Wang Tiande (born 1960, Shanghai) is a contemporary Chinese artist who focuses on calligraphy. [1] He graduated the Chinese Painting Department at the Zhejiang Academy of Fine Arts in 1988, later obtaining his doctoral degree in its calligraphy department. He currently is a professor at Fudan University in Shanghai. [2]
His work is included in the collection of the Metropolitan Museum of Art, [3] the Museum of Fine Arts, Boston [4] and the British Museum. [5]
Chinese art is visual art that originated in or is practiced in China, Greater China or by Chinese artists. Art created by Chinese residing outside of China can also be considered a part of Chinese art when it is based on or draws on Chinese culture, heritage, and history. Early "Stone Age art" dates back to 10,000 BC, mostly consisting of simple pottery and sculptures. After that period, Chinese art, like Chinese history, was typically classified by the succession of ruling dynasties of Chinese emperors, most of which lasted several hundred years. The Palace Museum in Beijing and the National Palace Museum in Taipei contains extensive collections of Chinese art.
Ink wash painting (simplified Chinese: 水墨画; traditional Chinese: 水墨畫; pinyin: shuǐmòhuà; is a type of Chinese ink brush painting which uses washes of black ink, such as that used in East Asian calligraphy, in different concentrations. It emerged during the Tang dynasty of China, and overturned earlier, more realistic techniques. It is typically monochrome, using only shades of black, with a great emphasis on virtuoso brushwork and conveying the perceived "spirit" or "essence" of a subject over direct imitation. Ink wash painting flourished from the Song dynasty in China onwards, as well as in Japan after it was introduced by Zen Buddhist monks in the 14th century. Some Western scholars divide Chinese painting into three periods: times of representation, times of expression, and historical Oriental art. Chinese scholars have their own views which may be different; they believe that contemporary Chinese ink wash paintings are the pluralistic continuation of multiple historical traditions.
Li Huasheng (1944–2018) was a Chinese artist from Yibin in Sichuan province. He received his first art training in one of Chongqing's culture halls. He met Chen Zizhuang in 1972, and studied traditional Chinese painting under him, mastering his style in just four years.
Gai Qi, courtesy name Bowen 伯蕰, art names Qiliang 七郎 and Yuhu Waishi 玉壶外史, was a poet and painter born in western China during the Qing dynasty. As an artist, he was active in Shanghai. His paintings mainly concerns plants, beauty, and figures. However, he also did numerous landscapes. In poetry, he preferred the rhyming ci form and added such poems to his paintings.
Dong Qichang, was a Chinese art theorist, calligrapher, painter, and politician of the later period of the Ming dynasty.
Qian Xuan, courtesy name Shun Ju (舜举), pseudonyms Yu Tan, Xi Lanweng (习嬾翁), and Zha Chuanweng (霅川翁), was a Chinese painter from Huzhou (湖州), the present day Wuxing District in Zhejiang. He lived during the late Song dynasty and early Yuan dynasty.
Wang Meng was a Chinese painter during the Yuan Dynasty.
Wang Kangle was a Chinese painter born in Fenghua, Zhejiang province.
Pan Tianshou was a Chinese painter and art educator.
Arnold Chang is a Chinese American artist, curator, and art historian. He specializes in Chinese literati-style landscape paintings. He was the founder of the Chinese painting department at Sotheby's.
Fang Zhaoling, also known as Lydia Fong, was a Chinese painter and calligrapher.
Lu Xun Academy of Fine Arts, or LAFA, is an art school in Shenyang, Liaoning Province, China.
Zhang Renxi, also known as Zhang Renxi, Jiaye, Shengshi, and House of Flowing Water Sound Listening, was born in Quanzhou City, Fujian, China. He was a Chinese artist and poet, best known for his exquisite Chinese paintings of birds and flowers as well as fine seal carvings and calligraphy work.
Jung Ying Tsao was a connoisseur, collector, dealer, and scholar of traditional Chinese art.
Wang Wusheng was a Chinese photographer known for his black-and-white photographs of Mount Huangshan.
Wen C. Fong was a Chinese-American historian of East Asian art. He was the Edwards S. Sanford Professor of Art History at Princeton University, where he taught Chinese art history for 45 years. In 1959 he co-founded the first doctoral program in Chinese art and archaeology in the United States, which was later expanded to include Japan. He served as chairman of Princeton's Department of Art and Archaeology, and as consultative chairman for Asian art at the Metropolitan Museum of Art in New York City.
Wang Xiaosong is a Chinese artist and professor. Having studied in Beijing and Berlin from 1983 to 1997, Wang uses a confluence of Chinese and Western art in his works.
Zhu Qizhan was a Chinese artist known for merging the color concepts of Western art and the calligraphic brushwork of traditional Chinese painting into a personal style.
Hu Zhiying is a contemporary Chinese avant-garde artist and art educator. He works within the areas of painting, installation, video art, and conceptual art. His artworks are displayed worldwide, and he has taught painting and calligraphy at the Guangzhou Academy of Fine Arts and South China Normal University.
Wang Chunchen is a Chinese curator, critic, and art historian. He has been described as "one of China's most distinguished curators, art critics and historians".