War Feels Like War

Last updated

War Feels Like War
War feels like war.jpg
Directed by Esteban Uyarra
Starring P. J. O'Rourke
Stephanie Sinclair
Original languageEnglish
No. of episodes1
Production
Producer Esteban Uyarra
CinematographyEsteban Uyarra
Production companyIn Focus Productions
Release
Original network BBC
TV 2 (Denmark)
PBS
Original release
  • 2004 (2004)

War Feels Like War is a 2004 British documentary film. Made for BBC Storyville [1] [2] and TV 2 (Denmark), [3] it was broadcast in the United States as part of the P.O.V. series. [4] The film "portrays journalists who covered the war in Iraq without the cover of helmets, bullet-proof vests, or the American military." [5]

Contents

For three months, in Iraq, Spanish filmmaker Esteban Uyarra [6] [7] [8] followed Jacek Czarnecki, Bengt Kristiansen, Jan Kruse, P.J. O'Rourke, [9] [10] and Stephanie Sinclair, [11] five reporters and photographers, from Denmark, Norway, Poland, and the United States. These journalists circumvented military media control to get access to a different perspective on the Iraq War. As the Coalition of the willing swept into Iraq, some journalists in Kuwait decided to travel in their wake, risking their lives to discover the impact of war on civilians. [12] [13] [14] [15] [16] [17]

The journalists include author P. J. O'Rourke, who was working for ABC Radio, as well as reporters and photographers for news operations ranging from Poland's Radio Zet to Stephanie Sinclair, a photographer for the Chicago Tribune . [17]

Plot

In the film, journalist crews are first seen trying to avoid being penned up in Kuwait City as the war is about to break. Other journalists repeatedly try to get through military zones to capture what is happening.

Once these journalists make it into Iraq, they capture troops at their frazzled ends, cussing. A journalist described a Scud missile "whizzing" by is artfully juxtaposed with a shot of a string of photographers taking a "whiz".

The reporters themselves wrestle with grisly images and the effect it may have on their humanity. One journalist admits she felt, "I'm in over my head", but presses on. Later, she says of a tragic scene she has just witnessed, "If that doesn't affect you, you should find something else to do. That shit should always affect you." The U.S. later bombs the Baghdad hotel where these journalists are staying. After the gunfire stops, a Polish journalist files a radio report that says, "It doesn't look good", adding that a Marine has told him "too many people still have weapons." [12] [18] [19]

Awards and film critics' views

War Feels Like War was awarded Honourable Mention for Best International Documentary by the Hot Docs Canadian International Documentary Festival in Toronto, Ontario, Canada. [15] [20] [21]

In addition, it was shortlisted for the Silver Wolf Competition in the 2003 International Documentary Festival Amsterdam (IDFA) and was awarded the Jury Prize at the 2004 MovieEye Festival in Moscow.

Esteban Uyarra was also nominated in the Best Newcomer category in the 2004 Grierson British Documentary Awards.

The New York Times wrote:

We are placed in amazing close-up as American soldiers search for a sniper on the streets of Baghdad. The soldiers line up suspects on the ground, hands tied behind them, faces in the dust; one puts a boot on a suspect's neck. The film doesn't present easy or polemical answers: the Americans' danger is real and so is their harsh treatment of the Iraqis. And it takes nothing away from embedded reporters to appreciate the lack of constraint in these unattached journalists' stories. These films might leave viewers wondering what direction American war coverage will take, now that there are at least a few signs of change. CBS, after all, showed the first Abu Ghraib photos on 60 Minutes II . Anchors seem less reverential than they were in the first "shock and awe" days of the war; this week when Paul D. Wolfowitz, the deputy defense secretary, testified before Congress about the future of American troops in Iraq, Peter Jennings introduced the report by saying, "Many of the administration's plans are not very clear." [12]

Baltimore Sun television critic David Zurawik stated:

War Feels Like War, a documentary film making its television premiere tonight as part of PBS' 17-year-old P.O.V. series, helps fill [the reporting] void with insight, sensitivity and a keen eye for cinematic detail. The film is firmly grounded in people stories – the gritty specifics of the day-in-day-out lives of several people trying to cover the war outside the Pentagon bubble. But through these personal narratives viewers come to understand in a macro-sense how much was missed in coverage dominated by embedded reporting – or, put another way, how much the U.S. government was able to shape coverage of the war ... Be warned, the film is graphic and vulgar at points. But there is nothing more graphic or vulgar than the reality of death – especially the death of children caught in the path of war. That ancient and ugly truth is one of the primary stories that the government tried to keep the press from telling through its control of embedded correspondents. Thank goodness, not just for the unilaterals who told that story with their pictures and words, but also Uyarra for reminding us how much more difficult it is getting for the media to speak that truth. [17]

David Kronke of the Daily News of Los Angeles states:

This stunning, gritty yet graceful report decisively puts a lie to Paul Wolfowitz's recent assessment that the media covering the war are gutless. [19]

M. S. Mason of The Christian Science Monitor states:

This fascinating documentary follows a few members of the press corps into war zones. Some of them are cynical: human tragedy makes great TV, notes one journalist. A young woman from the Chicago Tribune, however, thinks about the photos she takes. When an older photographer tells her in a few years she'll be just like him, she demurs, smiling. She wants never to become so hardened that human suffering cannot move her. [22]

See also

Related Research Articles

<span class="mw-page-title-main">Media coverage of the Iraq War</span>

The 2003 invasion of Iraq involved unprecedented U.S. media coverage, especially cable news networks.

Anne Longworth Garrels was an American broadcast journalist who worked as a foreign correspondent for National Public Radio, as well as for ABC and NBC, and other media.

<i>Control Room</i> (film) 2004 American film by Jehane Noujaim

Control Room is a 2004 documentary film directed by Jehane Noujaim, about Al Jazeera and its relations with the US Central Command (CENTCOM), as well as the other news organizations that covered the 2003 invasion of Iraq.

Farnaz Fassihi is an Iranian-American journalist who has worked for The New York Times since 2019. She is the United Nations bureau chief and also writes about Iranian news. Previously she was a senior writer for The Wall Street Journal for 17 years and a conflict reporter based in the Middle East.

Chris Hondros was an American war photographer. Hondros was a finalist twice for a Pulitzer Prize for Breaking News Photography.

<span class="mw-page-title-main">Embedded journalism</span> Practice of attaching journalists to military units

Embedded journalism refers to news reporters being attached to military units involved in armed conflicts. While the term could be applied to many historical interactions between journalists and military personnel, it first came to be used in the media coverage of the 2003 invasion of Iraq. The United States military responded to pressure from the country's news media who were disappointed by the level of access granted during the 1991 Gulf War and the 2001 U.S. invasion of Afghanistan.

<span class="mw-page-title-main">Palestine Hotel</span> Building in Baghdad, Iraq

The Palestine Hotel, often referred to simply as The Palestine, is an 18-story hotel in Baghdad, Iraq located on Firdos Square near from Saadon, across from the Ishtar Hotel. It has long been favoured by journalists and media personnel. The hotel overlooks the Tigris on its eastern bank and is located several hundred metres south of the Baghdad Hotel.

Ghaith Abdul-Ahad is an Iraqi journalist who began working after the U.S. invasion. Abdul-Ahad has written for The Guardian and The Washington Post and published photographs in The New York Times, The Washington Post, Los Angeles Times, The Guardian, The Times (London), and other media outlets. Besides reporting from his native Iraq, he has also reported from Somalia, Sudan, Afghanistan, Libya and Syria.

Mazen Dana was a Palestinian journalist who worked as a Reuters cameraman. He spent a decade covering the Israeli–Palestinian conflict in Hebron in the West Bank, for which he was awarded the 2001 International Press Freedom Award of the Committee to Protect Journalists. He was shot and killed by US soldiers in Baghdad, Iraq on 17 August 2003.

<i>My Country, My Country</i> 2006 American film

My Country, My Country is a 2006 documentary film about Iraq under U.S. occupation by the filmmaker Laura Poitras.

Timothy Grucza is a cameraman and documentary film maker.

Jackie Spinner is an American journalist who worked for The Washington Post from 1995 to 2009.

Maggie O'Kane is an Irish journalist and documentary film maker. She has been most associated with The Guardian newspaper where she was a foreign correspondent who filed graphic stories from Sarajevo while it was under siege between 1992 and 1996. She also contributed to the BBC from Bosnia. She has been editorial director of GuardianFilms, the paper's film unit, since 2004. Since 2017, she has been chair of the Board of the European Press Prize.

<i>The Boys from Baghdad High</i> 2007 British-American-French television documentary film

The Boys from Baghdad High, also known as Baghdad High, is a British-American-French television documentary film. It was first shown in the United Kingdom at the 2007 Sheffield Doc/Fest, before airing on BBC Two on 8 January 2008. It also aired in many other countries including France, Australia, the United States, Canada, Germany and the Netherlands. It documents the lives of four Iraqi schoolboys of different religious or ethnic backgrounds over the course of one year in the form of a video diary. The documentary was filmed by the boys themselves, who were given video cameras for the project.

<span class="mw-page-title-main">Laura Poitras</span> American director and producer of documentary films

Laura Poitras is an American director and producer of documentary films.

Leila Fadel is a Lebanese American journalist and the cohost of National Public Radio's Morning Edition, a role she assumed in 2022. She was previously the network's Cairo bureau chief. Fadel has chiefly worked in the Middle East, and received a George Polk Award for her coverage of the Iraq War. She is also known for her coverage of the Arab Spring.

<i>The War You Dont See</i> 2010 film by John Pilger

The War You Don't See is a 2010 British documentary film written, produced and directed by John Pilger with Alan Lowery, which challenges the media for the role they played in the Iraq, Afghanistan, and Israel/Palestine conflicts. The film, which went on nationwide general release on 13 December 2010, had its premiere at the Barbican and was aired through Britain's ITV1 on 14 December 2010 and later through Australia's SBS One on 10 April 2011.

The Persian Gulf War, codenamed Operation Desert Storm and commonly referred to as the Gulf War, was a war waged by a United Nations-authorized coalition force from 34 nations led by the United States against Iraq in response to Iraq's invasion and annexation of Kuwait. Media coverage of the Gulf War was significant for many reasons including CNN's live reporting from a Baghdad hotel, alternative and international coverage, and the use of images.

<span class="mw-page-title-main">Hannah Allam</span> American journalist and reporter (born 1977)

Hannah Allam is an American journalist and reporter.

References

  1. "War Feels Like War". BBC Storyville . BBC Four. Archived from the original on 16 May 2004. Retrieved 20 April 2022.
  2. "Fighting the War; Wed 17th Mar 2004, 23:25 ; BBC Two England". Programme Index. BBC. Retrieved 20 April 2022. 3/3. The Ground War. Following the allied troop deployment from the start of war, a year ago this week, to toppling Saddam. (Revised rpt) War Feels like War, on journalists in Iraq, is on BBC4 at 12.20am
  3. "War Feels Like War". In Focus Productions. Retrieved 20 April 2022.
  4. "Film Description - War Feels Like War". POV. PBS. 23 January 2004.
  5. Tabeling, Petra (2004). "When War Feels Like War". Qantara.de. Archived from the original on 11 June 2004. Retrieved 21 April 2022. Translation from German: Christina M. White
  6. "about us". Uyarra Films. Archived from the original on 9 October 2004. Retrieved 20 April 2022.
  7. "war feels like war". Uyarra Films. Archived from the original on 9 October 2004. Retrieved 20 April 2022.
  8. "War Feels Like War 2004". Uyarra Films. Archived from the original on 17 October 2008. Retrieved 20 April 2022.
  9. O'Rourke, P. J. (1 December 2003). "The Backside of War". The Atlantic . Retrieved 21 April 2022.
  10. O'Rourke, P. J. (December 2003). "The Backside of War". The Atlantic Monthly. Archived from the original on 22 June 2004. Retrieved 20 April 2022.
  11. Sinclair, Stephanie. "baghdad". steph:blog. Stephanie Sinclair. Archived from the original on 5 March 2005. Retrieved 20 April 2022.
  12. 1 2 3 James, Caryn (21 May 2004). "The War's Dark Side: Filling In the Blanks". The New York Times: 1.
  13. "War Feels Like War". pbs.org. Retrieved 5 September 2006.
  14. "Film: The Five Best Revivals". The Independent: 25. 29 January 2005.
  15. 1 2 Gibb, Lindsay (September 2004). "Hot Docs (4/23-5/2/04)". Canadian Business and Current Affairs Take One. 13 (46): 50–51. ISSN   1192-5507.
  16. Logue, Heather (22 September 2004). "Counting the Fall Fish". Seattle Weekly: 15.
  17. 1 2 3 Zurawik, David (6 July 2004). "Seeing war on their own; 'P.O.V' reports on reporters; TV Preview". The Baltimore Sun: 1D.
  18. Catlin, Roger (6 July 2004). "CBS Gets Real With Fifth 'Amazing Race,' 'Big Brother'". Hartford Courant (Connecticut).
  19. 1 2 Kronke, David (4 July 2004). "The Daily News Watch-O-Rama; Highlights And Lowlights Of The Coming TV Week". The Daily News of Los Angeles: U11.
  20. Tillson, Tamsen (3 May 2004). "War is Hot Docs touchstone". Daily Variety : 15.
  21. Vlessing, Etan (5 April 2004). "Hot Docs! putsfocus on int'l war, terror". The Hollywood Reporter .
  22. Mason, M. S. (2 July 2004). "Tuning in: On TV this week". The Christian Science Monitor : 16.