony. It was founded in 1887, evolving from the American Graphophone Company, the successor to the Volta Graphophone Company. Columbia is the oldest surviving brand name in the recorded sound business, and the second major company to produce records. From 1961 to 1990, Columbia recordings were released outside North America under the name CBS Records to avoid confusion with EMI's Columbia Graphophone Company. Columbia is one of Sony Music's four flagship record labels, alongside former longtime rival RCA Records, as well as Arista Records and Epic Records.
Contents
The album features a different approach than his previous albums, embracing a dance-pop direction, [2] with various influences from funk, disco, '60s garage rock, new wave, and dubstep. [3]
Dance-pop is a pop and dance subgenre that originated in the early 1980s. It is generally uptempo music intended for nightclubs with the intention of being danceable but also suitable for contemporary hit radio. Developing from a combination of electronic dance music and pop music, with influences of disco, post-disco and synth-pop, it is generally characterised by strong beats with easy, uncomplicated song structures which are generally more similar to pop music than the more free-form dance genre, with an emphasis on melody as well as catchy tunes. The genre, on the whole, tends to be producer-driven, despite some notable exceptions.
Funk is a music genre that originated in African-American communities in the mid-1960s when African-American musicians created a rhythmic, danceable new form of music through a mixture of soul music, jazz, and rhythm and blues (R&B). Funk de-emphasizes melody and chord progressions and focuses on a strong rhythmic groove of a bass line played by an electric bassist and a drum part played by a drummer. Like much of African-inspired music, funk typically consists of a complex groove with rhythm instruments playing interlocking grooves. Funk uses the same richly colored extended chords found in bebop jazz, such as minor chords with added sevenths and elevenths, or dominant seventh chords with altered ninths and thirteenths.
Disco is a music genre and subculture that emerged in the 1970s from the United States' urban nightlife scene. The music, the fashion, many song lyrics and other cultural phenomena associated with disco were focused on having a good time on the dance floor of a discotheque to the loud sounds of records being played by a DJ, usually enhanced by coloured lighting effects.
