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John Zorn is an American composer, conductor, saxophonist, arranger and producer who "deliberately resists category". His avant-garde and experimental approaches to composition and improvisation are inclusive of jazz, rock, Jewish music, hardcore, classical, contemporary, surf, metal, soundtrack, ambient, and world music. Rolling Stone noted that "[alt]hough Zorn has operated almost entirely outside the mainstream, he's gradually asserted himself as one of the most influential musicians of our time".
Thom Panunzio is a music producer and engineer.
"Sweet Leilani" is a song featured in the 1937 film, Waikiki Wedding. It won the Academy Award for Best Original Song, and Bing Crosby's record became one of the biggest hits of 1937.
"The More I See You" is a popular song composed by Harry Warren, with lyrics by Mack Gordon. The song was first published in 1945.
Unique Recording Studios was a five-room recording studio operating near Times Square in New York City from 1978 until 2004. Founders and co-owners Bobby Nathan and Joanne Georgio-Nathan installed the first Otari 24-track tape deck in New York. The studio was known for its extensive collection of synthesizers, which attracted Steve Winwood, who jammed for many hours in the process of creating his multi-Grammy winning album Back in the High Life (1986) at Unique.
"I Am in Love" is a 1953 popular song written by Cole Porter, for his musical Can-Can, where it was introduced by Peter Cookson.
"Junco Partner", also known as "Junco Partner (Worthless Man)", is a blues song first recorded by James Waynes in 1951. It has been recorded and revised by many other artists over several decades, including Louis Jordan, Michael Bloomfield, Dr. John, Professor Longhair, James Booker, Hugh Laurie, and The Clash. It has been covered in various genres of music including blues, folk, rock, reggae, and dub.
Together is a 1979 album by jazz pianist McCoy Tyner released on the Milestone label. It was recorded in August and September 1978 and features performances by Tyner with trumpeter Freddie Hubbard, flautist Hubert Laws, tenor saxophonist/bass clarinetist Bennie Maupin, vibraphonist Bobby Hutcherson, bassist Stanley Clarke, drummer Jack DeJohnette and percussionist Bill Summers.
44th Street Suite is a 1991 album by McCoy Tyner released on the Red Baron label. It was recorded in May 1991 and features performances by Tyner with tenor saxophonist David Murray, alto saxophonist Arthur Blythe, bassist Ron Carter and drummer Aaron Scott.
Above & Beyond is a live album by jazz musician Freddie Hubbard recorded on June 17, 1982, at San Francisco's Keystone Korner and released on the Metropolitan label in 1999. The Allmusic review by Scott Yanow calls Hubbard's playing on the album "stunning improvisations full of fire, technical wizardry and creative ideas".
The Rose Tattoo is an album by jazz musician Freddie Hubbard recorded in December 1983 and released on the Japanese Baystate label.
The discography of Kate Rusby, an English folk singer, consists of twenty solo albums, four albums as part of a duo or group, four extended plays (EPs), two video albums, fourteen singles, and seven music videos. Rusby's debut was Intuition, an album recorded in collaboration with five other female singers from Yorkshire, which was released on a small label in 1993. Her breakthrough came with an eponymous album recorded with Kathryn Roberts, another of the singers featured on Intuition. This album, which was named as the best of the year by Folk Roots magazine, was the first release on Pure Records, a label set up by Rusby's father on which all her subsequent solo recordings have been released. Rusby and Roberts also formed the band the Equation in conjunction with the Lakeman Brothers, but Rusby left the group after their debut EP. In 1996 she joined the all-female folk group the Poozies, with whom she released one EP and one full-length album.
A Bluish Bag is an album by jazz saxophonist Stanley Turrentine consisting of two sessions recorded for the Blue Note label in 1967 and arranged by Duke Pearson, the first featuring Donald Byrd and the second McCoy Tyner, among others.
Motor City Scene, also released as Stardust, is an album by American saxophonist Pepper Adams and trumpeter Donald Byrd, recorded in 1960 and released on the Bethlehem label as BCP 6056 featuring Byrd and Adams with Kenny Burrell, Tommy Flanagan, Paul Chambers, and Louis Hayes. It is not to be confused with the identically titled 1959 Thad Jones album on United Artists Records that also featured Tommy Flanagan and Paul Chambers, along with Al Grey, Billy Mitchell, and Elvin Jones.
The albums discography of American jazz artist Sarah Vaughan contains 48 studio albums, ten live albums, 35 compilation albums, two extended plays, five box sets and eight album appearances. Her debut studio album was issued in 1950 and was followed by her second self-titled studio recording was released on EmArcy Records in 1954. The later was a collaborative effort with Clifford Brown. Vaughan's 1958 album titled Sarah Vaughan Sings George Gershwin later would chart in the top 50 of the Billboard Traditional Jazz Albums chart. In 1959, No Count Sarah reached the top 20 of the UK Albums Chart. Vaughan recorded three live records for Mercury Records during the 1950s, beginning with 1957's At Mister Kelly's.
Kyoto is an album by Art Blakey's Jazz Messengers, recorded in 1964 and released on the Riverside label.
A Night at Boomers, Vol. 2 is a live album by pianist Cedar Walton recorded in 1973 and released on the Muse label.
The discography of American country music singer-songwriter Loretta Lynn includes 50 studio albums, 36 compilation albums, two live albums, seven video albums, two box sets and 27 additional album appearances. Briefly recording with the Zero label, she signed an official recording contract with Decca Records in 1961, remaining there for over 20 years The first under the label was her debut studio album Loretta Lynn Sings (1963). It peaked at number two on the Billboard Top Country Albums survey. Lynn would issue several albums a year with her growing success, including a duet album with Ernest Tubb (1965), a gospel album (1965), and a holiday album (1966). Her seventh studio album You Ain't Woman Enough (1966) was her first release to top the country albums chart and to chart within the Billboard 200. Other albums to reach number one during this period were Don't Come Home a Drinkin' (1967) and Fist City. Don't Come A'Drinkin would also become Lynn's first album to certify gold by the Recording Industry Association of America (RIAA).
The albums discography of American country singer-songwriter Bill Anderson contains 45 studio albums, three live albums, 13 compilation albums, four extended plays and one box set. He first signed with Decca Records in 1958 and started releasing singles which became major hits. However, Anderson's first album was not released until 1962. Entitled Bill Anderson Sings Country Heart Songs, the package was a compilation release containing his major hits up to that point. His debut studio release, Still, followed upon the success of its title track in 1963. The release peaked at number 10 on the Billboard Top Country Albums chart and number 36 on the Billboard 200, his only album to chart the latter survey. Over the next decade, Anderson released several albums per year, many of which reached the top ten on the Billboard country albums chart. His second studio release, Bill Anderson Sings (1964), reached number seven on the chart for example. In 1966, his fifth studio album, I Love You Drops, reached number one the country albums list. In 1967, Anderson recorded his first album of gospel music called I Can Do Nothing Alone, which reached number 23 on the country albums survey. His eighth studio record, For Loving You (1968), was a collaborative project with Jan Howard. It reached number six on the country albums chart.
