Walk, Don't Run | ||||
---|---|---|---|---|
![]() | ||||
Soundtrack album by | ||||
Released | 1966 | |||
Recorded | 1966 | |||
Genre | Jazz, soundtrack | |||
Length | 34:54 | |||
Label | Mainstream | |||
Quincy Jones chronology | ||||
|
Review scores | |
---|---|
Source | Rating |
Allmusic | ![]() ![]() ![]() ![]() ![]() |
Walk, Don't Run is the soundtrack to the 1966 film of the same name composed by Quincy Jones. It was orchestrated by Jack Hayes and Leo Shuken. [2] Allmusic's Stephen Cook describes the score as having a "Henry Mancini inspired sound", with "excellent contributions from Toots Thielemans and Harry "Sweets" Edison". [3] Jones collaborated with Peggy Lee on the songs "Happy Feet" and "Stay with Me". [4] Jones was recommended to score the film for Cary Grant, who had met him through Lee. [5]
Edward F. Davis, known professionally as Eddie "Lockjaw" Davis, was an American jazz tenor saxophonist. It is unclear how he acquired the moniker "Lockjaw" : it is either said that it came from the title of a tune or from his way of biting hard on the saxophone mouthpiece. Other theories have been put forward.
Harry "Sweets" Edison was an American jazz trumpeter and a member of the Count Basie Orchestra. His most important contribution was as a Hollywood studio musician, whose muted trumpet can be heard backing singers, most notably Frank Sinatra.
Jean-Baptiste Frédéric Isidor, Baron Thielemans, known professionally as Toots Thielemans, was a Belgian jazz musician. He was mostly known for playing the chromatic harmonica, as well as his guitar and whistling skills, and composing. According to jazz historian Ted Gioia, his most important contribution was in "championing the humble harmonica", which Thielemans made into a "legitimate voice in jazz". He eventually became the "preeminent" jazz harmonica player.
Walk, Don't Run is a 1966 American romantic comedy film directed by Charles Walters, and starring Cary Grant, Samantha Eggar, and Jim Hutton. The film is set during the 1964 Summer Olympics in Tokyo and is a remake of the 1943 film The More the Merrier. The title stems from the basic rule of racewalking: that competitors must not run at any point.
It Might as Well Be Swing is a 1964 studio album by Frank Sinatra, accompanied by Count Basie and his orchestra. It was Sinatra's first studio recording arranged by Quincy Jones.
Beauty and the Beat! is a 1959 album by Peggy Lee, accompanied by the George Shearing Quintet.
Blues Cross Country is a 1962 studio album by Peggy Lee, principally arranged by Quincy Jones, with some arrangements by Benny Carter. The album can be described as a concept album, consisting of a musical journey across the United States through swinging blues songs, many of which were written by Lee with other contributors.
Meet Betty Carter and Ray Bryant is a 1955 jazz album by singer Betty Carter and pianist Ray Bryant both debuting here on record as leading artists. Although Carter is mentioned first, she is only featured on half of the tracks. On three of the six songs Jerome Richardson is also heard on flute. The other half is recorded by the Ray Bryant Trio alone.
Somethin' Groovy! is a 1967 studio album by Peggy Lee. It was released in 1967 on Capitol Records. It was arranged by Ralph Carmichael and Toots Thielemans is credited for harmonica.
"September in the Rain" is a popular song about nostalgia by Harry Warren and Al Dubin, published in 1937. The song was introduced by James Melton in the film Melody for Two. It has become a standard, having been recorded by many artists since.
Martin Drew was an English jazz drummer who played with Ronnie Scott between 1975 and 1995 and with Oscar Peterson between 1974 and 2007.
Oscar Peterson and Harry Edison is a 1974 album by Oscar Peterson, accompanied by Harry "Sweets" Edison.
Walking in Space is a 1969 studio album by Quincy Jones. The album was recorded for A&M who released the album with a cover photo of Jones taken by Pete Turner. Vocalist Valerie Simpson is featured on the title track, an arrangement of a song from the hit rock musical Hair. "Dead End" is also from Hair and "Killer Joe" features Ray Brown on bass and Grady Tate on drums.
You've Got It Bad Girl is a 1973 album by the American jazz musician/producer Quincy Jones.
Mellow Madness is a 1975 studio album by Quincy Jones. It was Jones's first album recorded since treatment for a cerebral aneurysm. The album introduced the R&B public to The Brothers Johnson, who co-wrote four of the album tracks.
Nightsongs is an instrumental-pop studio album by Earl Klugh released in 1984. The album received a Grammy nomination for Best Pop Instrumental Performance at the 27th Grammy Awards in 1985. This release has Klugh perform "a collection of funk-free, soft melodic standards with heavy string orchestrations", featuring legendary NEA Jazz Master Jean "Toots" Thielemans on the harmonica and Grammy Award winner Don Sebesky as conductor and arranger.
Sinatra at the Sands is a live album by Frank Sinatra accompanied by Count Basie and his orchestra, and conducted and arranged by Quincy Jones, recorded live in the Copa Room of the former Sands Hotel and Casino in Las Vegas in 1966.
Look Out for #1 is the debut album by the Los Angeles, California-based duo Brothers Johnson released in 1976. The album reached number one on the R&B albums chart and number three on the jazz albums chart in the United States.
Bluesette is a jazz standard, composed by Toots Thielemans. First recorded by Toots Thielemans in 1962, with lyrics added by Norman Gimbel, the song became an international hit. It has since been covered by over one hundred artists.
Laughin' to Keep from Cryin' is a 1958 studio album by Lester Young featuring the trumpeters Harry "Sweets" Edison and Roy Eldridge.