War Feels Like War | |
---|---|
Directed by | Esteban Uyarra |
Starring | P. J. O'Rourke Stephanie Sinclair |
Original language | English |
No. of episodes | 1 |
Production | |
Producer | Esteban Uyarra |
Cinematography | Esteban Uyarra |
Running time | 59 minutes |
Production company | In Focus Productions |
Original release | |
Network | BBC TV 2 (Denmark) PBS |
Release | 2004 |
War Feels Like War is a 2004 British documentary film. Made for BBC Storyville [1] [2] and TV 2 (Denmark), [3] it was broadcast in the United States as part of the P.O.V. series. [4] The film "portrays journalists who covered the war in Iraq without the cover of helmets, bullet-proof vests, or the American military." [5]
For three months, in Iraq, Spanish filmmaker Esteban Uyarra [6] [7] [8] followed Jacek Czarnecki, Bengt Kristiansen, Jan Kruse, P.J. O'Rourke, [9] [10] and Stephanie Sinclair, [11] five reporters and photographers, from Denmark, Norway, Poland, and the United States. These journalists circumvented military media control to get access to a different perspective on the Iraq War. As the Coalition of the willing swept into Iraq, some journalists in Kuwait decided to travel in their wake, risking their lives to discover the impact of war on civilians. [12] [13] [14] [15] [16] [17]
The journalists include author P. J. O'Rourke, who was working for ABC Radio, as well as reporters and photographers for news operations ranging from Poland's Radio Zet to Stephanie Sinclair, a photographer for the Chicago Tribune . [17]
In the film, journalist crews are first seen trying to avoid being penned up in Kuwait City as the war is about to break. Other journalists repeatedly try to get through military zones to capture what is happening.
Once these journalists make it into Iraq, they capture troops at their frazzled ends, cussing. A journalist described a Scud missile "whizzing" by is artfully juxtaposed with a shot of a string of photographers taking a "whiz".
The reporters themselves wrestle with grisly images and the effect it may have on their humanity. One journalist admits she felt, "I'm in over my head", but presses on. Later, she says of a tragic scene she has just witnessed, "If that doesn't affect you, you should find something else to do. That shit should always affect you." The U.S. later bombs the Baghdad hotel where these journalists are staying. After the gunfire stops, a Polish journalist files a radio report that says, "It doesn't look good", adding that a Marine has told him "too many people still have weapons." [12] [18] [19]
War Feels Like War was awarded Honourable Mention for Best International Documentary by the Hot Docs Canadian International Documentary Festival in Toronto, Ontario, Canada. [15] [20] [21]
In addition, it was shortlisted for the Silver Wolf Competition in the 2003 International Documentary Festival Amsterdam (IDFA) and was awarded the Jury Prize at the 2004 MovieEye Festival in Moscow.
Esteban Uyarra was also nominated in the Best Newcomer category in the 2004 Grierson British Documentary Awards.
The New York Times wrote:
We are placed in amazing close-up as American soldiers search for a sniper on the streets of Baghdad. The soldiers line up suspects on the ground, hands tied behind them, faces in the dust; one puts a boot on a suspect's neck. The film doesn't present easy or polemical answers: the Americans' danger is real and so is their harsh treatment of the Iraqis. And it takes nothing away from embedded reporters to appreciate the lack of constraint in these unattached journalists' stories. These films might leave viewers wondering what direction American war coverage will take, now that there are at least a few signs of change. CBS, after all, showed the first Abu Ghraib photos on 60 Minutes II . Anchors seem less reverential than they were in the first "shock and awe" days of the war; this week when Paul D. Wolfowitz, the deputy defense secretary, testified before Congress about the future of American troops in Iraq, Peter Jennings introduced the report by saying, "Many of the administration's plans are not very clear." [12]
Baltimore Sun television critic David Zurawik stated:
War Feels Like War, a documentary film making its television premiere tonight as part of PBS' 17-year-old P.O.V. series, helps fill [the reporting] void with insight, sensitivity and a keen eye for cinematic detail. The film is firmly grounded in people stories – the gritty specifics of the day-in-day-out lives of several people trying to cover the war outside the Pentagon bubble. But through these personal narratives viewers come to understand in a macro-sense how much was missed in coverage dominated by embedded reporting – or, put another way, how much the U.S. government was able to shape coverage of the war ... Be warned, the film is graphic and vulgar at points. But there is nothing more graphic or vulgar than the reality of death – especially the death of children caught in the path of war. That ancient and ugly truth is one of the primary stories that the government tried to keep the press from telling through its control of embedded correspondents. Thank goodness, not just for the unilaterals who told that story with their pictures and words, but also Uyarra for reminding us how much more difficult it is getting for the media to speak that truth. [17]
David Kronke of the Daily News of Los Angeles states:
This stunning, gritty yet graceful report decisively puts a lie to Paul Wolfowitz's recent assessment that the media covering the war are gutless. [19]
M. S. Mason of The Christian Science Monitor states:
This fascinating documentary follows a few members of the press corps into war zones. Some of them are cynical: human tragedy makes great TV, notes one journalist. A young woman from the Chicago Tribune, however, thinks about the photos she takes. When an older photographer tells her in a few years she'll be just like him, she demurs, smiling. She wants never to become so hardened that human suffering cannot move her. [22]
The 2003 invasion of Iraq had unprecedented US media coverage, especially cable news networks. US media was largely uncritical of the war, with many viewers falsely believing that Saddam Hussein and Iraq were involved with the 9/11 attacks. British media was more cautious in its coverage. The Qatari Al-Jazeera network was heavily critical of the war.
Frontline is an investigative documentary program distributed by the Public Broadcasting Service (PBS) in the United States. Episodes are produced at WGBH in Boston, Massachusetts. The series has covered a variety of domestic and international issues, including terrorism, elections, environmental disasters, and other sociopolitical issues. Since its debut in 1983, Frontline has aired in the U.S. for 42 seasons, and has won critical acclaim and awards in broadcast journalism. In 2024, Frontline won its first Oscar at the 96th Academy Awards for Best Documentary Feature, 20 Days in Mariupol, made by a team of AP Ukrainian journalists. Frontline has produced over 800 documentaries from both in-house and independent filmmakers, 200 of which are available online.
The Alfred I. duPont–Columbia University Award honors excellence in broadcast and digital journalism in the public service and is considered one of the most prestigious awards in journalism. The awards were established in 1942 and administered until 1967 by Washington and Lee University's O. W. Riegel, Curator and Head of the Department of Journalism and Communications. Since 1968 they have been administered by the Columbia University Graduate School of Journalism in New York City, and are considered by some to be the broadcast equivalent of the Pulitzer Prize, another program administered by Columbia University.
Anne Longworth Garrels was an American broadcast journalist who worked as a foreign correspondent for National Public Radio, as well as for ABC and NBC, and other media.
Control Room is a 2004 documentary film directed by Jehane Noujaim, about Al Jazeera and its relations with the US Central Command (CENTCOM), as well as the other news organizations that covered the 2003 invasion of Iraq.
Christopher Allbritton is a web blogger and journalist, best known for starting the Web log Back to Iraq during the 2003 Iraq War. After he raised $15,000 from his readers, he became the Web's "first fully reader-funded journalist-blogger."
Embedded journalism refers to war correspondents being attached to military units involved in armed conflicts. While the term could be applied to many historical interactions between journalists and military personnel, it first came to be used in the media coverage of the 2003 invasion of Iraq. The United States military responded to pressure from the country's news media who were disappointed by the level of access granted during the 1991 Gulf War and the 2001 U.S. invasion of Afghanistan.
Ghaith Abdul-Ahad is an Iraqi journalist who began working after the U.S. invasion. Abdul-Ahad has written for The Guardian and The Washington Post and published photographs in The New York Times, The Washington Post, Los Angeles Times, The Guardian, The Times (London), and other media outlets. Besides reporting from his native Iraq, he has also reported from Somalia, Sudan, Afghanistan, Libya and Syria.
Mazen Dana was a Palestinian journalist who worked as a Reuters cameraman. He spent a decade covering the Israeli–Palestinian conflict in Hebron in the West Bank, for which he was awarded the 2001 International Press Freedom Award of the Committee to Protect Journalists. He was shot and killed by US soldiers in Baghdad, Iraq on 17 August 2003.
Richard Engel is an American journalist and author who is the chief foreign correspondent for NBC News. He was assigned to that position on April 18, 2008, after serving as the network's Middle East correspondent and Beirut bureau chief. Before joining NBC in May 2003, Engel reported on the start of the 2003 war in Iraq for ABC News as a freelance journalist in Baghdad.
Greg Mitchell is an American author and journalist. He has written twelve non-fiction books on United States politics and history of the 20th and 21st centuries. He has also written and directed three film documentaries.
My Country, My Country is a 2006 documentary film about Iraq under U.S. occupation by the filmmaker Laura Poitras.
Timothy Grucza is a cameraman and documentary film maker. He is best known for his work in conflict zones such as Iraq and Afghanistan.
Maggie O'Kane is an Irish journalist and documentary film maker. She has been most associated with The Guardian newspaper where she was a foreign correspondent who filed graphic stories from Sarajevo while it was under siege between 1992 and 1996. She also contributed to the BBC from Bosnia. She has been editorial director of GuardianFilms, the paper's film unit, since 2004. Since 2017, she has been chair of the Board of the European Press Prize.
Laura Poitras is an American director and producer of documentary films.
Leila Fadel is a Lebanese American journalist and the cohost of National Public Radio's Morning Edition, a role she assumed in 2022. She was previously the network's Cairo bureau chief. Fadel has chiefly worked in the Middle East, and received a George Polk Award for her coverage of the Iraq War. She is also known for her coverage of the Arab Spring.
The War You Don't See is a 2010 British documentary film written, produced and directed by John Pilger with Alan Lowery, which challenges the media for the role they played in the Iraq, Afghanistan, and Israel/Palestine conflicts. The film, which went on nationwide general release on 13 December 2010, had its premiere at the Barbican and was aired through Britain's ITV1 on 14 December 2010 and later through Australia's SBS One on 10 April 2011.
Hannah Allam is an Egyptian American journalist and reporter who frequently covers the Middle East.
Jason DaSilva is an American and Canadian documentary film director, producer, writer, and a disability rights community member best known for the Emmy Award-winning documentary, When I Walk. The Emmy award-winning film follows his diagnosis of primary progressive multiple sclerosis for seven years as he progresses from cane, to walker, to wheelchair. He is also the founder of the non-profit organization AXS Lab and of AXS Map, a crowd sourced Google map based platform which rates the accessibility of businesses.
3/3. The Ground War. Following the allied troop deployment from the start of war, a year ago this week, to toppling Saddam. (Revised rpt) War Feels like War, on journalists in Iraq, is on BBC4 at 12.20am
Translation from German: Christina M. White
Copyright 2013 Esteban Manzanares Uyarra