"You Keep Me Hangin' On" is a song written and composed by Holland–Dozier–Holland. It was first recorded in 1966 by American girl group the Supremes, reaching number one on the Billboard Hot 100. American rock band Vanilla Fudge released a cover version in June of the following year, which reached number six on the Billboard Hot 100. English singer Kim Wilde covered "You Keep Me Hangin' On" in 1986, bumping it back to number one on the Billboard Hot 100 in June 1987. In the first 32 years of the Billboard Hot 100 rock era, "You Keep Me Hangin' On" became one of six songs to reach number one by two different musical acts. In 1996, American country singer Reba McEntire's version reached number two on the US Billboard Hot Dance Club Play chart. The BBC ranked the Supremes' original song at number 78 on The Top 100 Digital Motown Chart, which ranks Motown releases by their all-time UK downloads and streams.
"Always on My Mind" is a ballad written by Wayne Carson, Johnny Christopher, and Mark James, first released by Gwen McCrae in 1972. Brenda Lee also released a version in 1972. The song has been a crossover hit, charting in both the country and western and pop categories.
"Boom Boom Boom" is a 1995 song by the American hip house duo The Outhere Brothers, released as the fourth single from their debut album, 1 Polish, 2 Biscuits & a Fish Sandwich. It peaked at number 65 on the Billboard Hot 100. Outside of the US, it topped the charts in Germany, the Republic of Ireland, and the UK. In the latter two countries, the single became the duo's second chart-topper. The original version contained sexually explicit lyrics which were removed for the radio edit but were retained in remixes of the track on the single. BuzzFeed ranked it number 71 in their list of "The 101 Greatest Dance Songs of the '90s" in 2017.
"You Should Be Dancing" is a song by the Bee Gees, from the album Children of the World, released in 1976. It hit No. 1 for one week on the American Billboard Hot 100, No. 1 for seven weeks on the US Hot Dance Club Play chart, and in September the same year, reached No. 5 on the UK Singles Chart. The song also peaked at No. 4 on the Billboard Soul chart. It was this song that first launched the Bee Gees into disco. It was also the only track from the group to top the dance chart.
"You Got It" is a song from American singer Roy Orbison's 22nd studio album, Mystery Girl (1989). The song was released posthumously on January 3, 1989, with "The Only One" as the B-side, and released again with "Crying" shortly thereafter. The A-side reached number nine on the Billboard Hot 100 and number one on the Adult Contemporary chart, returning Orbison to the top 10 for the first time in 25 years. It also reached number three on the UK Singles Chart in early 1989, posthumously released after Orbison's heart attack on December 6, 1988. Although it is an Orbison solo single, Orbison's fellow Traveling Wilburys bandmates, Tom Petty and Jeff Lynne, co-wrote the song and played instruments on the record.
"Since I Don't Have You" is a song written and composed by Jackie Taylor, James Beaumont, Janet Vogel, Joseph Rock, Joe Verscharen, Lennie Martin, and Wally Lester. It was first a 1958 hit single for the doo-wop group the Skyliners on the Billboard Hot 100. Country music singer Ronnie Milsap had a hit with the song in 1991. American hard rock band Guns N' Roses also had some success in 1994 with their version of the song which reached the top 10 on the UK Singles Chart.
"Magic Man" is a song by the American rock band Heart released as a single off their debut album, Dreamboat Annie. Written and composed by Ann and Nancy Wilson, the song is sung from the viewpoint of a young girl who is being seduced by an older man, much to the chagrin of her mother, who calls and begs the girl to come home. In an interview, Ann Wilson revealed that the "Magic Man" was her then boyfriend, band manager Michael Fisher, and that part of the song was an autobiographical tale of the beginnings of their relationship. The album version of "Magic Man" features an over-two-minute instrumental break which consists of a guitar solo and usage of a Minimoog synthesizer, while the single version of the song edits out most of this break, cutting it down from 5:28 to 3:29.
"Crazy on You" is a song by American rock band Heart from their debut studio album, Dreamboat Annie (1975). It was released in March 1976 as the album's third single in Canada and the album's debut single in the United States. It reached the top 25 in Canada and the top 35 in the US. It found more success in the Netherlands and Belgium where it peaked at number 2 and 13, respectively, in early 1977 after its release as the second single from Dreamboat Annie in those countries. It is considered one of Heart's signature songs as it is one of the most played tracks on classic rock radio stations in the US.
Barbra Streisand is an American actress,director, singer-songwriter, and author. Her discography consists of 117 singles, 36 studio albums, and 11 compilations, 9 live albums and 15 soundtracks. She is one of the best-selling female music artist of all time, with more than 68.5 million albums in the United States and a total of 145 million records sold worldwide, making her the best-selling female among the top-selling artists in the United States recognized by the Recording Industry Association of America.
"After the Lovin'" is a single performed by Engelbert Humperdinck, produced by Joel Diamond and Charlie Calello, and composed by Ritchie Adams with lyrics by Alan Bernstein. The single was a U.S. top-ten hit in late 1976/early 1977, reaching number eight on the Billboard Hot 100 and number five on the Cash Box Top 100. It became a RIAA gold record. It is ranked as the 61st biggest U.S. hit of 1977. The song also reached number 40 on the country singles chart and spent two weeks atop the easy listening chart.
"Walk Right In" is a country blues song written by musician Gus Cannon and originally recorded by Cannon's Jug Stompers in 1929. Victor Records released on a 78 rpm record and in 1959, it was included on the influential compilation album The Country Blues. A revised version of the song by the Rooftop Singers, with the writing credits allocated to group members Erik Darling and Bill Svanoe, became an international hit in 1963.
"A Little Bit More" is a song written and performed by Bobby Gosh, released on his 1973 album Sitting in the Quiet. The first hit version was recorded by the band Dr. Hook; their version was released as a single in 1976. It charted at number 11 on the US Billboard Hot 100, and spent two weeks at number nine on the Cash Box Top 100. It reached number two on the UK Singles Chart in July 1976 for five consecutive weeks, being held from the top spot by Elton John and Kiki Dee's "Don't Go Breaking My Heart". It was Dr. Hook's joint second-best UK chart placing, matching "Sylvia's Mother" and surpassed only by "When You're in Love with a Beautiful Woman".
"I Just Want to Be Your Everything" is a song recorded by Andy Gibb, initially released in April 1977 as the first single from his debut album Flowing Rivers. It reached number 1 on the Billboard Hot 100 for three weeks, starting on the week ending 30 July 1977, and again for the week ending 17 September 1977. It was Gibb's first single released in the United Kingdom and United States. His previous single, "Words and Music" was only released in Australia. It is ranked number 26 on Billboard's 55th anniversary All Time Top 100 list.
"Just One Look" is a song co-written by American R&B singers Doris Troy and Gregory Carroll. The recording by Doris Troy was a hit in 1963. The Hollies, Anne Murray and Linda Ronstadt each achieved great success with the song. There have also been many other versions.
"(There's) No Gettin' Over Me" is a song written by Walt Aldridge and Tom Brasfield, and recorded by American country music singer Ronnie Milsap. It was released in June 1981 as the first single from the album There's No Gettin' Over Me. Known by many fans by its less grammatically correct title "There Ain't No Gettin' Over Me" — the song's official title appears nowhere in the lyrics — the song became one of Milsap's biggest country and pop hits during his recording career.
The discography of American country music singer Ronnie Milsap consists of 30 albums and 79 singles. Since releasing his first album in 1971, Milsap has had 40 number-one hits on the Billboard country chart and sold over 35 million albums. In addition, 26 of his US number-one hits reached number-one on the RPM Top Country Tracks chart in Canada; three songs that did not reach number-one in the US were number one in Canada; and two of his US number-one country hits also topped the US adult contemporary chart. As of 2000, he has recorded 7 gold albums, 1 platinum album, and 1 double-platinum album.
"Don't You Ever Get Tired " is a country song written by Hank Cochran that was a hit single for Ray Price in 1965, reaching No. 11 on the Billboard chart. A later version by Ronnie Milsap in 1989 was Milsap's thirty-third number one single as a solo artist. The single went to number one for one week and spent a total of thirteen weeks on the chart. Other notable recordings of the song were done by Jack Greene and George Jones and by Price and Willie Nelson as a duet.
"Just Remember I Love You" is a song by American rock band Firefall from their album, Luna Sea (1977), with backing vocals by Timothy B. Schmit. It was written by Rick Roberts and released as a single on July 21, 1977.
"The Greatest Love of All" is a song written by Michael Masser, who composed the music, and Linda Creed, who wrote the lyrics. It was originally recorded in 1977 by George Benson, who made the song a substantial hit, peaking at number two on the US Hot Soul Singles chart that year, the first R&B chart top-ten hit for Arista Records. The song was written and recorded to be the main theme of the 1977 film The Greatest, a biopic of the boxer Muhammad Ali, and is performed during the opening credits.
"With Pen in Hand" is a song written by Bobby Goldsboro and first released on his March 1968 album, Honey. The song's lyrics address the subjects of divorce and losing custody of one's child, and are sung from the perspective of the parent who expects to be losing custody of their child, as they make a final plea to their spouse to reconcile before the divorce is finalized. "With Pen in Hand" has been a hit for multiple artists in the late 1960 and 1970s.
