Lee "Scratch" Perry was a Jamaican record producer, composer and singer noted for his innovative studio techniques and production style. Perry was a pioneer in the 1970s development of dub music with his early adoption of remixing and studio effects to create new instrumental or vocal versions of existing reggae tracks. He worked with and produced for a wide variety of artists, including Bob Marley and the Wailers, Junior Murvin, The Congos, Max Romeo, Adrian Sherwood, Beastie Boys, Ari Up, The Clash, The Orb, and many others.
Why Can't We Be Friends? is the seventh studio album by American band War, released on June 16, 1975 by United Artists Records. Two singles from the album were released: the title track backed with "In Mazatlan", and "Low Rider" backed with "So". Both A-sides were nominated for the Grammy Awards of 1976.
The Upsetters was the name given to the house band for Jamaican reggae producer Lee "Scratch" Perry. The name of the band comes from Perry's nickname of Upsetter, after his song "I Am the Upsetter", a musical dismissal of his former boss Coxsone Dodd.
Soul Rebels is the second studio album by the Wailers, their first album to be released outside Jamaica. The Wailers approached producer Lee "Scratch" Perry in August 1970 to record an entire album, and the sessions took place at Randy's recording studio above Randy's Record Mart at 17 North Parade in Kingston, Jamaica, until November. First issued in the UK by Trojan Records in December 1970, the album has since been re-released several times on several different labels. Perry's production is sparse and haunting, only featuring guitar, bass, drums, electronic organs, and vocals with no horns or other embellishments.
Revolution Dub is a studio album by Jamaican dub producer Lee Perry and his studio band The Upsetters, released in 1975 by Cactus. The album, which features nine pared down dubs, was the last in a line of releases that year in which Perry began exploring the possible studio techniques at his recently opened studio Black Ark in Kingston, Jamaica. In addition to making early use of a drum machine, the album is characterised by unpredictable drops in the beat, drastic stereo panning and samples of dialogue from television series, particularly British sitcoms, while Perry sings on the album in an eccentric falsetto and portrays different personas, including television characters from Kojak and Doctor on the Go.
Max Romeo is a Jamaican reggae and roots reggae recording musician who has achieved chart success in his home country and in the United Kingdom. He had several hits with the vocal group the Emotions. His song "Wet Dream" (1968) included overtly sexual lyrics and launched a new style of reggae.
Tapper Zukie is a roots reggae deejay and producer.
"Chase the Devil" is a reggae song, recorded in 1976 by Max Romeo, with the backing of Lee "Scratch" Perry's house band, The Upsetters.
"Police and Thieves" is a reggae song first recorded by the falsetto singer Junior Murvin in 1976. It was covered by the punk band The Clash and included on their self-titled debut album released in 1977.
Kenneth Byles, also known as "Junior Byles", "Chubby", or "King Chubby", is a Jamaican conscious roots reggae singer.
Open the Iron Gate: 1973–77 is a reggae compilation album by Max Romeo, released in 1999.
Train a Comin' is the fifth studio album by Steve Earle, released in 1995. In addition to Earle, it features Peter Rowan, Norman Blake, Roy Huskey, and Emmylou Harris. The album was nominated for a Grammy for Best Contemporary Folk Album.
Tony Wright, also known as Sue Ab Surd, is an artist who created album covers such as Bob Marley's Natty Dread and Traffic's The Low Spark of High Heeled Boys and others including Bob Dylan's Saved. His art work for The Low Spark of High Heeled Boys and Steve Winwood's Arc of a Diver were listed amongst Rolling Stone's 100 Greatest Album Covers. The cover for The Low Spark of High Heeled Boys is part of the permanent collection of the Museum of Modern Art.
Police and Thieves is an album by Junior Murvin and backing band the Upsetters, released in 1977. Along with the Heptones' Party Time and Max Romeo's War Ina Babylon, this album is considered part of a Black Ark Lee 'Scratch' Perry-produced "holy trinity".
"Mr. Brown" is a song by Jamaican group The Wailers. Recorded in 1970 at Randy's recording studio in Kingston, it was produced by Lee Perry and written by regular Upsetter musician Glen Adams. It originally was released as a single in Jamaica and has appeared on various compilations such as Songs of Freedom.
Reggae Greats: Lee "Scratch" Perry is a 1984 Island Records compilation album featuring the work of Lee "Scratch" Perry. It focuses mainly on his work as a producer/composer rather than a singer. Perry only sings on three of the songs. All of the tracks are from the period between 1976 and 1979, and were recorded at Perry's Black Ark studio. The album is generally considered a good introduction to Perry's Black Ark work, and is often chosen as the best single album by Perry, but with tracks drawn from Perry's popular late 1970s albums, it has also been described as "not essential" and containing "no surprises".
Wolf and Leopards is a 1977 reggae album by Dennis Brown.
Arkology is a compilation album by Lee "Scratch" Perry. Released in 1997, the album collects tracks produced by Perry and recorded at the Black Ark studio.
Revelation Time is an album by Max Romeo, released in 1975. It was re-released by United Artists Records in 1978 as Open the Iron Gate.
Reconstruction is an album by Max Romeo, released in 1977.
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