William F. Patry | |
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![]() Patry in October 2009 | |
Born | Niskayuna, New York, U.S. | January 1, 1950
Nationality | American |
Education | San Francisco State University (BA, MA) University of Houston (JD) |
Occupation | Lawyer |
William F. Patry (born January 1, 1950, in Niskayuna, New York) is an American lawyer specializing in copyright law. He studied at the San Francisco State University, where he obtained a B.A. in 1974 and an M.A. in 1976, and then at the University of Houston, where he graduated with a J.D. in 1980. He was admitted to the bar in Texas in 1981, in the District of Columbia in 2000, and in New York in 2001. [1]
Patry served as a copyright counsel to the U.S. House of Representatives in the early 1990s, where he participated in the elaboration of the copyright provisions of the Uruguay Round Agreements Act. [2] Patry also worked as a policy planning advisor to the Register of Copyrights, and held a post as Professor of Law at the Benjamin N. Cardozo School of Law. [3] He is also the author of an eight volume treatise on U.S. copyright law entitled Patry on Copyright.
On August 1, 2008, Patry announced the termination of his blog, giving as reasons both the unwillingness of too many people to treat it as the personal blog that it was and the sad state of copyright law. [4]
In 2009 he published Moral Panics and the Copyright Wars, [5] and temporarily resumed blogging in support of the book.
For 17 years he was senior copyright counsel at Google. As of 2024 he is a partner in the intellectual property practice of the Mayer Brown firm in New York City. [6]
Books:
Papers:
A copyright is a type of intellectual property that gives the creator of an original work, or another right holder, the exclusive and legally secured right to copy, distribute, adapt, display, and perform a creative work, usually for a limited time. The creative work may be in a literary, artistic, educational, or musical form. Copyright is intended to protect the original expression of an idea in the form of a creative work, but not the idea itself. A copyright is subject to limitations based on public interest considerations, such as the fair use doctrine in the United States.
Intellectual property (IP) is a category of property that includes intangible creations of the human intellect. There are many types of intellectual property, and some countries recognize more than others. The best-known types are patents, copyrights, trademarks, and trade secrets. The modern concept of intellectual property developed in England in the 17th and 18th centuries. The term "intellectual property" began to be used in the 19th century, though it was not until the late 20th century that intellectual property became commonplace in most of the world's legal systems.
The Copyright Act of 1790 was the first federal copyright act to be instituted in the United States, though most of the states had passed various legislation securing copyrights in the years immediately following the Revolutionary War. The stated object of the act was the "encouragement of learning," and it achieved this by securing authors the "sole right and liberty of printing, reprinting, publishing and vending" the copies of their "maps, charts, and books" for a term of 14 years, with the right to renew for one additional 14-year term should the copyright holder still be alive.
Intellectual property rights (IPRs) have been acknowledged and protected in China since 1980. China has acceded to the major international conventions on protection of rights to intellectual property. Domestically, protection of intellectual property law has also been established by government legislation, administrative regulations, and decrees in the areas of trademark, copyright, and patent.
The Access to Knowledge (A2K) movement is a loose collection of civil society groups, governments, and individuals converging on the idea that access to knowledge should be linked to fundamental principles of justice, freedom, and economic development.
The Uruguay Round Agreements Act is an Act of Congress in the United States that implemented in U.S. law the Marrakesh Agreement of 1994. The Marrakesh Agreement was part of the Uruguay Round of negotiations which transformed the General Agreement on Tariffs and Trade (GATT) into the World Trade Organization (WTO). One of its effects is to give United States copyright protection to foreign works that had previously been in the public domain in the United States.
"Author's rights" is a term frequently used in connection with laws about intellectual property.
Network DVR (NDVR), or network personal video recorder (NPVR), or remote storage digital video recorder (RS-DVR) is a network-based digital video recorder (DVR) stored at the provider's central location rather than at the consumer's private home. Traditionally, media content was stored in a subscriber's set-top box hard drive, but with NDVR the service provider owns a large number of servers, on which the subscribers' media content is stored. The term RS-DVR is used by Cablevision for their version of this technology.
Copyright in Russia developed originally along the same lines as in Western European countries. A first copyright statute dated back to 1828, and in 1857, a general copyright term of fifty years was instituted. The copyright law of 1911 was inspired by Western laws of the continental European tradition. One noteworthy exception in Russian copyright law was the "freedom of translation"—any work could be freely translated into another language.
Jeremy Phillips is a retired British academic, author, editor, publisher, and commentator in intellectual property (IP) law. In 2007, he was reported to be "a respected IP academic" and "a well-known figure among IP lawyers."
The rule of the shorter term, also called the comparison of terms, is a provision in international copyright treaties. The provision allows that signatory countries can limit the duration of copyright they grant to foreign works under national treatment to no more than the copyright term granted in the country of origin of the work.
The current Copyright law of the Russian Federation is codified in part IV of the Civil Code of the Russian Federation. It entered in force on January 1, 2008.
The international copyright relations of Russia were virtually non-existent for much of the Imperial era continuing into the history of the Soviet Union until the Cold War. The Russian Empire had only a few bilateral copyright treaties with other nations were concluded; these treaties moreover were weak and of short duration. The treaties from Imperial times had all expired by the time of the Russian Revolution.
The Berne Convention for the Protection of Literary and Artistic Works, usually known as the Berne Convention, was an international assembly held in 1886 in the Swiss city of Bern by ten European countries with the goal of agreeing on a set of legal principles for the protection of original work. They drafted and adopted a multi-party contract containing agreements for a uniform, border-crossing system that became known under the same name. Its rules have been updated many times since then. The treaty provides authors, musicians, poets, painters, and other creators with the means to control how their works are used, by whom, and on what terms. In some jurisdictions these type of rights are referred to as copyright; on the European continent they are generally referred to as author' rights or makerright.
Copyright infringement is the use of works protected by copyright without permission for a usage where such permission is required, thereby infringing certain exclusive rights granted to the copyright holder, such as the right to reproduce, distribute, display or perform the protected work, or to make derivative works. The copyright holder is typically the work's creator, or a publisher or other business to whom copyright has been assigned. Copyright holders routinely invoke legal and technological measures to prevent and penalize copyright infringement.
The Register of Copyrights is the director of the United States Copyright Office within the Library of Congress, as provided by 17 U.S.C. § 701. The Office has been headed by a Register since 1897. The Register is appointed by, and responsible to, the Librarian of Congress, with the Register's office located in the Library's James Madison Memorial Building.
Justin Hughes is an American legal scholar. He is the William H. Hannon Professor of Law at Loyola Law School, Los Angeles, where he teaches courses in intellectual property law, international trade, and internet law. As a scholar he has emphasized philosophical and historical issues in intellectual property, focusing on copyright, trademarks, and geographical indications. He led United States delegations to international negotiations on copyright.
Substantial similarity, in US copyright law, is the standard used to determine whether a defendant has infringed the reproduction right of a copyright. The standard arises out of the recognition that the exclusive right to make copies of a work would be meaningless if copyright infringement were limited to making only exact and complete reproductions of a work. Many courts also use "substantial similarity" in place of "probative" or "striking similarity" to describe the level of similarity necessary to prove that copying has occurred. A number of tests have been devised by courts to determine substantial similarity. They may rely on expert or lay observation or both and may subjectively judge the feel of a work or critically analyze its elements.
Iran is a member of the WIPO since 2001 and has acceded to several WIPO intellectual property treaties. Iran joined the Convention for the Protection of Industrial Property in 1959. In December 2003 Iran became a party to the Madrid Agreement and the Madrid Protocol for the International Registration of Marks. In 2005 Iran joined the Lisbon Agreement for the Protection of Appellations of Origin and their International Registration, which ensures the protection of geographical names associated with products. As at February 2008 Iran had yet to accede to The Hague Agreement for the Protection of Industrial Designs.
moral panics and the copyright wars.