Whispering Smith | |
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![]() Theatrical release poster | |
Directed by | Leslie Fenton |
Written by | Frank Butler Karl Kamb |
Based on | novel by Frank H. Spearman |
Produced by | Mel Epstein (associate producer) |
Starring | Alan Ladd Robert Preston Brenda Marshall Donald Crisp |
Cinematography | Ray Rennahan |
Edited by | Archie Marshek |
Music by | Adolph Deutsch |
Color process | Technicolor |
Production company | Paramount Pictures |
Distributed by | Paramount Pictures |
Release date |
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Running time | 89 minutes |
Country | United States |
Language | English |
Budget | $2 million [1] |
Box office | $2.8 million (US) [2] |
Whispering Smith is a 1948 American Western film directed by Leslie Fenton and starring Alan Ladd as a railroad detective assigned to stop a gang of train robbers. The supporting cast includes Robert Preston, Brenda Marshall and Donald Crisp.
The picture is based on a novel by Frank H. Spearman and a previous 1926 film adaptation starring H. B. Warner.
The bad Barton boys—Blake, Leroy, and Gabby—rob a train and shoot a guard. Luke Smith, known as "Whispering" to some for his quiet ways, is a detective for the railroad sent to investigate.
Murray Sinclair, an old friend of Smith's, is in charge of the railroad's wrecking crew. He's glad to see Smith, who shoots Leroy and Gabby and is saved when a bullet is deflected by a harmonica in his pocket, given him long ago by his sweetheart Marian, who is now Sinclair's wife.
It saddens Smith to find out that Sinclair might be in cahoots with Barney Rebstock, a rancher with a bad reputation. Rebstock has been hiding the remaining Barton brother, Blake, who is tracked down by Smith.
Whitey DuSang is a hired gun for Rebstock, who wants to see Smith dead. When the railroad's boss gives Sinclair an order, Sinclair rebels and is fired. Rebstock hires him to pull off a string of daring train holdups.
Smith forms a posse. Whitey kills a guard and betrays Rebstock, shooting him. Sinclair is wounded. Smith does away with Whitey but gives his old friend Sinclair a last chance. When Sinclair rides home, he finds Marian packing and strikes her, accusing her of leaving him for Smith.
Smith shows up and Sinclair apologises for his actions. He seems sincere, but when Smith's back is turned, Sinclair pulls a hidden gun. Before he can fire, Sinclair falls over and dies from his wound. Smith leaves town, his work there done.
The film was announced in early 1947 as a vehicle for Alan Ladd. [3] It was Ladd's first Western and his first movie in colour. [4] [5]
The script made a number of changes to the original novel including changing the double love story to one. [6]
Brenda Marshall was given her first screen role in four years. Filming began on 14 April 1947. [7]
The role of Whispering Smith was partly based on Jake Lefors. The part of Murray Sinclair, Smith's friend who turns to crime, was supposedly inspired by Butch Cassidy. [8]
The filmmakers built a Western town on five acres of the backlot at a cost of $70,000. [9] [10] It included 2000 feet of railroad track on which authentic 1870 locomotives owned by Paramount were operated. The trains were converted from their original wood-burning fuel system to oil by their original owner, the Virginia & Truckee Railroad of Carson City, Nevada. The set was later re-used in many later TV shows and films, including Bonanza . [8]
The film was not released until 1949, by which time Paramount had made and released another Ladd film, Beyond Glory .
The film was popular with audiences. According to Variety it was the 20th-most popular film in the US and Canada in 1949. [11] It was also one of the most watched films of the year in the UK. [12]
Sol Lesser, who had rights to ten Whispering Smith stories, wanted to film some of them with Robert Mitchum, [13] who had begun his career as a leading man in a pair of Zane Grey Westerns. These films were not made. However, Audie Murphy later starred in a Whispering Smith TV series.
Shane is a 1953 American Technicolor Western film starring Alan Ladd, Jean Arthur, and Van Heflin. Released by Paramount Pictures, the film is noted for its landscape cinematography, editing, performances, and contributions to the genre. The picture was produced and directed by George Stevens from a screenplay by A. B. Guthrie Jr., based on the 1949 novel of the same name by Jack Schaefer. Its Oscar-winning cinematography was by Loyal Griggs.
The Blue Dahlia is a 1946 American crime film and film noir with an original screenplay by Raymond Chandler directed by George Marshall and starring Alan Ladd, Veronica Lake and William Bendix. It was Chandler's first original screenplay.
Alan Walbridge Ladd was an American actor and film producer. Ladd found success in film in the 1940s and early 1950s, particularly in films noir and Westerns. He was often paired with Veronica Lake in films noir, such as This Gun for Hire (1942), The Glass Key (1942), and The Blue Dahlia (1946). Whispering Smith (1948) was his first Western and color film, and Shane (1953) was noted for its contributions to the genre. Ladd also appeared in ten films with William Bendix.
This Gun for Hire is a 1942 American film noir crime film directed by Frank Tuttle and starring Veronica Lake, Robert Preston, Laird Cregar, and Alan Ladd. It is based on the 1936 novel A Gun for Sale by Graham Greene.
Frank Hamilton Spearman was an American writer.
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Variety Girl is a 1947 American musical comedy film directed by George Marshall and starring Mary Hatcher, Olga San Juan, DeForest Kelley, Frank Ferguson, Glenn Tryon, Nella Walker, Torben Meyer, Jack Norton, and William Demarest. It was produced by Paramount Pictures. Numerous Paramount contract players and directors make cameos or perform songs, with particularly large amounts of screen time featuring Bing Crosby and Bob Hope. Among many others, the studio contract players include Gary Cooper, Alan Ladd, Paulette Goddard, Ray Milland, William Holden, Burt Lancaster, Robert Preston, Veronica Lake, William Bendix, Barbara Stanwyck and Paula Raymond.
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Whispering Smith is an American Western television series that originally aired on NBC. It has the same ultimate source material as the 1948 film of the same name, but differs in some significant respects.
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