Wael Shawky

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Wael Shawky (born 1971) is an Egyptian artist working between Alexandria and Philadelphia. Shawky gained international recognition for his works that trace the history of the Crusades through a Middle Eastern lens. [1] Shawky has won many awards and prizes for his work, including the Ernst Schering Foundation Art Award in 2011 [2] and the Mario Merz Prize (2015) for his film trilogy, Al Araba Al Madfuna. [3] He is represented by Sfeir-Semler Gallery, Galleria Lia Rumma and Lisson Gallery. [4] [5]

Contents

Early life and education

Shawky was born in Alexandria, Egypt in 1971 and spent his youth in Mecca, Saudia before returning to Egypt when he was 13. [6] He holds an MFA from the University of Pennsylvania, Philadelphia, USA, and a BFA from the Alexandria University, Egypt. [7]

Career

Based on extensive periods of research and enquiry, Wael Shawky’s work tackles notions of national, religious and artistic identity through film, performance and storytelling. [8] Shawky frames contemporary culture through the lens of historical tradition and vice versa. Mixing truth and fiction, childlike wonder and spiritual doctrine, Shawky has staged epic recreations of the medieval clashes between Muslims and Christians in his trilogy of puppets and marionettes. [8]

In 2011, Shawky presented his work at the 12th Istanbul Biennial. [9] In 2012 he exhibited at dOCUMENTA (13) in Kassel, Germany where he premiered the second part of Cabareh Crusades (The Path to Cairo) and became internationally renowned. In 2013, he created a live performance piece for the Sharjah Biennial from his 'Dictums' series, where 30 workers (primarily of Pakistani descent) sing a song in qawwali, a form of Sufi devotional music [6] with words borrowed from the curatorial statement of the Biennial. [10] Shawky went on to receive the Sharjah Biennial prize for the work [11] In 2010, Shawky launched MASS Alexandria which is the first independent studio programme for young artists in Alexandria, Egypt. [9]

In 2015, Shawky had an exhibition entitled "Crusades and Other Stories" at the Mathaf: Arab Museum of Modern Art. [12]

In his ambitious film trilogy, Cabaret Crusades, Wael takes as his subject the complex historical and sociopolitical narratives surrounding the Christian Holy Wars. [8] The series began in 2010 and was finally completed in January 2015, when it premiered at MoMA P.S.1, New York. [13] Cabaret Crusades consists of three films: The Horror Show File, The Path to Cairo, and The Secrets of Karbala, loosely inspired by Lebanese writer Amin Maalouf's The Crusades Through Arab Eyes . [14] Shawky's films depict various historical accounts in an attempt to provide and illustrate an Arab perspective on the Crusades (from 1095 to 1204). [10] All the characters in Shawky's three films are played by marionettes and feature classical Arabic. [15] The second episode, The Path to Cairo, featured marionettes made of clay - a material believed to be what humans are made of according to the Qu'ran. [16]

In 2016, Shawky had solo shows at the Kunsthaus Bregenz, [17] Austria, The Fondazione Merz and Castello di Rivoli, both in Turin, Italy. In 2014, Serpentine Galleries in London held a solo exhibition of his work. [18] Shawky's works can be found in numerous public collections, most notably: the Museum of Modern Art (MoMA), in New York City, US, [19] the National Gallery of Canada, in Ottawa, Canada, [20] and the Tate Collection, in London, UK. [21] He is represented by Lisson Gallery.

In 2017, Wael Shawky premiered his latest project 'Song of Roland: The Arabic Version' at the opening of Theater der Welt 2017 in Hamburg, German. [22] The large musical and theatrical installation translates the epic French verse 'La Chanson de Roland' into classic Arabic and features performances by 25 fidjeri singers. [23]

In 2017, Shawky undertook a residency at Mathaf: Arab Museum of Modern Art, in partnership with the Fire Station, in Doha, Qatar, where he conducted research for his first feature-length film on the history of oil production in the Persian Gulf. Filming for the project began in 2018. [24]

In 2024, Shawky was selected to represent Egypt at the 60th Venice Biennale. [25] [26]

In November 2024, Shawky was appointed as the first artistic director of the Fire Station in Doha. [27]

Exhibitions

Awards

References

  1. "Wael Shawky at the Castello di Rivoli Museum of Contemporary Art, Turin - purple ART". Purple. 2016-11-16. Retrieved 2018-02-28.
  2. "In the Studio: Wael Shawky - Magazine - Art in America".
  3. "Wael Shawky_Al Araba Al Madfuna - Fondazione Merz".
  4. "Sfeir-Semler Gallery".
  5. "Lisson Gallery".
  6. 1 2 "The UAE and majahim camels are at the centre of Wael Shawky's film Dictums: Manqia I". The National. Retrieved 2018-02-28.
  7. "Wael Shawky - Artists - Lisson Gallery".
  8. 1 2 3 "Wael Shawky | Artists | Lisson Gallery". www.lissongallery.com. Retrieved 2017-04-01.
  9. 1 2 "Wael Shawky".
  10. 1 2 Art Review, October 2016
  11. Spence, Rachel (2013-11-29). "Interview: Egyptian artist Wael Shawky on faith, oil, politics – and puppetry". Financial Times. Retrieved 2018-02-28.
  12. "Wael Shawky: Crusades and Other Stories | Artsy". www.artsy.net. Retrieved 2022-02-03.
  13. "MoMA PS1: Exhibitions: Wael Shawky: Cabaret Crusades". momaps1.org. Retrieved 2017-04-01.
  14. Art Review, October 2016, Accessed 23 November 2016
  15. Sameer Rahim, 'Pulling the Strings', Apollo, January 2017
  16. 'The Return of the Strings', Boris Groys, Parkett, 95, 2014
  17. "Wael Shawky". Archived from the original on 2016-12-12. Retrieved 2017-03-27.
  18. "Wael Shawky's Epic Films Will Completely Change How You See the Crusades". 15 July 2015.
  19. "Wael Shawky: Crusades and Other Stories at Mathaf". www.mathaf.org.qa. Retrieved 2018-02-28.
  20. "Search the Collection". www.gallery.ca. Retrieved 2018-02-28.
  21. Tate. "'Telematch Sadat', Wael Shawky, 2007 | Tate". Tate. Retrieved 2018-02-28.
  22. "Theater der Welt - artist". www.theaterderwelt.de. Archived from the original on 2017-06-21. Retrieved 2017-07-06.
  23. "projects - Sharjah Art Foundation". sharjahart.org. Archived from the original on 2017-09-30. Retrieved 2017-07-06.
  24. "Wael Shawky | Exhibitions | Lisson Gallery". www.lissongallery.com. Retrieved 2017-01-10.
  25. "La Biennale di Venezia 2024: Egyptian Pavilion: 'Drama 1882' by Wael Shawky • SELECTIONS ARTS MAGAZINE". SELECTIONS ARTS MAGAZINE. 2024-04-17. Retrieved 2025-03-25.
  26. 1 2 "Wael Shawky | Art Gallery". www.sfeir-semler.com. Retrieved 2025-03-25.
  27. "Wael Shawky Appointed First Artistic Director of Qatar Museums' Fire Station". Artlyst. Retrieved 2025-03-25.
  28. "Exhibition | Wael Shawky, 'Telematch And Other Stories' at Barakat Contemporary, Seoul, South Korea". ocula.com. 2025-03-25. Retrieved 2025-03-25.
  29. "From supermarkets to state funerals: How Wael Shawky reframes history, religion". The Korea Times. 2025-03-13. Retrieved 2025-03-25.
  30. "Wael Shawky | Talbot Rice Gallery". www.trg.ed.ac.uk. Retrieved 2025-03-25.
  31. "2025 exhibition program - Announcements". e-flux. Retrieved 2025-03-25.
  32. "MOCA PRESENTS THE U.S. PREMIERE OF WAEL SHAWKY'S DRAMA 1882" (PDF). Retrieved 2025-03-25.
  33. "I am Hymns of the New Temples, Sfeir-Semler Gallery".
  34. "Al Araba Al Madfuna III, Sfeir-Semler Gallery".
  35. "Cabaret Crusades: The Secrets of Karbala, Sfeir-Semler Gallery".
  36. "Contemporary Myths II, Sfeir-Semler Gallery".

Further reading