Willi Manages the Whole Thing | |
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Directed by | Werner Jacobs |
Written by | |
Produced by | |
Starring | |
Cinematography | Karl Löb |
Edited by | Alfred Srp |
Music by | Martin Böttcher |
Production company | |
Distributed by | Constantin Film |
Release date |
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Running time | 84 minutes |
Country | West Germany |
Language | German |
Willi Manages the Whole Thing (German : Willi wird das Kind schon schaukeln) is a 1972 German sports comedy film directed by Werner Jacobs and starring Heinz Erhardt, Erika von Thellmann and Hannelore Elsner. [1] German footballer Uwe Seeler appears as himself. It was the final entry into a four film series with Heinz Erhardt as Willi.
It was shot at the Bavaria Studios in Munich with location shooting taking place in West Berlin.
Willi takes over as manager of a provincial football team.
Uwe Seeler was a German footballer and football official. As a striker, he was a prolific scorer for Hamburger SV and also made 72 appearances for the West Germany national team. Widely regarded as one of the greatest players in German football history, Seeler was named one of FIFA's 100 greatest living players by Pelé in 2004. He was the first football player to be awarded the Commander's Cross of the Order of Merit of the Federal Republic of Germany.
Hannelore Elsner was a German actress with a long career in television and film. She first performed on stage in Munich, and later starred in popular films and television series such as Die Schwarzwaldklinik, and as the lead character, Inspector Lea Sommer, in the series Die Kommissarin. She was recognized internationally for her lead role in the 2000 film Die Unberührbare, shown at the Cannes Film Festival.
Heinz Erhardt was a German comedian, musician, entertainer, actor, and poet.
What Is the Matter with Willi? is a 1970 West German comedy film directed by Werner Jacobs and starring Heinz Erhardt, Ralf Wolter and Ruth Stephan. It was based on a character Heinz Erhardt played on television. It was followed by a loose sequel That Can't Shake Our Willi! and in 1971 a third film Our Willi Is the Best was made with Erhard returning as Willi. The final film Willi Manages The Whole Thing was released in 1972.
That Can't Shake Our Willi! is a 1970 German comedy film directed by Rolf Olsen and starring Heinz Erhardt, Ruth Stephan, and Günther Jerschke. It is a sequel to the film What Is the Matter with Willi?. It was followed in 1971 by a third film Our Willi Is the Best, made with Erhard returning as Willi. The final film Willi Manages The Whole Thing was released in 1972.
Zum Teufel mit der Penne is a 1968 West German comedy film directed by Werner Jacobs and starring Peter Alexander, Hansi Kraus and Hannelore Elsner. Its English title is To Hell with School. It was the second in the 7-part Die Lümmel von der ersten Bank series of comedy films.
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Erika von Thellmann (1902–1988) was an Austrian actress who appeared in more than a hundred films and television series during her career.
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Gentlemen in White Vests is a 1970 German comedy film directed by Wolfgang Staudte and starring Martin Held, Walter Giller and Heinz Erhardt.
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The Violin Maker of Mittenwald is a 1950 West German drama film directed by Rudolf Schündler and starring Willy Rösner, Paul Richter and Franziska Kinz.
Kissing Is No Sin is a 1950 Austrian-German comedy film directed by Hubert Marischka and starring Curd Jürgens, Hans Olden and Hans Moser. The film takes its title from the waltz "Küssen ist keine Sünd" in Edmund Eysler's 1903 operetta Bruder Straubinger and features the song in its soundtrack.
Love on Ice is a 1950 West German romance film directed by Kurt Meisel and starring Margot Hielscher, Kurt Meisel and Hannelore Bollmann. It also features the ice hockey teams SC Riessersee and EV Füssen. It was shot at the Bavaria Studios in Munich. The film's sets were designed by the art directors Robert Herlth, Max Mellin and Willy Schatz.
Espionage is a 1955 Austrian historical spy drama film directed by Franz Antel and starring Ewald Balser, Barbara Rütting and Gerhard Riedmann. It was shot at the Sievering Studios and on location in Vienna. The film's sets were designed by the art director Felix Smetana. It was based on the real story of Alfred Redl, an officer serving with Austrian Military Intelligence who was also secretly spying for the hostile Russian Empire before the First World War.