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The Academy of Motion Picture Arts and Sciences (AMPAS), often pronounced AM-pass; also known as simply the Academy or the Motion Picture Academy) is a professional honorary organization in Beverly Hills, California, U.S., with the stated goal of advancing the arts and sciences of motion pictures. The Academy's corporate management and general policies are overseen by a board of governors, which includes representatives from each of the craft branches.
The Academy Award for Best Visual Effects is presented annually by the Academy of Motion Picture Arts and Sciences (AMPAS) for the best achievement in visual effects. It has been handed to four members of the team directly responsible for creating the film's visual effects since 1980.
Digital intermediate (DI) is a motion picture finishing process which classically involves digitizing a motion picture and manipulating the color and other image characteristics.
Color grading is a post-production process common to filmmaking and video editing of altering the appearance of an image for presentation in different environments on different devices. Various attributes of an image such as contrast, color, saturation, detail, black level, and white balance may be enhanced whether for motion pictures, videos, or still images. Color grading and color correction are often used synonymously as terms for this process and can include the generation of artistic color effects through creative blending and compositing of different layer masks of the source image. Color grading is generally now performed in a digital process either in a controlled environment such as a color suite, and is usually done in a dim or dark environment.
Colleen Atwood is an American costume designer. In a career spanning over four decades, she is recognized for her prolific work across film and television. She has received numerous accolades, including four Academy Awards, three BAFTA Awards, and two Emmy Awards.
Founded in 1950, American Cinema Editors (ACE) is an honorary society of film editors who are voted in based on the qualities of professional achievements, their education of others, and their dedication to editing. Members use the post-nominal letters "ACE". The organization's "Eddie Awards" are routinely covered in trade magazines such as The Hollywood Reporter and Variety. The society is not an industry union, such as the I.A.T.S.E., to which an editor might also belong. The current president of ACE is Kevin Tent, who was elected in 2020.
Joseph Francis Biroc, ASC was an American cinematographer. He was born in New York City and began working in films at the Paragon Studios in Fort Lee, New Jersey. After working there for approximately six years, he moved to Los Angeles. Once in Southern California, Biroc worked at the RKO Pictures movie studio. During World War II, he served in the U.S. Army Signal Corps and filmed the Liberation of Paris in August 1944. In 1950, Biroc left RKO Pictures and freelanced on projects at various studios. In addition to his film work, which included It's a Wonderful Life (1946) and The Flight of the Phoenix (1965), Biroc worked on various television series, including the Adventures of Superman and Wonder Woman. He frequently collaborated with film director Robert Aldrich.
Gaetano (Tony) Gaudio, A.S.C. was a pioneer Italian-American cinematographer of more than 1000 films. Gaudio won the Academy Award for Best Cinematography for Anthony Adverse, becoming the first Italian to have won an Oscar, and was nominated five additional times for Hell's Angels, Juarez, The Letter, Corvette K-225, and A Song to Remember. He is cited as the first to have created a montage sequence for a film in The Mark of Zorro. He was among the founders of the American Society of Cinematographers, and served as President from 1924 until 1925.
Owen Roizman was an American cinematographer. He received five Academy Award nominations for Best Cinematography, for the films The French Connection (1971), The Exorcist (1973), Network (1976), Tootsie (1982), and Wyatt Earp (1994). He served on the Board of Governors of the Academy of Motion Picture Arts and Sciences and was president of the American Society of Cinematographers.
Dana E. Glauberman, ACE, is an American film and television editor. She is known for her work on films such as Juno, Up in the Air, Draft Day and Ghostbusters: Afterlife, as well as TV series such as The Mandalorian and Ahsoka.
Company 3 (CO3) is an American post-production company founded in 1997 by colorists Stefan Sonnenfeld and Mike Pethel and visual effects artist/supervisor Noel Castley-Wright. Rob Walston brought the team of artists together and funded Company 3 under 4 Media Company (4MC). Company 3 provides post production, color grading and location services for feature films, commercials, music videos and television.
Edward Cronjager was an American cinematographer whose career spanned from the silent era through the 1950s. He came from a family of cinematographers, with his father, uncle, and brother all working in the film industry behind the camera. His work covered over 100 films and included projects on the small screen towards the end of his career. He filmed in black and white and color mediums, and his work received nominations for seven Academy Awards over three decades, although he never won the statue.
Tom Poole is the Chief Creative Officer and Senior Colorist at Company 3. He was born in London, England, where he began his career, before moving to the States in 2004. He joined Company 3 in 2007.
The Hollywood Professional Association Award for Outstanding Color Grading in a Feature Film is an annual award, given by the Hollywood Professional Association, or HPA, to post production workers in the film and television industry, in this case color graders. It was first awarded in 2006, and has been presented every year since. From 2006 to 2011, the category was titled HPA Award for Outstanding Color Grading Feature Film in a DI Process. The "DI" in the title refers to a Digital intermediate, a motion picture finishing process which a motion picture is digitized and the color and other image characteristics manipulated. As the filmmaking has evolved more into a digital forum, the added "DI Process" of the title became, essentially, antiquated.
On-set virtual production (OSVP) is an entertainment technology for television and film production in which LED panels are used as a backdrop for a set, on which video or computer-generated imagery can be displayed in real-time. The use of OSVP became widespread after its use in the first season of The Mandalorian (2019), which used Unreal Engine, developed by Epic Games.
References
- ↑ "2023 HPA Awards". HPA – Hollywood Professional Association.
- ↑ "FilmLight | News".
- ↑ "ACES | ICA | The International Colorist Academy". 16 December 2021.
- ↑ "Revered Colorist Walter Volpatto moves to Picture Shop". www.pictureshop.com.
- ↑ Williams, Tom (29 November 2023). "Colourist Walter Volpatto moves to Picture Shop". British Cinematographer. Retrieved 4 September 2024.
- ↑ "News". SHOOTonline. 3 September 2024. Retrieved 4 September 2024.