Home Soil

Last updated

"Home Soil"
Star Trek: The Next Generation episode
Episode no.Season 1
Episode 18
Directed by Corey Allen
Story byRobert Sabaroff
Karl Geurs
Ralph Sanchez
Teleplay byRobert Sabaroff
Featured music Dennis McCarthy
Cinematography byEdward R. Brown
Production code117
Original air dateFebruary 22, 1988 (1988-02-22)
Guest appearances
Episode chronology
 Previous
"When the Bough Breaks"
Next 
"Coming of Age"
Star Trek: The Next Generation season 1
List of episodes

"Home Soil" is the eighteenth episode of the American science fiction television series Star Trek: The Next Generation . It first aired in broadcast syndication on February 22, 1988. Robert Sabaroff, Karl Geurs and Ralph Sanchez developed the story, with Sabaroff producing the teleplay. "Home Soil" is one of five episodes of the series directed by Corey Allen.

Contents

Set in the 24th century, the series follows the adventures of the Starfleet crew of the Federation starship Enterprise-D. In the episode, the crew of the Enterprise investigates the murder of a crewman on a terraforming colony and discover a crystalline life form possessing intelligence.

The production team encountered problems with the sets, casting, and scheduling. Due to issues with the script, it was delivered to Allen just one day before shooting. Nine million viewers watched the episode, the second lowest number of viewers for the first season of The Next Generation. Critical reception was mixed, with one reviewer noting that unlike the original Star Trek series, "Home Soil" explored the realm of hard science fiction. Critics compared the appearance of inorganic life forms in the story to the plot of the original Star Trek series episode, "The Devil in the Dark".

Plot

Diverted from exploring the Pleiades, the Enterprise arrives at the terraforming colony on Velara III, as the project is behind schedule. The director, Kurt Mandl (Walter Gotell), insists they are on time but Captain Jean-Luc Picard (Patrick Stewart) orders an away team to the surface after Counselor Deanna Troi (Marina Sirtis) senses that Mandl is hiding something. After they arrive, one of Mandl's team is killed by a malfunctioning laser drill. During Lt. Commander Data's (Brent Spiner) inspection of the tool, it begins to fire at him, but his quick android reflexes allow him to dodge the shot and render the drill harmless. He discovers that the laser had been reprogrammed to fire upon the staff. Nearby, a crystal is discovered giving off irregular light and radiation patterns. The crystal is brought aboard the Enterprise to study and Picard orders a halt to the terraforming.

Dr. Beverly Crusher (Gates McFadden) and Data discover the crystal may be alive. When the crystal attempts to interact with the Enterprise's computers, it is placed into a containment force field. The crystal begins to grow and gains access to the computer's translation program and attempts to communicate with the crew, treating the humans as an enemy, derisively calling them "ugly bags of mostly water". Picard discovers that Mandl and his team previously encountered the crystals; at the time, they had considered the possibility that the crystals were alive, but Mandl insisted on continuing to terraform. The terraformers used a drilling process responsible for removing the saline water layer from the water table of Velara III. This saline layer acted as a conductor, allowing many separate crystals to function as one life form. In a defensive response to the drilling, the crystal life form rewrote the laser's software and attacked the terraformers.

Data hypothesizes that a single crystal is not intelligent, but when linked to other crystals, their intelligence is formidable. As the crystalline life form accesses higher-level functions of the Enterprise's computer, Picard and the crew try to transport it to the surface but the crystal blocks all attempts to transport it off the ship. Data and Lt. Geordi La Forge (LeVar Burton) discover the presence of cadmium in the crystal and suspect it has photoelectric properties. They disable the lights in the medical lab and the crystal immediately begs for life. Picard peacefully negotiates to return the crystal life form to the surface of the planet where Starfleet will institute a quarantine, leaving the life form to live in peace.

Production

Re-writes on "Home Soil" continued throughout shooting, with Corey Allen receiving pages on the day before filming, something that Allen described as a "struggle". [1] Of the story in general, The Next Generation writer and producer Maurice Hurley said it was "An interesting idea, but the execution fell apart." [1] He felt that in addition to the script, there were issues with casting, sets and the time in which to shoot. [1] The story bears similarities to the Space: 1999 episode "All That Glisters", which also featured intelligent water-ingesting rocks that communicated with humanoids. [2]

Andrew Probert created a matte painting of the outside of the terraforming station which never made it into the show. [3] The guest stars in "Home Soil" included Walter Gotell, who was better known for appearing in the James Bond film franchise as General Gogol. [1] The crystalline life form's description for humanoids in the episode spawned the phrase, "ugly bags of mostly water", [3] which has been used as the title of a documentary about Star Trek fans, and as the name of a song by the band Streetnix, as well as being referenced by Dream Warriors in the lyrics of My Definition of a Boombastic Jazz Theme. [4]

Reception

I think "Home Soil" works, and works well, and it's a terrific example of a kind of story that the TOS never really delved into: hard sci-fi. It's called "hard" because it takes existing knowledge and projects only slightly outwards from it, instead of just throwing in a few words like "space" and "lasers" to make it all seem technological. Kirk's Enterprise ran into all sorts of aliens and oddities, but while it did make overtures to more grounded writing, you never got the impression any of the writers on the show did serious research before putting plots together.

Zack Handlen, The A.V. Club, May 14, 2010 [5]

The episode first aired on February 22, 1988. It received Nielsen ratings of 9 million on the first broadcast, which was a decrease of over a million from the previous episode "When the Bough Breaks", which received ratings of 10.2 during the previous week. The next new episode was broadcast three weeks later, when "Coming of Age" gained ratings of 10.1 million. "Home Soil" was the second lowest viewed episode of the first season, with "The Last Outpost" viewed by 100,000 fewer viewers. [6]

Several reviewers re-watched the episode after the end of the series. Keith DeCandido reviewed the episode for Tor.com, saying that "while this episode has its flaws, it's a wonderful example of science fiction, one that doesn't skimp on suspense, action, and Trek's trademark compassion." [7] He didn't like the film direction by Allen, saying that the director had a "bizarre insistence on unnatural, stage-y blocking and positioning and obsession with extreme closeups". [7] DeCandido also thought that the plot suffered "amnesia regarding the Horta" from The Original Series episode "The Devil in the Dark". [7] [8] He gave "Home Soil" an overall score of seven out of ten. [7] Michelle Erica Green, in her review for TrekNation, thought that the episode was "less interesting" than the "Horta attacks and mind-melds" of "The Devil in the Dark". She also felt "Home Soil" was too similar "in the science fiction and in the storytelling" to the previous episode, "When the Bough Breaks". [8]

Zack Handlen, who watched the episode for The A.V. Club , thought that the "hard sci-fi" worked well as it was an area that The Original Series never went near. [5] He thought that the story was different enough from "The Devil in the Dark"—although the Horta was silicon based, it was at least easily recognisable as an alien creature. "This makes it less exciting as a creature, but more intriguing as an idea," Handlen argues. [5] While he felt that the episode was a "winner", he conceded that it was "a bit on the dry side". [5] James Hunt, writing for the website Den of Geek, noted that the Enterprise fought a space-bound crystalline entity several episodes earlier in "Datalore", which he considered "a lot more impressive than these crystal microbrains...Okay, it wouldn't talk to them, but nor did it die the moment someone switched the frickin' lights off." [9] He felt that "Home Soil" was a generic Star Trek episode and thought that it was similar to The Original Series in tone. [9]

Home media release

"Home Soil" was first released on VHS cassette in the United States and Canada on August 26, 1992. [10] The episode was later included on the Star Trek: The Next Generation season one DVD box set, released in March 2002. [11] The season one Blu-ray set was released on July 24, 2012. [12]

Notes

  1. 1 2 3 4 Gross; Altman (1993): p. 164
  2. Muir (1997): p. 173
  3. 1 2 Nemecek (2003): p. 49
  4. "My Definition of a Boombastic Jazz Style". MetroLyrics. Archived from the original on March 4, 2016.{{cite web}}: CS1 maint: unfit URL (link)
  5. 1 2 3 4 Handlen, Zack (May 14, 2010). ""Home Soil"/"Coming Of Age"/"Heart Of Glory"". The A.V. Club . Retrieved January 27, 2022.
  6. "Star Trek: The Next Generation Nielsen Ratings – Seasons 1–2". TrekNation. Archived from the original on October 5, 2000. Retrieved July 3, 2013.
  7. 1 2 3 4 DeCandido, Keith (July 7, 2011). "Star Trek: The Next Generation Rewatch: "Home Soil"". Tor.com. Retrieved January 27, 2022.
  8. 1 2 Green, Michelle Erica (July 27, 2007). "Home Soil". TrekNation . Retrieved July 3, 2013.
  9. 1 2 Hunt, James (February 1, 2013). "Revisiting Star Trek TNG: Home Soil". Den of Geek. Retrieved January 27, 2022.
  10. "Star Trek – The Next Generation, Episode 17: Home Soil (VHS)". Tower Video. Archived from the original on July 3, 2013. Retrieved July 2, 2013.
  11. Periguard, Mark A (March 24, 2002). "'Life as a House' rests on shaky foundation". The Boston Herald. Archived from the original on June 10, 2014. Retrieved April 9, 2013.(subscription required)
  12. Shaffer, RL (April 30, 2012). "Star Trek: The Next Generation Beams to Blu-ray". IGN. Retrieved January 27, 2022.

Related Research Articles

"When the Bough Breaks" is the seventeenth episode of the American science fiction television series Star Trek: The Next Generation. The episode first aired in broadcast syndication on February 15, 1988. It is the first episode written for the series by Hannah Louise Shearer and the only episode of the series with Kim Manners as director.

The Best of Both Worlds (<i>Star Trek: The Next Generation</i>) 26th episode of 3rd season and the 1st episode of the 4th season

"The Best of Both Worlds" is the 26th episode of the third season and the first episode of the fourth season of the American science fiction television series Star Trek: The Next Generation. It comprises the 74th and 75th episodes of the series overall. The first part was originally aired on June 18, 1990, and the second on September 24, 1990 in broadcast syndication television.

"Coming of Age" is the nineteenth episode of the American science fiction television series Star Trek: The Next Generation. It first aired in broadcast syndication on March 14, 1988. Sandy Fries originally wrote the episode, but Hannah Louise Shearer performed an uncredited re-write. It is the only episode of the series directed by Mike Vejar, who went on to direct episodes of Deep Space Nine, Voyager and Enterprise.

Conspiracy (<i>Star Trek: The Next Generation</i>) 25th episode of the 1st season of Star Trek: The Next Generation

"Conspiracy" is the twenty-fifth and penultimate episode of the first season of the syndicated American science fiction television series Star Trek: The Next Generation, originally aired on May 9, 1988, in the United States. The premise was conceived by the show's creator Gene Roddenberry in a single sentence overview titled "The Assassins", being expanded into a thirty-page story by Robert Sabaroff. From this, the teleplay was produced by Tracy Tormé and the episode directed by Cliff Bole.

"The Enemy" is the seventh episode of the third season of the syndicated American science fiction television series Star Trek: The Next Generation, the 55th episode overall, first broadcast on November 6, 1989.

"Homeward" is the 165th episode of the American science fiction television series Star Trek: The Next Generation. It is the 13th episode of the show's seventh season.

"Datalore" is the thirteenth episode of the first season of the American science fiction television series Star Trek: The Next Generation, originally aired on January 18, 1988, in broadcast syndication. The story was created by Robert Lewin and Maurice Hurley, and turned into a script by Lewin and the creator of the show, Gene Roddenberry. It was Roddenberry's final script credit on a Star Trek series. The director was originally to be Joseph L. Scanlan, but following delays in pre-production caused by script re-writes, it was reassigned to Rob Bowman.

<span class="mw-page-title-main">The Devil in the Dark</span> 25th episode of the 1st season of Star Trek: The Original Series

"The Devil in the Dark" is the twenty-fifth episode of the first season of the American science fiction television series Star Trek. Written by Gene L. Coon and directed by Joseph Pevney, the episode first aired on March 9, 1967.

"Hide and Q" is the tenth episode of the first season of the American science fiction television series Star Trek: The Next Generation, and originally aired on November 23, 1987, in broadcast syndication. The story was originally written by Maurice Hurley but went under numerous re-writes by the show's creator Gene Roddenberry. The episode was directed by Cliff Bole, and saw the return of John de Lancie as Q.

"Q-Less" is the seventh episode of the first season of the American science fiction television series Star Trek: Deep Space Nine (DS9), and aired February 8, 1993.

"The Survivors" is the third episode of the third season of the American science fiction television series Star Trek: The Next Generation, the 51st episode overall, first broadcast on October 9, 1989.

"The High Ground" is the 12th episode of the third season of the American science fiction television series Star Trek: The Next Generation, the 60th episode of the series. Set in the 24th century, the series follows the adventures of the Starfleet crew of the Federation starship Enterprise-D. In this episode, a crew member of the Federation Starfleet starship USS Enterprise-D is taken hostage by terrorists who hope Federation involvement will help them win concessions for their cause. Due to a line about Irish reunification, the episode was initially not broadcast in the United Kingdom and the Republic of Ireland.

"The Hunted" is the 11th episode of the third season of the syndicated American science fiction television series Star Trek: The Next Generation, and the 59th episode of the series overall.

"The Defector" is the tenth episode of the third season of the American science fiction television series Star Trek: The Next Generation, and the 58th episode of the series overall.

"The Vengeance Factor" is the ninth episode of the third season of the American science fiction television series Star Trek: The Next Generation, and the 57th episode of the series overall. Captain Picard contends with a divided people, the Acamarians. In this episode, the crew of the Enterprise tries to negotiate an end to raids launched by a group called the "Gatherers," but a murder threatens to prevent peace. Several guest stars are featured as Acamarians.

"The Price" is the eighth episode of the third season of the American science fiction television series Star Trek: The Next Generation, and the 56th episode of the series overall.

"Booby Trap" is the sixth episode of the third season of the American science fiction television series Star Trek: The Next Generation, the 54th episode overall, first broadcast on October 30, 1989. It is the first episode of any Star Trek series to be directed by a woman.

"Captain's Holiday" is the 19th episode of the third season of the syndicated American science fiction television series Star Trek: The Next Generation, and the 67th episode of the series overall.

"Devil's Due" is the 13th episode of the fourth season of the American science fiction television series Star Trek: The Next Generation, originally aired on February 4, 1991, in broadcast syndication in the United States. Based on an episode written by William Douglas Lansford for the planned Star Trek: Phase II (1978) television series, it was adapted for The Next Generation by Philip Lazebnik and directed by Tom Benko.

"Galaxy's Child " is the 90th episode of the American science fiction television series Star Trek: The Next Generation, the 16th episode of the fourth season. It was originally released on March 11, 1991, in broadcast syndication.

References