Volume | |
---|---|
Genre | Performing arts, Visual arts |
Frequency | Annually |
Location(s) | Art Gallery of New South Wales, Sydney |
Years active | 2023 - present |
Inaugurated | 2023 |
Previous event | 13 June 2024 – 23 June 2024 |
Next event | 2025 |
Organised by | Art Gallery of New South Wales |
Website | Official website |
Volume is an annual performing arts festival held by the Art Gallery of New South Wales in Sydney, Australia. The inaugural event was held in 2023 following the development of the Sydney Modern expansion to the gallery in 2022. It combines live music, film and visual arts with a focus on experimental performances by domestic and international artists. Many of the headline events of the festival are held in The Tank, a repurposed subterranean oil tank located beneath the gallery. The festival has received praise for the uniqueness of its performance venue and the experimental nature of its programming, although some critics observed and discussed difficulties in the event balancing the expectations of audiences expecting either experimental performances or traditional live music gigs.
In 2019, the Art Gallery of New South Wales and New South Wales Government commenced a $344 million expansion to the gallery titled the Sydney Modern. The expansion included development of a new gallery wing, atrium and sculpture gallery space and The Tank, a subterranean gallery accessible by stairs to a 2200 square metre space beneath the new building. The Tank was designed from refurbished oil tanks discovered close to the gallery site in Wooloomooloo rediscovered in 2014. The tanks were originally constructed in the early 1940s to supply British naval ships during the Second World War. [1] [2] [3] The Sydney Modern project was completed in 2022 and opened to the public on 3 December. [4]
The inaugural Volume festival and program was announced in June 2023 and held over 22 September to 8 October 2023. [5] Gallery director Michael Brand stated that the festival was designed in line with the use of the Sydney Modern development to expand the vision of the gallery beyond visual arts to include live music, film and performance. [6] Music and Community Curator Jonathan Wilson stated the festival's programming sought to provide a space for audiences to experience popular artists in unexpected or challenging ways. [7] Funding for Volume is supported by the New South Wales Government under the Create NSW Blockbusters Funding initiative and sponsored by Destination NSW. [8] [9] The 2024 season of Volume was announced in May 2024 and held in July 2024. [9]
Year | Dates | Performances | Source |
---|---|---|---|
2023 | 22 September - 8 October | Headline shows: Solange, Sampa The Great, TENGGER, Kim Moyes Free shows:North and South (Akio Suzuki, Alexandra Spence, Amby Downs, Annea Lockwood, David Shea, David Toop, Ellen Fullman, Hiromi Miyakita, JG Thirlwell, JWPaton, Lawrence English, Lisa Lerkenfeldt, Loren Mazzacane Connors, Philip Smartzis, Primitive Motion, Saint Abdullah, Theresa Wong, Vanessa Tomlinson). | [8] [10] |
2024 | 5 - 21 July | Headline shows: Genesis Owusu, Tkay Maidza, Kim Gordon, Andre 3000 Free shows:Extasis (Jim O'Rourke, Eiko Ishibashi, Hand to Earth, Carl Stone, Keiji Haino, Nyokabi Kariuki, Chilhei Hatkeyama, Gail Priest, Madeline Cocolas) | [9] [11] |
2025 | TBA | ||
The festival has received praise for the uniqueness of its venue. Toby Hemming of TheMusic described the venue as "overwhelming" and "dramatically stunning", [12] and Alys Hale of RUSSH described it as "part subterraneean colosseum" and "part concrete forest". [13] However, some noted the acoustics of the venue as a concrete interior were not ideal for some performances, [13] [14] with Jefferson describing the architecture of The Tank as a "devilish disruptor of sound and sightlines" that was suitable more for ambient and experimental performances than for live music. [15] Dan Condon of ABC felt that The Tank was "not an easy space" and was "the perfect setting for unpredictable music", although writing that its "huge number of concrete poles provide brilliant structural integrity but awful sightlines". [16]
The experimental qualities of the programming were praised. Joseph Earp of Music Feeds stated the 2023 festival had an "ambition on display that is unusual for live music events" to "push audience members further [and] bypass their expectations". [14] The Solange performance was particularly highlighted, with Billy Burgess of Music Feeds highlighting the performance's "unique", "stranger" and "more idiosyncratic" nature than traditional performances, [17] and Jefferson stating the show was "satisfyingly unusual" and "had that potent 'you had to be there' quality that site-specific work often has". [18]
However, several critics expressed that the festival received mixed responses from audiences. Some critics observed mixed reactions to experimental performances by popular artists such as Solange or Andre 3000, [19] [12] [18] with performances at odds to that of a traditional gig. [14] Jefferson assessed the event faced difficulties in meeting the expectations of both the "art crowd" and "gig crowd" in a music festival context, and that the festival was "in search of an identity and not quite sure how to make the best use of its main venue" given the competing demands of audiences. [15]
The cultural life of Sydney is dynamic and multicultural. Many of the individual cultures that make up the Sydney mosaic are centred on the cultural, artistic, ethnic, linguistic and religious communities formed by waves of immigration. Sydney is a major global city with a vibrant scene of musical, theatrical, visual, literary and other artistic activity.
The Sydney Film Festival is an annual competitive film festival held in Sydney, Australia, usually over 12 days in June. A number of awards are given, the top one being the Sydney Film Prize.
Redlands, Sydney Church of England Co-educational Grammar School, is a multi-campus independent co-educational early learning, primary, and secondary day Anglican school located in Cremorne on the Lower North Shore of Sydney, New South Wales, Australia. Established in 1884, the non-selective school caters to approximately 1,700 students, from early learning and on to kindergarten to Year 12.
The Domain is a heritage-listed 34-hectare (84-acre) area of open space on the eastern fringe of the Sydney central business district, Australia. Separating the central business district from Woolloomooloo, The Domain adjoins the Royal Botanic Garden and is managed by The Royal Botanic Gardens and Domain Trust, a division of the Office of Environment & Heritage. The Domain is used as a venue for outdoor concerts, open-air events, large political gatherings and rallies, as well as being used daily by the people of Sydney for exercise and relaxation. Along with the Royal Botanic Garden, The Domain was added to the New South Wales State Heritage Register on 2 April 1999.
The Art Gallery of New South Wales (AGNSW), founded as the New South Wales Academy of Art in 1872 and known as the National Art Gallery of New South Wales between 1883 and 1958, is located in The Domain, Sydney, Australia. It is the most important public gallery in Sydney and one of the largest in Australia.
Splendour in the Grass is an annual Australian music festival held at the North Byron Parklands in Yelgun, New South Wales. Since its inauguration, the festival has also been held in various locations near Byron Bay, New South Wales, and Woodford, Queensland.
The Biennale of Sydney is an international festival of contemporary art, held every two years in Sydney. It is a large and well-attended contemporary visual arts event in the country. Alongside the Venice and São Paulo biennales and Documenta, it is one of the longest running exhibitions of its kind and was the first biennale to be established in the Asia-Pacific region.
The Enmore Theatre is a theatre and entertainment venue in Enmore, New South Wales, Australia.
Herbert Flugelman, usually known as Bert, was a prominent Australian visual artist, primarily a sculptor, who had many of his works publicly displayed. He is known for his stainless steel geometric public sculptures. Among his best-known works are the "Mall's Balls" in Adelaide, and "the Silver Shish Kebab" in Sydney.
Mike Parr is an Australian performance artist and printmaker and Painter. Parr's works have been exhibited in Australia and internationally, including in Brazil, Cuba, France, Germany, Hungary, Japan, Korea, Taiwan, and the United States.
Artspace, officially Artspace Visual Arts Centre, is an independent, not-for-profit and non-collecting residency-based contemporary art centre. Artspace is housed in the historic Gunnery Building in Woolloomooloo, fronting Sydney Harbour in Sydney, Australia. Devoted to the development of certain new ideas and practices in contemporary art and culture, since the early 1980s Artspace has been building a critical context for Australian and international artists, curators and writers.
The National Art School (NAS) is a tertiary level art school, located in Darlinghurst, an inner-city suburb of Sydney, New South Wales, Australia. The school is an independent accredited higher education provider offering specialised study in studio arts practice across various disciplines.
Oliver Watts is an Australian artist, lecturer and theorist.
Vivid Sydney is an annual festival of light, music and ideas, held in Sydney, Australia. It includes outdoor immersive light installations and projections, performances by local and international musicians, and an ideas exchange forum featuring public talks and debates with leading creative thinkers.
Carriageworks is a multi-arts urban cultural precinct located at the former Eveleigh Carriage Workshops in Redfern, Sydney, Australia. Carriageworks showcases contemporary art and performing arts, as well as being used for filming, festivals, fairs and commercial exhibitions. The largest such venue in Australia, it is a cultural facility of the Government of New South Wales, and receives support from Create NSW and the Federal Government through the Australia Council for the Arts. The centre has commissioned new work by Australian and international artists, and has been home to eight theatre, dance and film companies, including Performance Space, Sydney Chamber Opera and Moogahlin Performing Arts, and a weekly farmers' market has operated there for many years.
Keep Sydney Open (KSO) was an organisation and political party based in Sydney, Australia, that advocated for issues surrounding the city's nightlife and night-time economy. The group is best known for its opposition to the Sydney lockout laws. It was renamed to The Open Party in 2020.
ACE Open is a contemporary visual art organisation based in Adelaide, South Australia, established in 2017 after the Contemporary Art Centre of South Australia and the Australian Experimental Art Foundation (AEAF) were merged, creating a new organisation.
Leonie Reisberg is an Australian photographer.
Rhyan Clapham, known by his stage name Dobby, is a Filipino-Aboriginal Australian musician. He describes himself as a "drapper", a contraction of rapper and drummer, although he also plays other instruments and is also a composer. Dobby is also a workshop facilitator and speaker. In 2018, he spoke at Vivid Ideas at Sydney's Vivid festival, and in 2019 at the JLF Adelaide. He is known for his Warrangu: River Story for which he won an ARIA Music Award.
The New South Wales Department of Enterprise, Investment and Trade was a department of the government of New South Wales that delivered services to promote enterprise, investment, trade, hospitality, racing, arts, tourism and sport in the state of New South Wales, Australia. The Department was the lead agency of the Enterprise, Investment and Trade cluster of the NSW government.