We're in the Navy Now | |
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Directed by | A. Edward Sutherland |
Written by | Monty Brice (story) John McDermott George Marion, Jr. (titles) |
Produced by | Adolph Zukor Jesse Lasky |
Cinematography | Charles P. Boyle |
Distributed by | Paramount Pictures |
Release date |
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Running time | 66 minutes |
Country | United States |
Language | Silent (English intertitles) |
We're in the Navy Now is a 1926 American silent comedy film directed by A. Edward Sutherland and starring Wallace Beery and Raymond Hatton. [1] [2] An abridged version of the film survives. [3]
Beery and Hatton previously appeared as a comedy team in Sutherland's Behind the Front and are reunited here. The "Beery and Hatton" part-time comedy team made four films together, including Fireman, Save My Child and Now We're in the Air with Louise Brooks.[ citation needed ]
This article needs a plot summary.(December 2023) |
Wallace Fitzgerald Beery was an American film and stage actor. He is best known for his portrayal of Bill in Min and Bill (1930) opposite Marie Dressler, as General Director Preysing in Grand Hotel (1932), as the pirate Long John Silver in Treasure Island (1934), as Pancho Villa in Viva Villa! (1934), and his title role in The Champ (1931), for which he won the Academy Award for Best Actor. Beery appeared in some 250 films during a 36-year career. His contract with Metro-Goldwyn-Mayer stipulated in 1932 that he would be paid $1 more than any other contract player at the studio. This made Beery the highest-paid film actor in the world during the early 1930s. He was the brother of actor Noah Beery and uncle of actor Noah Beery Jr.
Noah Lindsey Beery was an American actor often specializing in warm, friendly character roles similar to many portrayed by his Oscar-winning uncle, Wallace Beery. Unlike his more famous uncle, however, Beery Jr. seldom broke away from playing supporting roles. Active as an actor in films or television for well over half a century, he was best known for playing James Garner's character's father, Joseph "Rocky" Rockford, in the NBC television series The Rockford Files (1974–1980). His father, Noah Beery, enjoyed a similarly lengthy film career as an extremely prominent supporting actor in major films, although the elder Beery was also frequently a leading man during the silent film era.
Raymond William Hatton was an American film actor who appeared in almost 500 motion pictures.
Now We're in the Air is a 1927 American silent comedy film directed by Frank R. Strayer, starring the late-1920s intermittent comedy team of Wallace Beery and Raymond Hatton. In a supporting role, Louise Brooks plays twins, one raised French and the other raised German.
The Thundering Herd is a 1933 American pre-Code Western film directed by Henry Hathaway and starring Randolph Scott, Judith Allen, Buster Crabbe, Noah Beery, Sr. and Harry Carey.
The Thundering Herd is a 1925 American silent Western film, now lost. It is directed by William K. Howard and starring Jack Holt, Lois Wilson, Noah Beery, Sr. and Raymond Hatton. Based on Zane Grey's 1925 novel of the same name and written by Lucien Hubbard, the film is about a trader who uncovers a scheme to blame the Indians for a buffalo-herd massacre. It was one of a series of critically and commercially successful Zane Grey westerns produced by Jesse Lasky and Adolph Zukor for Paramount Pictures.
Albert Edward Sutherland was a British film director and actor. Born in London, he was from a theatrical family. His father, Al Sutherland, was a theatre manager and producer and his mother, Julie Ring, was a vaudeville performer. He was a nephew of both Blanche Ring and Thomas Meighan, who was married to Frances Ring, another of his mother's sisters.
Fireman, Save My Child is a 1927 film featuring the part-time screen comedy team of Wallace Beery and Raymond Hatton. The film was written by Monte Brice and Thomas J. Geraghty, and directed by A. Edward Sutherland. A print of this film is known to exist.
Wild Honey is a 1922 American silent romantic adventure film directed by Wesley Ruggles. Produced and distributed by the Universal Film Manufacturing Company, the film is based on a book of the same title by Cynthia Stockley and stars Priscilla Dean, and features Noah Beery, Sr. and Wallace Beery in supporting roles. It is notable for the first use of a traveling matte special effect.
The Sea Wolf is a lost 1920 American drama film based upon the 1904 novel by Jack London, directed by George Melford, and starring Noah Beery as the brutal sea captain Wolf Larsen, sometimes referred to as "The Sea Wolf." The supporting cast includes Mabel Julienne Scott, Tom Forman, Raymond Hatton, and A. Edward Sutherland.
Prairie Chickens is a 1943 American Western film and a sequel to Dudes are Pretty People (1942) and Calaboose (1943), Western films from "Hal Roach's Streamliners", a series of approximately 50-minute comedic movies, in this case directed by Hal Roach, Jr. and starring Jimmy Rogers as "Jimmy" and Noah Beery, Jr. as "Pidge Crosby". The supporting cast features comedy veteran Raymond Hatton, who had been an unofficial comedy partner with Beery's uncle Wallace Beery in several pictures two decades earlier, and the featurette's running time is 48 minutes.
Behind the Front is a 1926 American silent war comedy film directed by A. Edward Sutherland and starring Wallace Beery and Raymond Hatton. It was produced by Famous Players–Lasky and distributed by Paramount Pictures. The film was based on the novel The Spoils of War by Hugh Wiley.
The Firefly of France is a lost 1918 American silent drama film directed by Donald Crisp and written by Margaret Turnbull based upon a novelette by Marion Polk Angelotti. The film stars Wallace Reid, Ann Little, Charles Ogle, Raymond Hatton, Winter Hall, and Ernest Joy. The film was released on July 7, 1918, by Paramount Pictures.
Less Than Kin is a lost 1918 American silent comedy film directed by Donald Crisp and written by Marion Fairfax and Alice Duer Miller. The film stars Wallace Reid, Ann Little, Raymond Hatton, Noah Beery, Sr., James Neill and Charles Ogle. The film was released on July 21, 1918, by Paramount Pictures.
The Love Burglar is a 1919 American silent drama film directed by James Cruze, written by Walter Woods based upon a play by Jack Lait, and starring Wallace Reid, Anna Q. Nilsson, Raymond Hatton, Wallace Beery, Wilton Taylor, and Edmund Burns. The film was released on July 13, 1919, by Paramount Pictures.
In the Name of Love is a 1925 American silent comedy film directed by Howard Higgin and written by Sada Cowan. It is based on the play The Lady of Lyons by Edward Bulwer-Lytton. It stars Ricardo Cortez, Greta Nissen, Wallace Beery, Raymond Hatton, Lillian Leighton, Edythe Chapman, and Richard Arlen. It was released on August 10, 1925 by Paramount Pictures.
Two Flaming Youths is a lost 1927 American silent comedy film directed by John Waters and written by John W. Conway, Donald Davis, Percy Heath, and Herman J. Mankiewicz. The film stars W. C. Fields, Chester Conklin, Mary Brian, Jack Luden, George Irving, and Cissy Fitzgerald. The film was released on December 17, 1927, by Paramount Pictures.
Wife Savers is a lost 1928 American comedy silent film directed by Ralph Ceder and written by Thomas J. Geraghty, Grover Jones, George Marion Jr. and Arthur Wimperis. The film stars Wallace Beery, Raymond Hatton, ZaSu Pitts, Sally Blane, Tom Kennedy and Ford Sterling. The film was released on January 7, 1928, by Paramount Pictures.
Partners in Crime is a 1928 American comedy silent film directed by Frank R. Strayer and written by George Marion Jr., Grover Jones and Gilbert Pratt. The film stars Wallace Beery, Raymond Hatton, Mary Brian, William Powell, Jack Luden, Arthur Housman and Albert Roccardi. The film was released on March 17, 1928, by Paramount Pictures. A print of the film exists in the Library of Congress film archive.
The Big Killing is a 1928 American comedy silent film directed by F. Richard Jones and written by Frank Butler. The film stars Wallace Beery, Raymond Hatton, Anders Randolf, Mary Brian, Gardner James, Lane Chandler and Paul McAllister. The film was released on July 1, 1928, by Paramount Pictures.