|Directed by||Clive Barker|
|Written by||Clive Barker|
|Based on|| Cabal |
by Clive Barker
|Music by||Danny Elfman|
|Distributed by||20th Century Fox|
|Box office||$16 million|
Nightbreed is a 1990 American dark fantasy horror film written and directed by Clive Barker, based on his 1988 novella Cabal . It stars Craig Sheffer, Anne Bobby, David Cronenberg, Charles Haid, Hugh Quarshie, and Doug Bradley. The film follows an unstable mental patient named Aaron Boone who is falsely led to believe by his doctor that he is a serial killer. Tracked down by the police, his doctor, and his girlfriend Lori, Boone eventually finds refuge in an abandoned cemetery called Midian among a tribe of monsters and outcasts known as the "Nightbreed" who hide from humanity.
At the time of its release, the film was a commercial and critical failure. In several interviews, Barker protested that the film company tried to sell it as a standard slasher film, 's story. Since its initial theatrical release, Nightbreed has become a cult film.and that the powers-that-be had no real working knowledge of Nightbreed
Over time, Barker expressed disappointment with the final cut approved by the studio and always longed for the recovery of the reels so the film might be re-edited. In 2014, original film elements for the cut material were re-obtained and were edited into a director's cut, released through Scream Factory.
In Calgary, Aaron Boone dreams of Midian, a city where monsters are accepted. At the request of girlfriend Lori Winston, Boone is seeing psychotherapist Dr. Phillip Decker, a serial killer who convinces Boone that he committed Decker's murders. Decker drugs Boone with LSD disguised as lithium and orders Boone to turn himself in. Before he can do so, Boone is struck by a truck and taken to a hospital. There, Boone overhears the rants of Narcisse, a seemingly insane man who seeks to enter Midian. Convinced that Boone is there to test him, Narcisse gives Boone directions to the hidden city before tearing the skin off his face in order to show his "true" face. He is quickly subdued by hospital staff, and Boone leaves.
Boone makes his way to Midian, a city beneath a massive graveyard in the middle of nowhere. Upon encountering supernatural creatures Kinski and Peloquin, Kinski says they should bring him below, but Peloquin refuses to allow in a normal human. Boone claims to be a murderer, but Peloquin smells his innocence and attacks him. Boone escapes, only to encounter a squad of police officers led by Decker. Boone is gunned down after Decker tricks the police into believing Boone is armed. Due to Peloquin's bite, Boone returns to life in the morgue. When he returns to Midian, he finds Narcisse there and is inducted into their society by the Nightbreed's leader, Dirk Lylesburg. In an initiation ceremony, Boone is touched by the blood of their deity, Baphomet.
Seeking to understand why Boone left her, Lori investigates Midian. She befriends a woman named Sheryl Anne and drives to the cemetery with her. Leaving Sheryl Anne at the car, Lori explores the cemetery, where she finds a dying wolf-like creature. A woman named Rachel (a nightbreed with the power to transform into smoke) pleads from the shadows for Lori to take it out of the sunlight. Once in the shadows, it transforms into a little girl, Rachel's daughter Babette. Lori asks about Boone but is rebuffed by Lylesburg and scared off by Peloquin. While leaving the cemetery, Lori discovers Sheryl Anne's corpse and her killer, Decker. Decker attempts to use Lori to draw Boone out of hiding. Boone rescues Lori, and Decker learns Boone cannot be killed due to his transformation. Decker escapes, and Boone takes Lori into Midian. Rachel explains to Lori that the monsters of folklore were peaceful beings who were hunted to near-extinction by humans. Lylesburg banishes Boone and Lori from Midian. Decker learns how to kill the Nightbreed and murders the residents of the hotel where Boone and Lori are staying. When Boone discovers the crime scene, he uncontrollably drinks the blood. The police find Boone and take him into custody. At Decker's urging, the police form a militia led by Police Captain Eigerman. A drunken priest named Ashberry joins them as God's servant in their upcoming battle against Midian. Lori, Rachel and Narcisse rescue Boone, and the four return to Midian, where Boone convinces the Nightbreed to fight.
During the battle, Ashberry learns there are women and children amongst the Nightbreed. When he tries halting the attack, he is beaten by Eigerman. Ashberry finds the idol of Baphomet and swears allegiance to it. When he is splashed by its blood, he is burned and transformed. Boone learns from Lylesburg that Baphomet plans to destroy Midian. Boone argues to release the Berserkers, a monstrous feral breed that were imprisoned due to their insanity. When Lylesburg is killed before he can open the cages, Boone releases them and the Berserkers turn the tide of battle. Decker confronts Boone and is killed. When Boone faces Baphomet, Baphomet says that Boone has caused the end of Midian, which had been foretold. Baphomet charges Boone with finding a new home for the Nightbreed and renames him Cabal.
Boone leaves Midian with Lori and meets with the remaining Nightbreed in a barn, where he says his goodbyes to Narcisse and promises to find a place where they will be safe. In the ruins of Midian, Ashberry stands in front of Decker's corpse and states that he wants vengeance on Baphomet and the Breed. When he presses Baphomet's blood to Decker's wound, Decker springs back to life with a scream as Ashberry repeatedly hollers "Hallelujah!".
In The Cabal Cut, the resurrection of Decker plays as a post-credits scene.
In the alternative ending used in The Cabal Cut and Director's Cut of the film, Narcisse is killed earlier in the battle by Decker, so he is not present during the subsequent events. The Nightbreed await Boone in a barn whilst Boone says his goodbyes to Lori, as he must find a new home for the Nightbreed. Boone promises to return to her, but knowing that Boone will retain his youth and immortality as she grows old, Lori suddenly stabs herself, forcing Boone to resurrect her as a Nightbreed. They profess their love for one another and begin their journey.
Meanwhile, Captain Eigerman wanders the underground remains of the cemetery, where he stumbles upon the transformed Ashberry, who longs for revenge after his burning by Baphomet. Eigerman shares this desire, but Ashberry rejects Eigerman's offer, kills him, and starts his hunt for the Nightbreed.
The surviving Nightbreed watch Boone and Lori in the distance. Rachel tells Babette that Boone will return soon, perhaps the next day, to lead them to a new haven. Boone and Lori now appear together as part of a prophecy in a Nightbreed painting.
|"[Writer-director Clive] Barker, himself a gay man, makes his Nightbreed spectacularly queer, chiefly through its visual design and dishy repartee: the monsters sport leather, tattoos, body-piercings, shaved heads and/or pony-tails, Doc Marten boots, vests upon bare chests, and van dykes ("Satan beards" or "queer beards"), a look that was concurrently being made fashionable by Queer Nationalists, members of Act Up, and the visual stylizations of queer theatre pieces such as Reza Abdoh's Bogeyman".|
|— Monsters in the Closet: Homosexuality and the Horror Film (Inside Popular Film) by Harry M. Benshoff, 1997.|
Nightbreed has been characterized as containing themes related to queerness and the LGBT community. In 1997, author Harry M. Benshoff called it, "One of the first horror films to make an explicit connection between monsters and the activist politics of the queer community".
Filmmaker Alejandro Jodorowsky called Nightbreed "the first truly gay horror fantasy epic", explaining how the unconsummated relationship between doctor and patient is in his view the central theme.In 2015, Tyler Coates of Decider called Jodorowsky's interpretation of the characters' relationship as being "only the tip of the iceberg and, I'd argue, a red herring"; Coates focuses instead on the presence of queer subtext "blatantly seen in the Nightbreed's culture", writing that, "Because normalcy is subjective and based solely on how the majority defines it, it's important to establish mini-societies and cultures with people like you."
In 2019, Trace Thurman of Bloody Disgusting wrote that the Nightbreed as depicted in the film "represent queerness, or any fill-in-the-blank 'Other' you can think of."Noting that, beyond writer-director Clive Barker being "one of the most famous queer horror artists of our time [...] The narrative itself is filled to the brim with queerness and serves as an allegory for intolerance. Can anyone watch Nightbreed and not automatically associate the titular creatures with queer people? They've been outcast by society and are deemed as dangerous by the 'normal' people. The climax of the film culminates in an assault on the Nightbreed's home base of Midian as the 'normies' would rather kill all of them as opposed to understand them." That same year, Leigh Monson of Birth. Movies. Death. wrote that the director's cut of the film "places on display the full scope of a narrative that is a broad and potent allegory for the persecution of the queer community."
In 2021, The A.V. Club 's Charles Bramesco also examined the presence of queer themes in the film's director's cut, writing that some of its homoerotic subtext was initially removed when executives at 20th Century Fox demanded that the film be trimmed during its post-production. Bramesco argued, "They were blind to the subtext of this community as a home for misfits, where the placeless Boone—who doesn't seem all that interested in sex with his torch-singing girlfriend—can find an accepting family. The director's cut allows us more time with the creatures and ups their number, emphasizing that they're only fearsome to those afraid of difference."
Barker always loved monsters and felt that "there's a corner of all of us that envies their powers and would love to live forever, or to fly, or to change shape at will. So, when I came to make a movie about monsters, I wanted to create a world we'd feel strangely at home in".He was interested in creating a "horror mythology from the ground up" and developing characters that would live on in sequels. As he finished writing the novella Cabal , he realized that it would make a good film that he would direct himself. He originally envisioned a trilogy of films.
Nightbreed was the first of a planned three-picture deal Barker had with Morgan Creek, Joe Roth's production company, that included an adaptation of Son of Celluloid and a sequel to Nightbreed. The first compromise Barker made was to change the title of the film from Cabal to Nightbreed because Morgan Creek insisted on a more commercial title and thought that the original one did not mean anything.He was given a budget of $11 million, which was a considerable increase from the $2 million he had to work with on Hellraiser . His goal was to make the Star Wars of horror films. The monsters in the book are represented impressionistically over two or three paragraphs and the challenge Barker faced was to visualize them in much greater detail for the film.
For the film, Barker used three soundstages at Pinewood Studios shooting some scenes on location at Wexham Park Hospital, Slough, Berkshire, UK over several nights and in Calgary, Alberta, Canada.Bob Keen and his crew had two months to play around with ideas before doing any modeling work. They used computer-controlled animatronics but only where necessary. Towards the end of principal photography, Barker brought Star Wars concept artist Ralph McQuarrie in to paint mattes for the Necropolis sequences and design the history of the Breed in a symbolic way on an enormous mural across a 60-foot space on the set at Pinewood to be used in the opening credits.
During an interview in 2022 on The Ghost of Hollywood, cinematographer Robin Vidgeon, mentioned that he disliked working with David Cronenberg, stating Cronenberg complained to Clive that he was being usurp.
Barker was contractually obligated to deliver an R-rated film and could not make it as gory as his previous picture Hellraiser.Barker previewed the first cut of Nightbreed with a temporary soundtrack that did not go well, as people were confused by the characters' motives. He made some changes and the second test screening was much more successful. However, the ending with Decker's death was not well received and Barker changed it. In late July 1989, the studio pushed the release date for Nightbreed from its original autumn 1989 date to early February 1990 instead. The press release cited "the complex demands of the film's ground-breaking post-production optical effects", but this also included McQuarrie's mural and matte paintings, and a week of additional shooting in late August that would see key parts of the narrative re-shot. Barker shot extra scenes over three days in Los Angeles in late 1989 which included additional scenes with David Cronenberg which expanded and clarified his character. Barker's original version ran two-and-a-half hours and Fox asked for almost an hour to be cut prompting editor Richard Marden to leave the project in protest. Nightbreed was cut to two hours and then again to 102 minutes.
|Nightbreed (Original Motion Picture Soundtrack)|
|Film score by|
|Released||March 20, 1990|
|Producer||Danny Elfman and Steve Bartek|
|Danny Elfman chronology|
The score was composed by Danny Elfman and conducted by Shirley Walker, who also wrote the additional cue "Charge of the Berserkers" for the film's climax and received an onscreen credit. Elfman said of his score: "Once again it was time for me to stretch out... Combining dark/fun/sweet/tribal all into one. The great joy in the score for me, other than working for Clive Barker, was being able to use the children's voices and a whole slew of ethnic drums and instruments together with an orchestra, in an attempt to bring a unique musical tone to the film".Barker said "Danny is an extraordinary talent. The most uncompromised portion of that entire movie is the score".
In an article on Elfman, described as a rising composer in Hollywood who had just scored Tim Burton's Batman and was about to score Warren Beatty's Dick Tracy , Entertainment Weekly 's Ron Givens noted that Nightbreed wouldn't get as much attention as these two big-budget movies, yet Givens praised Elfman's "needle-sharp crescendos and creepy choral plainchants" and added: "Seldom has scary-movie music been so spiritual".
The song "Country Skin" is a country-and-western rendition of the Oingo Boingo song "Skin" (which appears on the 1990 album Dark at the End of the Tunnel ), it was written by Elfman and performed by country singer Michael Stanton.It can be heard in the film, played on a radio. It was available as a bonus track on the CD and cassette version of the soundtrack.
According to Barker, the studio did not promote it well with posters that misinterpreted the content. When he saw the way they were selling Nightbreed, he freaked out and said: "What you doing? This isn't the movie, and was given all kinds of excuses ... Well, there isn't time to change it, we have to release it now".The head of marketing at Morgan Creek never watched all the way through because it "disgusted and distressed" him, according to Barker. The studio did not understand it, it had no movie stars, it was violent, and it had elements of fantasy and horror which they saw as a weakness while Barker saw it as a strength. They ended up marketing Nightbreed as a slasher film with television teasers that were confusing and did not represent it. The trailer was sent to the MPAA and it was rejected 12 times. They forbade any monster footage, and it was cut down to someone being terrorized with a razor, which constituted only five minutes of Barker's film. Looking back, Barker realized that Fox was better at promoting films like White Men Can't Jump but "not so good at selling the quirky stuff".
The studio argued that there was no point showing Nightbreed to critics because the people who see horror films do not read reviews. Therefore, the film had to be sold to the lowest common denominator.They refused to preview the film for critics, a decision which angered Barker.
Rotten Tomatoes, a review aggregator, reports 48% of 33 surveyed critics gave the film a positive review; the average rating was 5.5 out of 10. The site's consensus states: "Nightbreed's imaginative world-building and startling creature designs are no match for its clumsy, uneven plotting".In his review for the Toronto Star , Henry Mietkiewicz wrote "Nightbreed might have been a monster movie milestone, if Clive Barker's directorial abilities had kept pace with his skill as a master of British horror fiction. Unfortunately, Nightbreed probably will be remembered as much for its haphazard plotting and underdeveloped characters as its delightfully daring concept". Derek Malcolm wrote in his review for The Guardian that "it is neither direct nor subtle enough as a piece of film-making. It is difficult to suggest that evil is human and monsters have souls within the context of a mountain of special effects. The result is patchy in the extreme and not always capable of transcending a genre that has become less and less intriguing as less and less is left to the imagination".
However, Entertainment Weekly 's Ty Burr gave the film a "B" rating, writing: "From the film's Gothic sets, fantastic makeup, and nightmarish plot line, it's clear that Barker owes as much to Poe and Lovecraft as to classic Hollywood screamers like Island of Lost Souls . But Barker's most perverse touch is that he makes these creatures the good guys (no wonder the PR flacks were bamboozled). Despite their grotesque appearance, they're a more colorful and engaging bunch than the emissaries of the normal world. Barker piles on more subversive subtext than his story can bear — it's a monster movie, after all — but his daft, Grand Guignol vision has real power. The quality that freaked out the studio, Barker's ambition, is precisely what makes Nightbreed so impressive".
Nightbreed was released on February 16, 1990, in 1,488 theaters, grossing $3.7 million on its opening weekend. It went on to make $8.8 million in the United States and Canada and $7 million internationally for a worldwide total of $16 million on an $11 million budget.
|Award||Category||Recipients and nominees||Outcome|
|Saturn Awards||Best Horror Film||Nightbreed||Nominated|
|Best Director||Clive Barker||Nominated|
|Best Make-Up||Bob Keen, Geoffrey Portass||Nominated|
|Best DVD/BD Special Edition Release||Nightbreed: The Director's Cut - Mark Alan Miller||Won|
|Amsterdam Fantastic Film Festival||Silver Scream Award||Clive Barker||Won|
|Avoriaz Fantastic Film Festival||Special Jury Award||Clive Barker||Won|
|Fantasporto||Critics' Award||Clive Barker||Won|
|International Fantasy Film Award||Best Film – Clive Barker||Nominated|
In 1990, to tie in with the film's box office release, Epic Comics produced a four-issue adaptation of the film, which included significant differences from the finished movie, more closely related to Clive Barker's original script. The comic book continued to run past the end of the film, ultimately stretching to twenty-five issues before it was cancelled.The comic book was initially written by Alan Grant and John Wagner and drawn by Jim Baikie.
A two part graphic novel was also produced, Hellraiser vs Nightbreed: Jihad, which merges the two worlds created by Clive Barker and features the Cenobites as agents of order against their chaotic nemesis the Nightbreed, and the Jihad (Holy War) of extermination that the first wage on the latter.
Nightbreed returned in 1992, as a short story in the second issue of the four issue Epic anthology series.
A 12 issue mini-series was published by BOOM! Studios in 2014-2015 following the storyline of the Director's Cut of the film.
Two video games based on the film were released shortly after the movie. The games were intended to form a trilogybut due to the poor performance of the first two the third was never made.
The first was a traditional action gameand was released for the Commodore Amiga, Atari ST, Commodore 64, ZX Spectrum and Amstrad CPC, and for DOS. Loosely following the same plot as the movie, it intersperses various action sequences.
The second game was released for the Amiga and ST and for DOS.Also based on the film, there was less action involved as it was more of an interactive movie.
Morgan Creek reportedly began developing a television series based on the original film in 2014.In the following year, Morgan Creek announced the sale of the domestic rights to its library of 78 films, but the production company plans to retain the TV rights to Nightbreed. In June 2018, Syfy, Morgan Creek and Barker teamed up to develop the series. It is being written by Josh Stolberg and directed by Michael Dougherty for SyFy.
In 2009, Mark Miller, co-head of Barker's production company, Seraphim Films, helped track down the missing footage that was cut out of the director's cut of Nightbreed.Miller discovered, after talking to a production executive at the studio, that the footage was never actually lost but readily accessible. When asked, a studio executive said that there was not a big enough audience to warrant the studio spending money on a new, extended cut of the film. A VHS copy of Barker's 145-minute version of the film's mid-1989 workprint was discovered. It did not feature any of the re-shoots of Decker's murders. An extended 159-minute cut version, from another VHS found in July 2009, premiered on March 27, 2010, as part of the HorrorHound Weekend in Indianapolis. This new version adds almost an hour that was cut from the theatrical release, including a song sung by Lori, and more animation. Barker said that he hopes to bring back Danny Elfman to add more music.
In early 2012, Russell Cherrington, a senior lecturer in film and video production at the University of Derby, created a composite cut of the film using the footage found on both VHS tapes and a DVD then recently released by Warner Archive Collection, Warner's made-to-order DVD service. This version is the most complete version of Barker's film available and has been dubbed The Cabal Cut. The cut runs 155 minutes long and was shown at that year's "Mad Monster Party" in North Carolina with actors Craig Sheffer and Anne Bobby attending.
The "Mad Monster Party" projection of the Cabal Cut led to a renewal of interest among fans, especially on the Internet.A new petition was created and social networks were used to raise awareness for the extended cut and to encourage producers to release it. This would be colloquially known as "Occupy Midian", a term coined by actress Anne Bobby.
A Blu-Ray release of the "Cabal Cut" was announced on July 13, 2017, via the Clive Barker Podcast.This release utilized then-restored footage from the Director's Cut and the pre-existing VHS copies, for a total length of 145 minutes. The release features new material and commentary tracks exclusive to that release. Handled by Morgan Creek and Seraphim Films, the Cabal Cut Blu-Ray was released in a limited quantity through Clive Barker's online store.
In 2013, Shout! Factory released The Cabal Cut on DVD.This version was later clarified to be a brand new director's cut that uses the footage and not the full Cabal Cut.
Shout! Factory released The Director's Cut Blu-ray in 2014. This version, overseen by Clive Barker, runs twenty minutes longer than the theatrical version and contains forty minutes of new and altered footage.Shout, with Morgan Creek Entertainment, located the original film elements in the Warner archives to newly restore the sequences. Barker said, "when Scream Factory told me that they found the Nightbreed film footage, I was gob-smacked! This is the ultimate validation of choices made by myself and Mark Miller all the way back in 2008". Shout later published a Special Edition Blu-ray / DVD combo pack and a 3-disc limited edition Blu-ray, containing a booklet and the theatrical cut. When the limited edition sold out during pre-orders, Shout! doubled their production run.
Clive Barker is an English novelist, playwright, author, film director, and visual artist who came to prominence in the mid-1980s with a series of short stories, the Books of Blood, which established him as a leading horror writer. He has since written many novels and other works. His fiction has been adapted into films, notably the Hellraiser series, the first installment of which he also wrote and directed, and the Candyman series. He was also an executive producer of the film Gods and Monsters, which won an Academy Award for Best Adapted Screenplay.
Daniel Robert Elfman is an American film composer, singer and songwriter. He came to prominence as the singer-songwriter for the new wave band Oingo Boingo in the early 1980s. Since the 1990s, Elfman has garnered international recognition for composing over 100 feature film scores, as well as compositions for television, stage productions, and the concert hall.
Hellraiser is a 1987 British supernatural horror film written and directed by Clive Barker, and produced by Christopher Figg, based on Barker's 1986 novella The Hellbound Heart. The film marked Barker's directorial debut. Its plot involves a mystical puzzle box that summons the Cenobites, a group of extra-dimensional, sadomasochistic beings who cannot differentiate between pain and pleasure. The leader of the Cenobites is portrayed by Doug Bradley, and identified in the sequels as "Pinhead".
Gods and Monsters is a 1998 period drama film that recounts the partly fictionalized last days of the life of film director James Whale, whose experience of war in World War I is a central theme. The film stars Ian McKellen, Brendan Fraser, Lynn Redgrave, Lolita Davidovich, and David Dukes. An international co-production between the United Kingdom and the United States, the film is written and directed by Bill Condon, based on Christopher Bram's 1995 novel Father of Frankenstein. The film is produced by Paul Colichman, Gregg Fienberg, and Mark R. Harris; Clive Barker served as executive producer. Despite positive reviews, the film was a box office failure.
The Bram Stoker Award for Best Non-Fiction is an award presented by the Horror Writers Association (HWA) for "superior achievement" in horror writing for non-fiction.
Midian is the fourth studio album by English extreme metal band Cradle of Filth. It was released on 30 October 2000, through Music for Nations. The album marks the return of guitarist Paul Allender to the band, as well as the introduction of drummer Adrian Erlandsson and keyboard player Martin Powell. It also features Doug Bradley as the narrator for various songs.
Douglas William Bradley is an English actor and author, best known for his role as the lead Cenobite "Pinhead" in the Hellraiser film series and for narration on various Cradle of Filth albums. He is also starring in the upcoming animated film Dagon: Troll World Chronicles as the forest monster Goeyre Heddagh.
Lord of Illusions is a 1995 American neo-noir supernatural horror film written and directed by Clive Barker, based on his own short story "The Last Illusion" published in 1985 in the anthology Books of Blood Volume 6. The same story introduced Barker's occult detective Harry D'Amour, who later appeared in several prose stories and comic books. Lord of Illusions is D'Amour's first onscreen appearance, with the character portrayed by actor Scott Bakula. Other actors appearing in the film include Kevin J. O'Connor, Famke Janssen and Daniel von Bargen. The story features D'Amour, who has had several experiences with the supernatural, embarking on an investigation involving a stage illusionist named Swann and a cult led by a sorcerer named Nix.
Cabal is a 1988 horror novel by the British author Clive Barker. It was originally published in the United States as part of a collection comprising a novel and several short stories from Barker's sixth and final volume of the Books of Blood.
Craig Eric Sheffer is an American film and television actor. He is known for his leading roles as Norman Maclean in the film A River Runs Through It, Aaron Boone in the film Nightbreed, Joe Kane in the film The Program, and Keith Scott on the television series One Tree Hill.
Nightbane is a dark fantasy role-playing game and setting created by C. J. Carella and published by Palladium Books.
Hellraiser is an English/American horror media franchise that consists of eleven films, as well as various comic books, and additional merchandise and media. Based on the novella by English author Clive Barker titled The Hellbound Heart, the franchise centers around the Cenobites including the primary antagonist named Pinhead. The overall plot of the franchise focuses on a puzzle box that opens a gateway to the Hell-like realm of the Cenobite lifeforms called the Lament Configuration. The Cenobites are an order of former-humans turned-monsters, who harvest human souls to torture in their sadistic experiments. Barker, who created the franchise and served as writer/director of the original film, stated that he signed away the story and character rights to the production company prior to the release of the first film, not realizing the critical and financial success it would be.
Midian is a geographical place and a people mentioned in the Bible and Qur'an, located in modern Al-Bad' in Tabuk Region, Hejaz.
The Wolfman is a 2010 American horror film directed by Joe Johnston, from a screenplay by Andrew Kevin Walker and David Self. A remake of the 1941 film of the same name, it stars Benicio del Toro, Anthony Hopkins, Emily Blunt and Hugo Weaving. In the film, after his brother is brutally murdered, an American actor named Lawrence Talbot returns to his ancestral homeland where he is bitten by a werewolf and cursed to become one.
Nicholas Vince is an actor, writer, and film maker who was born in West Germany and lives in South London. He trained at Mountview Theatre Academy, and shortly after graduating he met Clive Barker, modeling for him and later being cast as The Chatterer Cenobite in Hellraiser in 1987 and in its sequel Hellbound: Hellraiser II in 1988. He subsequently played Kinski in Barker's 1990 film Nightbreed. Since 2016 he's been Patron of the London Horror Festival, the UK's original and largest festival of live horror performance. In 2016 he was awarded the "London Horror Society Award for Outstanding Contribution to UK Independent Horror" and in 2018 a "Lifetime of Torment Award" at Texas Frightmare.
David Ari Leon is an American music supervisor, composer, songwriter and musician.
Anne Marie Bobby is an American actress, voice artist, playwright and author, best known for her role as Lori Winston, the heroine in Clive Barker's Nightbreed and Brigid Tenenbaum in the BioShock series. She was praised by The Washington Post for her portrayal of Tallasse in What the Deaf Man Heard (1997). The Los Angeles Times called Bobby's Tallasse "a sensitive, insightful portrayal."
Clive Barker's Nightbreed: The Interactive Movie is a 1990 arcade adventure video game developed by Impact Software and published by Ocean Software on Atari ST and DOS. It is based on Clive Barker's movie Nightbreed, which in turn is based on Barker's novella Cabal. It was originally supposed to be part of a trilogy, alongside Clive Barker's Nightbreed: The Action Game and an ultimately-unreleased RPG.
Hellraiser is a 2022 American supernatural horror film directed by David Bruckner, with a screenplay by Ben Collins and Luke Piotrowski, from a screen story they co-wrote with David S. Goyer. A second adaptation of the 1986 novella The Hellbound Heart by Clive Barker, which served as the basis for his 1987 film Hellraiser, it is a reboot of the titular franchise, and the eleventh installment overall. A co-production between Spyglass Media Group and Phantom Four Films, the film stars Odessa A'zion, Jamie Clayton, Brandon Flynn, Goran Višnjić, Drew Starkey, Adam Faison, Aoife Hinds, Selina Lo and Hiam Abbass.
The movie has, and this is wonderful, you know, a lot of fans. And it's a cult movie and it's a real pleasure to me.
“Occupy Midian” was a name thought up by Anne Bobby during an interview with the Clive Barker Podcast. This group aims to work in close co-operation with the creative people currently restoring the film.