Peter Joseph Andrew Hammill is an English musician and recording artist. He was a founder member of the progressive rock band Van der Graaf Generator. Best known as a singer-songwriter, he also plays guitar and piano and produces his own recordings and occasionally those of other artists. In 2012, he was recognised with the Visionary award at the first Progressive Music Awards.
H to He, Who Am the Only One is the third album by the British progressive rock band Van der Graaf Generator. It was released in 1970 on Charisma Records.
No-Man are an English art pop duo, formed in 1987 as No Man Is an Island (Except the Isle of Man) by singer Tim Bowness and multi-instrumentalist Steven Wilson. The band has so far produced seven studio albums and a number of singles/outtakes collections (including 2006's career retrospective All the Blue Changes). The band was once lauded as "conceivably the most important English group since The Smiths" by Melody Maker music newspaper, and a 2017 article of Drowned in Sound described them as "probably the most underrated band of the last 25 years".
Tim Bowness is an English singer and songwriter primarily known for his work as part of the band No-Man, a long-term project formed in 1987 with Porcupine Tree's Steven Wilson.
Free is the second studio album by American progressive rock band OSI, released by InsideOut Music on April 21, 2006.
Exposure is the debut solo album by guitarist and composer Robert Fripp. Unique among Fripp solo projects for its focus on the pop song format, it grew out of his previous collaborations with David Bowie, Peter Gabriel, and Daryl Hall, and the latter two singers appear on the album. Released in 1979, it peaked at No. 79 on the Billboard Album Chart. Most of the lyrics were provided by the poet and lyricist Joanna Walton, who also coined the term "Frippertronics" to describe Fripp's tape looping techniques.
Fool's Mate is the debut solo album by Peter Hammill of progressive rock band Van der Graaf Generator. The title is both a chess and tarot reference. It was produced by Trident Studios' in-house producer John Anthony. The album was recorded in 1971, in the midst of one of Van der Graaf Generator's most prolific periods. Hammill used the album to record a backlog of songs which were much shorter and simpler than his Van der Graaf Generator material, and declared on the original album sleeve: "This isn't intended to be any kind of statement of my present musical position, but at the same time, it is an album which involves a great deal of me, the person, basically a return to the roots."
Van der Graaf Generator are an English progressive rock band, formed in 1967 in Manchester by singer-songwriters Peter Hammill and Chris Judge Smith and the first act signed by Charisma Records. They did not experience much commercial success in the UK, but became popular in Italy during the 1970s. In 2005 the band reformed, and are still musically active with a line-up of Hammill, organist Hugh Banton and drummer Guy Evans.
Flowermouth is the second studio album by British duo No-Man, released in 1994 on the One Little Indian Records label, and subsequently reissued on September, 1999 by 3rd. Stone Ltd, and in a deluxe format by Snapper Music in February 2005.
Stephen (James) Bennett is an English musician, writer and film maker born in Skelmersdale, Lancashire. He plays various keyboards, drums and the guitar. He first came to public attention in the band LaHost in the 1980s as part of the New wave of progressive rock who had headlined at the Marquee Club in London.
Nosound is an Italian alternative rock band started in 2002 by Giancarlo Erra. The group plays music in several different genres, including alternative rock, post rock, electronic, and ambient. All their early recordings were composed, performed, produced, engineered, and released by Erra, who subsequently formed Nosound in 2006.
Schoolyard Ghosts is the sixth studio album by British art rock band No-Man.
Clutch is the 29th studio album by Peter Hammill, released on his Fie! label in 2002. Clutch contains nine tracks played exclusively on acoustic guitar with accompaniments on saxophones and other instruments. The album was produced and played by Hammill himself, with contributions from Stuart Gordon on violin and David Jackson on flute and saxes. In the liner notes he states that even though the instrumentation is mostly acoustic, it is not a "folk" album. As usual a lot of the songs deal with dark subject matter and his vocals are quite intense in places. The liner notes say "the palette is restricted but the canvas is broad".
Samuel Smiles were an intermittently active English ambient-folk band. Their best-known lineup featured singer Tim Bowness of the band No-Man.
This is the discography of Peter Hammill, English singer-songwriter, and a founding member of progressive rock band Van der Graaf Generator. For albums released by Van der Graaf Generator, see Van der Graaf Generator discography.
Blood is the third studio album by American progressive rock band OSI, released by InsideOut Music on April 27, 2009, in Europe and May 19, 2009, in North America.
Mixtaped is the first DVD release by British art rock group No-Man, consisting of a double DVD, with a live performance filmed at the London's Bush Hall on 29 August 2008, and a retrospective documentary titled Returning directed by award-winning journalist Richard Smith, amongst other features. The DVD takes its name from a song in Schoolyard Ghosts.
Memories of Machines is a band formed by Tim Bowness and Giancarlo Erra (Nosound) in April 2006.
Stupid Things That Mean the World is Tim Bowness's third solo album, released on 17 July 2015 by Inside Out Music. Produced by Bowness and mixed by Bruce Soord, collaborators included Peter Hammill, Colin Edwin, Phil Manzanera and David Rhodes.
Post-progressive is a type of rock music distinguished from vintage progressive rock styles, specifically 1970s prog. Post-progressive draws upon newer developments in popular music and the avant-garde since the mid-1970s. It especially draws from ethnic music and minimalism, elements which were new to rock music. It is different from neo-prog in that the latter pastiches 1970s prog, while "post-progressive" identifies progressive rock music that stems from sources other than prog.
