Writing and teaching
Swist has published over two hundred feature articles and reviews, yet his focus has been writing poetry. His poems have appeared in literary magazines and anthologies, such as Alaska Quarterly Review and Spiritus, the latter issued by Johns Hopkins University Press, as well as popular magazines such as Rolling Stone and Yankee. Readings of his work are online at National Public Radio [1] and Sahara: A Journal of New England Poetry published a special issue devoted to his work in the winter of 2003.
His translations have been published in Asymptote, Chicago Quarterly Review, Chiron Review, Ezra: An Online Journal of Translation, The Montreal Review, Poetry London, and Transference: A Literary Journal Featuring the Art & Process of Translation (Western Michigan Department of Languages), among others.
In addition, he has taught in the Connecticut Poetry-in-the-Schools Program and was a mentor and teacher, for three summers (2001-2003), in the Night of Fresh Voices Program, in which he worked with gifted high school students, through the Sunken Garden Poetry Festival, at the Hill-Stead Museum in Farmington, Connecticut.
Swist has also contributed significantly to North American haiku literature both as his decade-long stint as Book Review Editor of Modern Haiku (1987–1996), and with the hundreds of haiku he published in a multitude of literary journals. Of the several significant anthologies of haiku his work is represented in, a half dozen of his haiku are included in the anthology, Haiku in English: The First Hundred Years, published by W. W. Norton & Company in 2013.
He is an authority on fellow poet Robert Francis (poet), [2] a friend and literary mentor. [3]
He is also the writer and editor of Moscow Ballet's Great Russian Nutcracker that was published by Talmi Entertainment in November 2012 as a children's book illustrated by Olga Lorionova.
In October 2012, he was invited to be a Visiting Writer at Southern Illinois University, in Carbondale, Illinois, and he participated in the Devil's Kitchen Literary Festival. Also, in April 2013, he was invited to be a Visiting Writer at Sacred Heart University, in Fairfield, Connecticut.
Fellowships, awards, and honors
Swist was awarded Artists Fellowships in Poetry from the Connecticut Commission on the Arts in 1978 and in 2003. The Trustees of the Estate of Robert Francis awarded him three writing residencies at Fort Juniper, the Robert Francis Homestead, in North Amherst, Massachusetts, in the autumn of 1998, and two back-to-back residencies from September 2003 through August 2005.
He was invited to give a lecture at the Frost Farm, in Derry, New Hampshire, in August 2002, which he entitled "High Pressure Weather and Country Air: The Friendship of Robert Frost and Robert Francis." This later led to his developing a book-length essay, published by Edwin Mellen Press in 2009, Two New England Poets: Robert Frost and Robert Francis. Constance Hunting, editor of The Puckerbrush Review, where the essay initially appeared called it "a previously unwritten work of significant scholarship," elucidating the connection between Frost and Francis.
He was twice awarded the Museum of Haiku Literature (Tokyo) Award (Frogpond, XIII: 2, 1990 and Frogpond, XVIII: 3, 1995). His selected haiku, The Silence Between Us, was published by Brooks Books in their Goodrich Haiku Master's Series in 2005.
Yusef Komunyakaa selected Swist's full-length volume Huang Po and the Dimensions of Love as a co-winner of the 2011 Crab Orchard Series Open Poetry Competition. Southern Illinois University Press published the book in August 2012.
Huang Po and the Dimensions of Love was nominated for the National Book Award in Poetry by Southern Illinois University Press in 2012.
His poem "Velocity" was awarded 2nd Prize in the William Butler Yeats Society of New York City 2012 Poetry Contest, of which Bill Zavatsky served as judge.
From 2012 through 2018, he was awarded several grants of financial assistance. These included the Philip Whalen Memorial Grant from Poets in Need, of Berkeley, California, as well as being the recipient of multiple grants of financial assistance from The Authors League Fund; PEN America; and the Carnegie Fund for Authors, all of New York City; and The Haven Fund, of Brewer, Maine.
In April 2013, he was the recipient of The 2013 Snapshot Press Book Award for his manuscript, The Windbreak Pine: New and Uncollected Haiku, 1985-2015. Swist was awarded a Touchstone Distinguished Book Award from The Haiku Foundation for this book in April 2017.
Garrison Keillor read his poem "Radiance" on The Writers Almanac radio program in July 2014.
Swist was one of fourteen poets to have their poems installed into a Dedication of Poetry in Edmands Park, in Newton, Massachusetts, on 2 November 2014, in conjunction with the Boston Literary District Program. The poems, on permanent display, were selected by adjudication through a national contest and contain natural themes. Swist's poem, "Wild Falling," is presented on stone on the second of two stone pillars on Blake Street, which face the road. Also, in November 2014, he was announced the winner of the Judd's Hill Winery Poetry Contest for his poems "Montepulciano and Caravaggio," "Ode to February," and "The Toast."
Swist's poem, "Heirloom," was selected by Anita Barrows, known for her translations of Rilke with her colleague Joanna Macy, as a finalist in the 2015 Littoral Press Broadside Competition. Lisa Rappoport, master printer of Littoral Press, published the poem as a letterpress limited edition broadside in October 2015.
Swist was the winner of the 2018 Adelaide Books Essay Contest for his essay, "On Beauty." The essay was also the eponymous title of the book Adelaide Books published later that year, On Beauty: Essays, Reviews, Fiction, and Plays.
In December 2018, Gabriel Rummonds, master printer and publisher of Ex Ophidia Press, located in Bainbridge Island, Washington, announced that Swist was the winner of the 2018 Ex Ophidia Press Poetry Prize for his collection A Bird Who Seems to Know Me: Poems Regarding Birds & Nature. The collection includes 50 lyric and short narrative poems and some 60 haiku. The book was published in the autumn of 2019.
Robert Sternau, Editor of "Sufi: Journal of Mystical Philosophy & Practice," highlighted Swist as the "Feature Poet" in Issue #98, the Winter 2019/2020 issue of the journal, and in doing so published "The Bees of the Invisible," the eponymous poem of his 2019 Shanti Arts poetry collection.
Jason Barber, Editor of "Buddhist Poetry Review," published Swist's "After Lu Chi’s Wen Fu," based on a translation by Shih-Hsiang Chen (1952), which had then been modified after consulting a translation by Sam Hamill (1991 & 2000). It appears in full as a feature in the July 2020 issue of the journal, and includes all fifteen parts of the work. Lu Chi (261-303) was a third and fourth century Chinese poet of the Jin Dynasty, and his "Wen Fu" ("The Art of Writing") is "considered one of the most articulated treatises on Chinese poetics." As of the July 2020 issue, all of Swist's previous contributions to "Buddhist Poetry Review," which date between 2010 and 2021, can now also be found archived online (www.buddhistpoetryreview.org).
