Why Should I Get Used to It | ||||
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Studio album by | ||||
Released | 2011 | |||
Recorded | January 2010 | |||
Studio | MHouse, Rome, Italy | |||
Genre | Rock | |||
Length | 31:38 | |||
Label | Dischord DIS168.5CD Tollotta TOL10.5 | |||
Joe Lally chronology | ||||
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Why Should I Get Used to It is the third solo album by Fugazi bassist Joe Lally. Featuring eleven original songs, it was recorded at MHouse in Rome, Italy, during January 2010, and was released in 2011 by both Dischord Records and Lally's Tolotta label. On the album, Lally is accompanied by two Italian musicians: guitarist Elisa Abela, and drummer Emanuele Tomasi. [1] [2] [3]
The album was recorded after Lally had moved to Italy, where he met Abela, whom he described as a multi-instrumentalist who can "play music on whatever is in front of her," and Tomasi, "a free jazz kind of drummer." [4] Lally suggested that the four-year gap between his second and third releases was the result of the fact that he took more time writing the songs, while at the same time touring in Europe and Japan. [4] Regarding the music, he noted that the "record comes out of my own head more than the other ones," [5] and stated that, whereas on the two previous albums he attempted to "creat[e] a skeleton... an atmosphere or texture" that he would use to guide the musicians, on Why Should I Get Used to It, he "began really trying to flesh out the songs and get them down as demos" prior to rehearsals. [6]
Review scores | |
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Source | Rating |
The Austin Chronicle | [7] |
PopMatters | [8] |
The Skinny | [9] |
In a review for PopMatters , Corey Beasley described the album as "a cohesive and layered statement, and a successful one," stating that it "sees [Lally] refining his melodic chops and exploring new textures in his gentle, clear voice," and noting his willingness to "experiment with song structures, restless, soft-loud, balancing introspection with forcefulness." [8]
A writer for the Alternative Press commented: "the album spotlights Lally's greatest talent: avoiding the spotlight... At times, yes, it sounds like Fugazi—but at the same time, it's far more quietly assured and humbly, even eerily, virtuosic. Kind of like Lally himself." [10]
Exclaim!'s Vish Khanna stated that the album "features some of the richest grooves and startling playing of any record [Lally's] been a part of," and called it his "finest post-Fugazi work." [11]
Jason Morton of The Skinny wrote: "while Lally's plaintive vocals might not purvey the same passion as his former bandmates, this LP should satiate the appetites of Fugazi fans, as well as people who like challenging music that doesn't sacrifice melody to push the envelope." [9]
A reviewer for the Washington City Paper noted the album's "unfussy post-punk sonics, a close-up production aesthetic, and [Lally's] singular, nearly deadpan vocals," and remarked: "Why Should I Get Used To It is incrementally edgier than its predecessors, either because Lally bumps up the rhythms or turns up the guitar... His bandmates seem to be nudging him a little, too." [12]
Writing for The Boston Globe , Scott McLennan called the album the best of Lally's solo releases to date, and stated: "Lally has... settled into a comfortable and confident singing voice, leaning into sincerity to compensate for obvious limitations in range... smarts and clear vision steer this trio of singularly talented musicians into being a true band." [13]
Ian Thomas Garner MacKaye is an American musician. Active since 1979, he is best known as the co-founder and owner of Dischord Records, a Washington, D.C.-based independent record label, and the frontman of hardcore punk band Minor Threat and post-hardcore band Fugazi. MacKaye was also the bassist for the short-lived band the Teen Idles, and frontman for Embrace, and Pailhead, a collaboration with the band Ministry. MacKaye is a member of The Evens, a two-piece indie rock group he formed with his wife Amy Farina in 2001 and in 2018 formed the band Coriky with Farina and his Fugazi band mate Joe Lally.
Fugazi was an American punk rock band formed in Washington, D.C., in 1986. The band consisted of guitarists and vocalists Ian MacKaye and Guy Picciotto, bassist Joe Lally, and drummer Brendan Canty. They were noted for their style-transcending music, DIY ethical stance, manner of business practice, and contempt for the music industry.
13 Songs is a compilation album by the American post-hardcore band Fugazi, released on September 1, 1989 by Dischord Records. The album consists of all the songs from the band's first two EPs, Fugazi and Margin Walker.
The Argument is the sixth and most recent studio album from the post-hardcore band Fugazi released on October 16, 2001, through Dischord Records. It was recorded at Don Zientara's Inner Ear Studios in Arlington, VA and the Dischord House between January and April 2001. It was the band's last release before going on hiatus in 2003, until the release of First Demo over thirteen years later.
Brendan John Canty is an American musician, composer, producer and filmmaker, best known as the drummer for the band Fugazi.
Joseph Francis Lally is an American bassist, vocalist and record label owner, best known for his work with Fugazi.
Steady Diet of Nothing is the second studio album by American post-hardcore band Fugazi, released in July 1991 by Dischord Records. Although a persistent rumor alleges that the title is an allusion to a quote by the late American stand-up comedian Bill Hicks, the album title predates the Hicks quote by several years and was actually thought up by bassist Joe Lally.
In on the Kill Taker is the third full-length studio album by the American post-hardcore band Fugazi. It was released on June 30, 1993, through Dischord Records and was recorded at Inner Ear Studios and produced by Ted Niceley and Don Zientara. In on the Kill Taker captured the aggressiveness of the band's earlier releases while displaying a more diverse range of influences.
Red Medicine is the fourth studio album by the American post-hardcore band Fugazi, released on June 12, 1995, by Dischord Records. It is the band's most commercially successful album, peaking at number 126 on the U.S. Billboard 200 and number 18 on the UK Albums Chart.
Fugazi, also known as the EP 7 Songs, is the debut eponymous release by the American post-hardcore band Fugazi. As with subsequent release Margin Walker, Guy Picciotto did not contribute guitar to this record; all guitar was performed by Ian MacKaye. It was originally recorded in June 1988 and released in November 1988 on vinyl and again in 1989 on the compilation release 13 Songs along with the following EP Margin Walker. The photo used for the album cover was taken on June 30, 1988 at Maxwell's in Hoboken, New Jersey.
Tolotta Records was a record label run by Joe Lally of Fugazi. It was based in Arlington, Virginia, and distributed through Dischord Records. The label has released bands from Washington, D.C., and the surrounding area, such as Dead Meadow and Spirit Caravan. The label was founded in 1994 and came to an end in 2002 when Spirit Caravan broke up and Dead Meadow moved to Matador Records. Shortly after Lally set-up the label, the German label Hellhound Records disbanded, leaving Tolotta to pick up some of the slack. Tolotta re-released The Obsessed's first album and picked up Scott Weinrich's new band, Shine, who later changed their name to Spirit Caravan.
The discography of Fugazi, an American post-hardcore band, consists of six studio albums, four EPs, a compilation album, a soundtrack album, a demo and a series of hundreds of live recordings. All of the band's releases have been published by Dischord Records, the independent record label co-owned and operated by Fugazi singer and guitarist Ian MacKaye.
There to Here is the debut album by Fugazi bassist Joe Lally. Released in 2006 on Dischord, the album marks a departure from the post-hardcore sound pioneered by Fugazi, to a more sparse musical style.
Nothing Is Underrated is the second solo album by Fugazi bassist Joe Lally. As the follow-up to Lally's debut, There to Here, it is stylistically similar in its woody, bass-oriented grooves. Much like its predecessor, Nothing Is Underrated features various members of Washington D.C. groups such as Faraquet, the Capitol City Dusters, Medications, The Out Circuit, the Delta 72, Capillary Action, Rites of Spring, and Lally's bandmates in Fugazi.
Don Zientara is an American record producer and musician. He owns and runs Inner Ear Studios in Arlington, Virginia, located just outside Washington D.C., and is most widely known for his production work with Fugazi, Minor Threat and various other Dischord Records artists.
The Messthetics is an instrumental trio formed by former Fugazi members bassist Joe Lally and drummer Brendan Canty with guitarist Anthony Pirog. Their music has been described as "jazz punk jam."
Anthropocosmic Nest is the second album by The Messthetics. Unlike their debut album, which was recorded after having only been together for a short while, this album was recorded after a great deal of touring. Guitarist Anthony Pirog estimates the band played about 200 gigs and therefore had a chance to perform the songs live for a while before recording them.
Coriky is an American alternative rock band from Washington D.C., formed in 2015. The band is made up of Ian MacKaye, Amy Farina, and Joe Lally. The band's straightforward approach is reflected in the band's bio, which in its entirety reads: "Coriky is a band from Washington, D.C. Amy Farina plays drums. Joe Lally plays bass. Ian MacKaye plays guitar. All sing."
Coriky is the self-titled debut album of the band Coriky which features Fugazi’s Ian Mackaye and Joe Lally, alongside Amy Farina of the Evens.
The Messthetics is the debut album by the band of the same name, featuring bassist Joe Lally and drummer Brendan Canty of Fugazi along with guitarist Anthony Pirog, best known for his association with the band Skysaw and the duo Janel & Anthony. Recorded by Canty at his practice space in Washington, D.C. during 2017, it was released in 2018 by Dischord Records.