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Author | Clive Barker |
---|---|
Country | United Kingdom |
Language | English |
Genre | Dark fantasy, horror |
Publisher | Collins (UK) Poseidon Press (US) |
Publication date | 1987 |
Media type | Print (hardcover) |
Pages | 672 |
ISBN | 0-00-223271-5 |
Weaveworld is a 1987 dark fantasy novel by English writer Clive Barker. It is about a magical world that is hidden inside a tapestry, known as the Fugue, to safeguard it from both inquisitive humans and hostile supernatural foes. Two humans become embroiled in the fate of the Fugue, attempting to save it from those who seek to destroy it. The book was nominated in 1988 for the World Fantasy Award for Best Novel.
Decades prior to the book's opening, a magical race known as the Seerkind combined all of their powers to create a secret world known as "the Fugue", a carpet into which they wove their most beloved locations, animals, possessions and themselves as a safe haven. Their aim was to avoid persecution by humans (who call them demons and fairies) and eradication by a destructive being known as the Scourge. This creature's nature is entirely unknown to the Seerkind, as no-one has survived to describe it. The Fugue, resembling an ordinary, albeit exquisitely woven, carpet is left in the care of a human woman, Mimi Laschenski, who married one of the Seerkind and resides in Liverpool, England.
Mimi reaches old age and is hospitalised following a stroke. A young man named Calhoun Mooney, chasing an escaped homing pigeon, accidentally glimpses the Fugue hidden in the carpet, which profoundly affects him. Simultaneously, Mimi's granddaughter Suzanna Parrish arrives in the city at Mimi's behest. The mystery surrounding Mimi and the full potential of the carpet brings Cal and Suzanna together and quickly into confrontation with the primary antagonists: Immacolata, an exiled and extremely powerful Seerkind bent on revenge; Shadwell, a human salesman with limitless ambition; and Hobart, a conscientious policeman.
Cal and Suzanna acquire new allies and abilities in their goal of protecting the Fugue from destruction, venturing into it themselves twice. When Shadwell's actions result in the Fugue's seemingly total obliteration, the surviving Seerkind scatter. In a last desperate attempt to finish them, Shadwell locates and awakens the Scourge, which begins systematically destroying any and all traces of magic it can find.
Cal, Suzanna and their remaining allies make a final stand against Shadwell by using his own tactics against him and convince the Scourge to abandon its cause and leave the planet in peace. In the aftermath, a severely traumatised Cal is cared for by Suzanna whilst their friends adjust to permanent life amongst humanity. Eventually, Cal emerges from his withdrawal with the knowledge of how the Fugue is still alive and can be restored to its full glory.
Reviewing Weaveworld in the Toronto Star , Henry Mietkiewicz wrote that "Barker proves to be far more accomplished and self-assured than in any of his previous work...Weaveworld depends upon a relatively intricate narrative structure and a host of finely crafted characters". [1]
Dave Langford reviewed Weaveworld for White Dwarf #96, and stated that "'dark fantasy' is today's posh word for 'horror'; Barker's considerable talents in this area lead to a few gobs of gratuitous nastiness and also some terrific creations". [2]
Weaveworld was made into a three-issue comic series in 1991 by Epic Comics. The series were written by Erik Saltzgaber and pencilled by Mike Manley. Clive Barker served as consultant.
Novelist and screenwriter Michael Marshall Smith completed a first draft of a script for an eight-hour mini-series in 1995. Smith was later asked to write a complete script, but the project has fallen into hiatus and he is no longer involved. [3] In 2001, Barker stated in an interview that a Showtime six-hour mini-series was about to enter a two-year preproduction stage, directed by Queer as Folk director Russell Mulcahy, probably shot in Australia. [4]
In 2005, Barker said that the book had been adapted into a mini-series, [5] and later said that the mini-series adaptation was about to enter production. [6]
In September 2015, CW network announced a TV series adaptation of the book, to be written and produced by Warehouse 13 's Jack Kenny and produced by Clive Barker. [7]
Clive Barker is an English novelist who came to prominence in the mid-1980s with a series of short stories, the Books of Blood, which established him as a leading horror writer. He has since written many novels and other works. His fiction has been adapted into films, notably the Hellraiser series, the first installment of which he also wrote and directed, and the Candyman series. He was also an executive producer of the film Gods and Monsters, which won an Academy Award for Best Adapted Screenplay.
The Light Fantastic is a comic fantasy novel by Terry Pratchett, the second of the Discworld series. It was published on 2 June 1986, the first printing being of 1,034 copies. The title is taken from L'Allegro, a poem by John Milton, and refers to dancing lightly with extravagance, although in the novel it is explained as "the light that lies on the far side of darkness, the light fantastic. It was a rather disappointing purple colour."
Equal Rites is a comic fantasy novel by Terry Pratchett. Published in 1987, it is the third novel in the Discworld series and the first in which the main character is not Rincewind. The title is wordplay on the phrase "Equal Rights".
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Harry D'Amour is a fictional occult detective created by author, filmmaker, and artist Clive Barker. He originally appeared in the short story The Last Illusion in Books of Blood Volume 6, an anthology written by Barker and published in 1985. D'Amour has appeared in other Clive Barker prose stories, as well as comic books published by Boom! Studios, and the 1995 film Lord of Illusions wherein the character is portrayed by actor Scott Bakula. Following this, the comic book adaptation of Barker's novel The Great and Secret Show depicts D'Amour as resembling Bakula. In 2012, the cover for Hellraiser #18 used actor Thomas Jane as the model for D'Amour. In multiple stories, D'Amour is depicted as living in the same reality as Barker's popular creations the Cenobites and the Hell Priest.
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John Bolton is a British comic book artist and illustrator most known for his dense, painted style, which often verges on photorealism. He was one of the first British artists to come to work in the American comics industry, a phenomenon which took root in the late 1980s and has since become standard practice.
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Hokum & Hex is a superhero comic book series published by Marvel Comics' Razorline imprint that ran from 1993 to 1994. Created by filmmaker and horror/fantasy novelist Clive Barker as one of the imprint's four interconnected series, it starred Trip Monroe, a failing stand-up comic who, through apparently random circumstances, is given powers in order to become Earth's protector against the fundamentalist warriors of an extradimensional god attempting to convert the planet.
Immacolata aka the Incantatrix aka The Witch is a fictional character, created by Clive Barker and featured in his 1987 epic fantasy novel Weaveworld. One of the main villains in the book, she is an immensely powerful witch, her main goal being the destruction of the race she comes from, the magical creatures known as the Seerkind. Immacolata has also been turned into a comic character, after Weaveworld was adapted into a 1991 limited series by Epic Comics.
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Poseidon Press was an imprint of Simon & Schuster publishing, operating from 1982 to 1993. The founding editor was Ann Patty, who later went on to become an executive editor at Harcourt. The imprint was best known for discovering interesting new literary voices, and launched the careers of many now-famous writers.