The Miracles were an American vocal group that was the first successful recording act for Berry Gordy's Motown Records, and one of the most important and most influential groups in pop, rock and roll, soul and R&B music history.
"Ooo Baby Baby" is a song written by Smokey Robinson and Pete Moore. It is a classic 1965 hit single by The Miracles for the Tamla (Motown) label. The song has inspired numerous other cover versions by other artists over the years, including covers by Ella Fitzgerald, Todd Rundgren, The Escorts, The Five Stairsteps, Linda Ronstadt, and many others. The Miracles' original version of "Ooo Baby Baby" is listed as number 266 on Rolling Stone Magazine's list of "The 500 Greatest Songs of All Time".
Greatest Hits, Vol. 2 is the second greatest hits album for The Miracles, released in 1968 on Motown Records' Tamla label. It contained the most popular singles from the successful Going to a Go-Go, Away We A Go-Go and Make It Happen albums of the 1965–1967 period. It also featured the 1964 non-album single "Come On Do The Jerk", and two B-sides, "Choosey Beggar" and "Save Me". The hit single "I Second That Emotion" was new to album. This album reached the Top 10 on the Billboard 200 albums chart, peaking at #7, and peaked at #2 on Billboard's R&B album chart. Ten of the albums' 12 songs were written by Miracles members Smokey Robinson, Pete Moore, Marv Tarplin, Bobby Rogers, and Ronnie White.
Greatest Hits from the Beginning is a compilation double LP by The Miracles released in 1965. This was the first double album ever released by the Motown Record Corporation. It covers most of the group's hits from their pre-1965 albums, such as "Shop Around", "Who's Lovin’ You", "You've Really Got A Hold On Me" and "Mickey's Monkey", as well as the non-album singles from 1964: "I Like It Like That" and "That's What Love Is Made Of". The album was a success, reaching #21 on the Billboard Pop Album Chart. It was also the first Miracles album to chart on the Billboard R&B Album chart, where it was an even bigger success, peaking at #2.
"Doggone Right" is a 1969 single recorded by The Miracles for the Tamla label. Written by Miracles members Smokey Robinson and Marv Tarplin along with Motown staff songwriter Al Cleveland and produced by Robinson, the single peaked at number 32 on the Billboard Hot 100 in the United States. It was also a Top 10 R&B hit, peaking at #7. "Doggone Right" was the A-side to the double-sided Miracles' hit single, Tamla T54183. "Here I Go Again", contrary to popular belief, was the "B" side, although both sides charted within the top 40 of the Hot 100.
"Baby, Baby Don't Cry", released in December 1968, is a single recorded by The Miracles for Motown Records' Tamla label. The composition was written by Miracles lead singer Smokey Robinson, Motown staff writers Al Cleveland and Terry Johnson, a former member of The Flamingos. Robinson, Johnson, and Miracles member Warren "Pete" Moore were the song's producers.
"What's So Good About Goodbye" was a 1961 hit single recorded by R&B group The Miracles for Motown Records' Tamla label, later included on their 1962 album I'll Try Something New. The single was the Miracles’ second Top 40 Pop hit, peaking at number 35 on the Billboard Hot 100 in the United States during the winter of 1962, and a Top 20 R&B hit as well, peaking at number 16 on Billboard's R&B singles chart.
1957-1972 is a 1972 double album by The Miracles on Motown Records' Tamla label. This two-record set is noted as the group's final series of live concerts with original lead singer Smokey Robinson, recorded over a period of three days, July 14–16, during the 1972 National Parks Centennial, at the Carter Barron Amphitheater in Washington, D.C., and charted at #75 on the Billboard Top 200 Album chart, and at #14 on its R&B Album chart. During the show, Smokey's wife, original Miracles member Claudette Rogers Robinson, who stopped touring with the group in 1964, reunited with the Miracles on stage for the first time in eight years. As a celebration of the group's fifteen years together, The Miracles made this an "all request" show, where audience members could choose which of the group's long string of hits they wanted performed. Also, at the end of the concert, Miracles fans were introduced to the group's new lead singer, Billy Griffin. According to Smokey's autobiography, Smokey: Inside My Life, The Miracles' final concert was videotaped in movie form, but was never publicly released. However, 1957-1972 was released on CD originally in 1990, and re-released again in 2004 along with The Miracles' 1969 "Live" album in the 2004 Motown/Hip-O Select release Smokey Robinson and The Miracles: The Live Collection.
"I Don't Blame You At All" was a 1971 R&B song by The Miracles on Motown Records' Tamla label. It was composed by Miracles lead singer, William "Smokey" Robinson, produced by Robinson and Terry "Buzzy" Johnson, and was taken from their album, One Dozen Roses. This song was actually the follow-up hit to their #1 smash, "The Tears of a Clown", and reached the Top 20 of the Billboard Hot 100, charting at #18, and the Top 10 of the Billboard R&B chart, peaking at #7. It was also a Top 20 hit in the UK, reaching #11 on the British charts that year. It is also noted as the group's last Top 20 pop hit before Smokey Robinson's departure from The Miracles the following year, and was performed by the group on Dick Clark's American Bandstand on an episode dated July 10, 1971.
"I Like It Like That" was a 1964 hit song by Motown group The Miracles on its Tamla label subsidiary. This is not the Chris Kenner hit song of the same name but, rather, a Miracles original, written by Miracles members Smokey Robinson and Marv Tarplin, and is included on the group's first greatest hits album, Greatest Hits from the Beginning. It was also the title song from their long-since deleted 1964 album of the same name.
Flying High Together is an album by Smokey Robinson and the Miracles on Motown Records' Tamla label, released in 1972. It is noted as The Miracles' last studio album with original lead singer Smokey Robinson, who retired from the act to concentrate on his duties as Vice President of The Motown Record Corporation. The album charted at #46 on the Billboard Pop Album chart, and featured two singles: the appropriately named "We've Come Too Far to End It Now", which matched the parent album's chart position on the Billboard singles chart, charting at #46, and reached the Top 10 of the Billboard R&B singles chart, charting at #9, and "I Can't Stand to See You Cry", which charted at #45 Pop, and #21 R&B.
"I Gotta Dance to Keep from Crying" is a 1963 hit by the Miracles on Motown's Tamla label. It was written and produced by Motown's main songwriting team, Brian Holland, Lamont Dozier, and Eddie Holland.
"Here I Go Again" was a 1969 hit single by The Miracles. It was written by Miracles members Smokey Robinson and Pete Moore, along with Motown staff songwriters Al Cleveland and Terry "Buzzy" Johnson, a member of the legendary R&B group The Flamingos.
"That's What Love Is Made Of" is a 1964 hit song by Motown's original vocal group, the Miracles, issued on the label's Tamla records subsidiary. It was taken from the group's album Greatest Hits from the Beginning, but originally appeared on their abortive 1964 album, I Like It Like That.
"Special Occasion" is a 1968 hit single recorded by Motown Records R&B group Smokey Robinson and The Miracles, issued by its Tamla Records subsidiary and taken from the album of the same name. It was written and composed by Miracles lead singer Smokey Robinson and Motown staff songwriter Al Cleveland, the authors of the group's Top 10 million-selling smash, "I Second That Emotion", the previous year.
Come On Do the Jerk was a 1964 song recorded by R&B group the Miracles on Motown Records' Tamla label subsidiary. The song was co-written by Miracles members Pete Moore, Bobby Rogers, Smokey Robinson, and Ronnie White. A single-only release, it did not appear on any original Miracles studio album, and was the group's last single release of 1964. Robinson and fellow Miracle Bobby Rogers were the song's producers. The song's flip side, "Baby Don't You Go", was also a popular regional hit but was not released on CD until The 35th Anniversary Collection in 1994. Both sides of this single received new stereo mixes for the 2002 compilation Ooo Baby Baby: The Anthology.
"Yester Love" was a 1968 song by Motown Records R&B group The Miracles on its Tamla subsidiary label. It was recorded on December 18, 1967, and was included on the group's album, Special Occasion.
"Point It Out" is a 1969 recording by Motown Records R&B group The Miracles on that label's Tamla subsidiary. This mid-tempo song was a national Billboard Top 40 Pop hit, reaching #37 on the Hot 100, and was a Top 10 R&B hit was well, reaching #4. It was taken from their album "A Pocket Full Of Miracles", and was written by Miracles members William "Smokey" Robinson and Marv Tarplin, along with Motown staff songwriter Al Cleveland.
A Pocket Full of Miracles (TS306) is a 1970 album by Motown Records R&B group The Miracles, issued on its Tamla subsidiary label, one of three albums the group released that year. This album charted at #56 on the Billboard pop albums chart, and reached the top ten of the magazine's R&B albums chart, peaking at #10. It was released on September 30 of that year. Hit singles on the album included "Point It Out" and the topical Ashford & Simpson written-and-produced song "Who's Gonna Take the Blame", a sad, dark song about a girl that is turned out as a prostitute. Also included is the charting flip side "Darling Dear", B-side of "Point It Out", which reached #100 on the Billboard pop chart, and spawned a cover version by The Jackson Five.
"A Love She Can Count On" is a 1963 hit single by Motown Records R&B group the Miracles, issued on that label's Tamla subsidiary label. It was taken from their album The Fabulous Miracles, and was the follow-up to the group's million-selling Grammy Hall of Fame inducted tune, "You've Really Got A Hold On Me". The first of three singles released by The Miracles that year, this song was a Billboard Top 40 Pop Hit, peaking at number 31, and missed the Top 20 of its R&B chart by only one position, peaking at number 21.
