We'll Always Have Paris (Star Trek: The Next Generation)

Last updated

"We'll Always Have Paris"
Star Trek: The Next Generation episode
Episode no.Season 1
Episode 24
Directed byRobert Becker
Written by
Featured music Ron Jones
Cinematography byEdward R. Brown
Production code124
Original air dateMay 2, 1988 (1988-05-02)
Guest appearances
  • Michelle Phillips – Jenice Manheim
  • Rod Loomis – Paul Manheim
  • Isabel Lorca – Gabrielle
  • Dan Kern - Dean
  • Jean-Paul Vignon – Edourd
  • Kelly Ashmore – Francine [1]
  • Lance Spellerberg – Transporter Chief
Episode chronology
 Previous
"Skin of Evil"
Next 
"Conspiracy"
Star Trek: The Next Generation season 1
List of episodes

"We'll Always Have Paris" is the twenty-fourth episode of the first season of the American science fiction television series Star Trek: The Next Generation , first aired on May 2, 1988, in broadcast syndication. The story and script were both created by Deborah Dean Davis and Hannah Louise Shearer, and the episode was directed by Robert Becker.

Contents

Set in the 24th century, the series follows the adventures of the Starfleet crew of the Federation starship Enterprise-D. In this episode, the crew respond to a distress call from Dr. Paul Manheim (Rod Loomis). While the crew must deal with the results of Manheim's haywire experiments with time, Captain Picard (Patrick Stewart) must deal with his former love Jenice (Michelle Phillips), who is also Manheim's wife.

The story of the episode was influenced by the film Casablanca , and was affected by the timing of the 1988 Writers Guild of America strike. Because of the strike, the script was written in five days and it was only when it was filmed that it was discovered to be incomplete. Shearer was not happy with the result and felt that the on-screen chemistry of Stewart and Phillips was lacking.

Plot

The Enterprise, along with other ships in the sector, experience a localized time-distortion and soon after receive a distress-call from Dr. Paul Manheim in a nearby system. Captain Picard (Patrick Stewart) recalls that Manheim was ejected from the Federation Science Institute for conducting unauthorized experiments. They find the distress signal coming from a facility on a planetoid surrounded by a force-field. When they make contact with the facility, a woman requests help to save her husband, Dr. Manheim and lowers the shields.

The two are brought aboard and while Dr. Crusher (Gates McFadden) tends to Dr. Manheim, who is having convulsions, Picard discovers Manheim's wife is Jenice, Picard's former love. Jenice warns that her husband was working privately in his laboratory but that she didn't know what he was working on. She also alerts the crew to numerous security protocols that he has installed at the facilities. As the crew prepares to send an away-team to investigate the laboratory, they experience more time distortions, described by Data (Brent Spiner) as "Manheim effects". In one instance Picard, Riker and Data enter a turbolift only to see their past selves conversing outside of the lift. The crew find that they cannot complete a transporter beam to the facility due to the security measures in place there.

Dr. Manheim recovers long enough to explain that he was doing experiments involving time, gravity and funnels to other universes and suspects his last experiment is running out of control. Manheim explains that he is trapped between two dimensions and Data determines that the experiment must be shut down during a time fluctuation or else it will simply grow larger. Manheim provides the crew with the correct coordinates to beam down to avoid the security fields. Picard admits to Jenice that he worried about losing her again after he left her in Paris and vows to correct Dr. Manheim's experiment.

As he is affected less by the distortions, Data is sent down alone and disables the remaining security measures before entering Manheim's laboratory. He finds a column of energy emanating from a dimensional matrix, the source of the time distortions. Data, though briefly affected by the time distortions, is able to add anti-matter to the matrix, causing the matrix to stabilize and halt the time distortions. Dr. Manheim recovers and he and Jenice thank Picard and the crew for their help. Picard and Jenice use the holodeck to recreate one more encounter at a Paris café, before she returns with her husband to the planet.

Production

"We'll Always Have Paris" is named in reference to the Humphrey Bogart and Ingrid Bergman film Casablanca . [2] As well as the title of the episode and the love triangle in the story, the Blue Parrot Café from the film is directly mentioned by Captain Picard. Casablanca was also the basis for the earlier Star Trek: The Original Series novel The Entropy Effect, and would be so again in the Deep Space Nine episode "Profit and Loss". [3]

The story was originally pitched by Hannah Louise Shearer and Deborah Dean Davis, who were also given the job of developing the script. The writing of the episode suffered from the timing of the 1988 Writers Guild of America strike, with Shearer and Dean Davis completing the script in five days. [2] The premise of the story was a combination of their idea of a story "about a professor whose work wasn't appreciated and had to go off on his own" and that of Maurice Hurley who wanted a story with a time anomaly. [4] The final draft was dated 22 February and featured numerous differences from the filmed version, including Jenice being called Laura, a number of different interactions for the crew, and Riker, Worf and Data being involved in shutting down Manheim's equipment. The script was completed a week before the episode was filmed but the writers strike caused further problems when it was discovered during filming that the scene where Data was to fix the time distortions had not been completed. [2]

Robert Legato and Rick Berman spent forty minutes on the telephone with Shearer during the strike. While she refused to write the lines during the strike, Berman suggested dialogue and Shearer would give opinions with Legato taking down handwritten notes. Legato decided on the directing notes himself and used a whip pan shot instead of an effects shot to film the three Datas as director Robert Becker had never used effects shots. [2] Shearer was not happy with the final result, saying "we were writing the most romantic episode in the world" but that "it was toned down 75%". [4]

Shearer later complained of a lack of chemistry between Michelle Phillips and Patrick Stewart, which Phillips blamed on the conflicted nature of the character in that she was committed to her husband but also wanted to see Picard once more. Lance Spellerberg would later return in "The Icarus Factor" where his transporter chief gained the name Ensign Herbert. [2] The image of 24th-century Paris was a matte painting which was re-used in Star Trek VI: The Undiscovered Country , where it was hung outside the office of the Federation president. [2]

Reception

"We'll Always Have Paris" aired in broadcast syndication during the week commencing May 5, 1988. It received Nielsen ratings of 9.7, reflecting the percentage of all households watching the episode during its timeslot. This was the same ratings received as the previous episode, "Skin of Evil". [1] [5]

Several reviewers re-watched the episode after the end of the series. Michelle Erica Green reviewed the episode on behalf of TrekNation in September 2007, comparing certain elements of the episode to Casablanca and the series finale "All Good Things...". These included the ending where time distortions caused Data to be replicated three times in "We'll Always Have Paris" compared to the similar situation with three Picards in "All Good Things...". Overall she thought that the episode was better than she recalled previously. [6] Jamahl Epsicokhan at his website "Jammer's Reviews" described the episode as too simple, especially the ending which he said was "they give Data a canister, which he sticks into a hall of mirrors; problem solved". [7]

Zack Handlen, reviewing the episode for The A.V. Club in May 2010, said that he enjoyed the "time blips" in the episode, but that he was not a fan of the romance between Jenice and Picard. He also felt that there was not much follow-up on Manheim's experiments and that he seemed to be left to cause a more serious accident in the future. [8] Keith DeCandido watched the episode for Tor.com in July 2011. He thought that Michele Phillips was "incredibly radiant", and said, "there’s nothing I can point to at this episode and say is wrong, but it’s one of the more forgettable episodes", giving it a score of four out of ten. [3]

Home media release

The first home media release of "We'll Always Have Paris" was on VHS cassette was on July 1, 1992 in the United States and Canada. [9] The episode was later included on the Star Trek: The Next Generation season one DVD box set, released in March 2002, [10] and was released as part of the season one Blu-ray set on July 24, 2012. [11]

Notes

  1. 1 2 Nemecek (2003): p. 56
  2. 1 2 3 4 5 6 Nemecek (2003): p. 57
  3. 1 2 DeCandido, Keith (July 28, 2011). "Star Trek: The Next Generation Rewatch: "We'll Always Have Paris"". Tor.com. Retrieved January 27, 2022.
  4. 1 2 Gross; Altman (1993): p. 168
  5. "Star Trek: The Next Generation Nielsen Ratings – Seasons 1–2". TrekNation . UGO Networks. Archived from the original on October 5, 2000. Retrieved June 12, 2016.
  6. Green, Michelle Erica (September 14, 2007). "We'll Always Have Paris". TrekNation. Retrieved January 30, 2013.
  7. Epsocokhan, Jamahl. "Star Trek: The Next Generation "We'll Always Have Paris"". Jammer's Reviews. Retrieved January 30, 2013.
  8. Handlen, Zac (May 28, 2010). ""We'll Always Have Paris"/"Conspiracy"/"The Neutral Zone"". The A.V. Club . Retrieved January 27, 2022.
  9. "Star Trek – The Next Generation, Episode 24: We'll Always Have Paris [VHS]". Tower Video. Archived from the original on February 16, 2013. Retrieved January 30, 2013.
  10. Periguard, Mark A (March 24, 2002). "'Life as a House' rests on shaky foundation". The Boston Herald. Archived from the original on June 10, 2014. Retrieved October 13, 2012.
  11. Shaffer, RL (April 30, 2012). "Star Trek: The Next Generation Beams to Blu-ray". IGN. Retrieved January 27, 2022.

Related Research Articles

Guinan is a recurring character in the Star Trek franchise, portrayed by American actress Whoopi Goldberg. The character first appeared in the television series Star Trek: The Next Generation and went on to appear in Star Trek: Picard and the films Star Trek Generations and Star Trek: Nemesis. She was also played as a child by Isis Carmen Jones in the episode "Rascals" and a younger version of the character by Ito Aghayere in Picard.

<span class="mw-page-title-main">Ro Laren</span> Fictional character

Ro Laren is a fictional character appearing on a recurring basis in the fifth, sixth and seventh seasons of the American science-fiction television series Star Trek: The Next Generation. The character returned for the third season of Star Trek: Picard. Portrayed by Michelle Forbes, she is a member of the Bajoran species who joins the crew of the USS Enterprise-D over the fervent objection of Captain Jean-Luc Picard, who cited her previous court-martial. Ro, too, was against joining the Enterprise crew but said, "It is better than prison." The character was intended both to be at odds with the series regulars and to replace Wesley Crusher in the conn officer post on the bridge. Forbes was cast to portray Ro after previously appearing in the series as Dara in the episode "Half a Life".

<span class="mw-page-title-main">Katherine Pulaski</span> Fictional character, chief medical officer in Star Trek: The Next Generation

Dr. Katherine Pulaski is a fictional medical doctor in the American science fiction television series Star Trek: The Next Generation. She served a rotation as the chief medical officer aboard the Federation starship USS Enterprise-D. During her time on the ship, her medical skills saved the lives of both Captain Jean-Luc Picard and Commander William Riker. She inadvertently caused Geordi LaForge to create a hologram of Professor Moriarty that became self-aware, after a bet involving the abilities of Lt. Commander Data. Pulaski seemed averse to most new technology and preferred to avoid the transporter, but was forced to rely on it to save her own life from a genetically-modified infection. Before arriving on the Enterprise-D, she previously served on the USS Repulse. For a time in her past, she was romantically involved with William Riker's father, Kyle Riker, with whom she has maintained a friendship.

<i>Star Trek: Insurrection</i> 1998 American science fiction film directed by Jonathan Frakes

Star Trek: Insurrection is a 1998 American science fiction film directed by Jonathan Frakes. It is the ninth film in the Star Trek film series, as well as the third to star the cast of Star Trek: The Next Generation, with F. Murray Abraham, Donna Murphy, and Anthony Zerbe appearing in main roles. In the film, the crew of the USS Enterprise-E rebels against Starfleet after they discover a conspiracy with a species known as the Son'a to steal the peaceful Ba'ku's planet for its rejuvenating properties.

"Encounter at Farpoint" is the pilot episode and series premiere of the American science fiction television series Star Trek: The Next Generation, which premiered in syndication on September 28, 1987. It was written by D. C. Fontana and Gene Roddenberry and directed by Corey Allen. Roddenberry was the creator of Star Trek, and Fontana was a writer on the original series. It was originally aired as a two-hour TV movie, and subsequent reruns typically split the episode into two parts.

"When the Bough Breaks" is the seventeenth episode of the American science fiction television series Star Trek: The Next Generation. The episode first aired in broadcast syndication on February 15, 1988. It is the first episode written for the series by Hannah Louise Shearer and the only episode of the series with Kim Manners as director.

"Cause and Effect" is the 18th episode of the fifth season of the American science fiction television series Star Trek: The Next Generation, the 118th overall. It was originally released on March 23, 1992, in broadcast syndication. It was written by Brannon Braga, who sought to write an unusual type of time travel related plot, and directed by cast member Jonathan Frakes.

Conspiracy (<i>Star Trek: The Next Generation</i>) 25th episode of the 1st season of Star Trek: The Next Generation

"Conspiracy" is the twenty-fifth and penultimate episode of the first season of the syndicated American science fiction television series Star Trek: The Next Generation, originally aired on May 9, 1988, in the United States. The premise was conceived by the show's creator Gene Roddenberry in a single sentence overview titled "The Assassins", being expanded into a thirty-page story by Robert Sabaroff. From this, the teleplay was produced by Tracy Tormé and the episode directed by Cliff Bole.

The Neutral Zone (<i>Star Trek: The Next Generation</i>) 26th episode of the 1st season of Star Trek: The Next Generation

"The Neutral Zone" is the season finale of the first season of the American science fiction television series Star Trek: The Next Generation, originally aired within the United States on May 16, 1988, in broadcast syndication. The episode originated as a story submission purchased by Paramount written by Deborah McIntyre and Mona Clee, and was turned into a teleplay by Maurice Hurley. Because of the 1988 Writers Guild of America strike, Hurley created the script in a day and a half, and the timescale forced the abandonment of both the idea of a two-part episode and of the first appearance of the Borg, which was delayed until the following season episode "Q Who".

USS <i>Enterprise</i> (NCC-1701-D) Fictional starship from Star Trek

USS Enterprise (NCC-1701-D), or Enterprise-D, is a starship in the Star Trek media franchise. Under the command of Captain Jean-Luc Picard, it is the main setting of Star Trek: The Next Generation (1987–1994) and the film Star Trek Generations (1994). It has also been depicted in various spinoffs, films, books, and licensed products.

"Time Squared" is the thirteenth episode of the second season of the American science fiction television series Star Trek: The Next Generation, the 39th episode overall. It originally aired on April 3, 1989, in broadcast syndication. The episode was written by Maurice Hurley from a story by Kurt Michael Bensmiller and directed by Joseph L. Scanlan.

"Where No One Has Gone Before" is the sixth episode of the American science-fiction television series Star Trek: The Next Generation, which originally aired October 26, 1987, in broadcast syndication in the United States. A high-definition, remastered version of the episode received a limited theatrical release for one day to celebrate the 25th anniversary of the series on July 23, 2012. The story was originally developed with the title "Where None Have Gone Before" and was based on Diane Duane's book, The Wounded Sky. Duane and Michael Reaves pitched the idea to David Gerrold and Gene Roddenberry, and then submitted a script. Their script was subsequently rewritten by Maurice Hurley, whose first effort was poorly received; however, he subsequently rewrote it and that version was filmed. The episode was the first of the series directed by Rob Bowman, who went on to direct 12 more episodes. It was the only Star Trek: The Next Generation assignment for writers Duane and Reaves.

"The Big Goodbye" is the twelfth episode of the American science fiction television series Star Trek: The Next Generation. The episode first aired in broadcast syndication on January 11, 1988. This was the second writing credit of the series for Tracy Tormé following the episode "Haven". Rob Bowman planned to direct the episode, but he was switched to "Datalore" due to delays in its production. With Bowman working on another episode, Joseph L. Scanlan became the director.

"Skin of Evil" is the 23rd episode of the first season of the American science fiction television series Star Trek: The Next Generation; it first aired on April 25, 1988, in broadcast syndication. The story premise was written by Joseph Stefano, whose teleplay was re-written by Hannah Louise Shearer. The episode was directed by Joseph L. Scanlan.

Rascals (<i>Star Trek: The Next Generation</i>) 7th episode of the 6th season of Star Trek: The Next Generation

"Rascals" is the seventh episode of the sixth season of the American science fiction television series Star Trek: The Next Generation, the 133rd overall. It was originally released on October 30, 1992, in broadcast syndication. "Rascals" was credited to Alison Hock from a story by Ward Botsford, Diana Dru Botsford, Michael Piller, although the script was revised by several writers with Ronald D. Moore conducting the final draft. It marked the directorial debut of Adam Nimoy.

"In Theory" is the 25th episode of the fourth season of the American science fiction television series Star Trek: The Next Generation, originally aired on June 3, 1991, in broadcast syndication. The episode was written by Joe Menosky and Ronald D. Moore and was the directorial debut of cast member Patrick Stewart.

"Lessons" is the 19th episode of the sixth season of the American science fiction television series Star Trek: The Next Generation and was originally aired in the United States on April 5, 1993, in broadcast syndication.

"Tin Man" is the 20th episode of the third season of the American science fiction television series Star Trek: The Next Generation, and the 68th episode overall. It was originally released on April 23, 1990, in broadcast syndication. It was written by Dennis Putman Bailey and David Bischoff with uncredited work by Lisa Putman White. It was based on Bailey and Bischoff's 1976 short story, and subsequent 1979 novel, Tin Woodman. Both the short story/novel and the episode are named for the Tin Woodman from L. Frank Baum's Oz books.

"Birthright" is a story spanning the 16th and 17th episodes of the sixth season of the American science fiction television series Star Trek: The Next Generation, the 142nd and 143rd episodes overall.

Hannah Louise Shearer, also known as Hannah Shearer or Hannah L. Shearer, is a writer who was credited with writing five episodes whilst on the staff of Star Trek: The Next Generation and an episode of Star Trek: Deep Space Nine. She was also a writer and producer for Emergency! and Knight Rider.

References